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The Swastika and Symbols of Hate - Extremist Iconography Today (Hardcover)
Loot Price: R496
Discovery Miles 4 960
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The Swastika and Symbols of Hate - Extremist Iconography Today (Hardcover)
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List price R644
Loot Price R496
Discovery Miles 4 960
You Save R148 (23%)
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"Force[s] even the most sophisticated to rethink and rework their
ideas of how images work in the world." -School Library Journal
This is a classic story, masterfully told, in a new, revised and
expanded edition about how one graphic symbol can endure and
influence life-for good and evil-for generations and never, even
today, be redeemed. A nuanced examination of the most powerful
symbol ever created, The Swastika and Symbols of Hate explores the
rise and fall of the symbol, its mysteries, co-option, and
misunderstandings. Readers will be fascinated by the twists and
turns of the swastika's fortunes, from its pre-Nazi
spiritual-religious and benign commercial uses, to the Nazi
appropriation and criminalization of the form, to its contemporary
applications as both a racist, hate-filled logo and ignorantly hip
identity. Once the mark of good fortune, during the twentieth
century it was hijacked and perverted, twisted into the graphic
embodiment of intolerance. If you want to know what the logo for
hate looks like, go no further. The Nazi swastika is a visual
obscenity and provokes deep emotions on all sides. The Nazis
weaponized this design, first as a party emblem, then as a sign of
national pride and, ultimately, as the trademark of Adolf Hitler's
unremitting malevolence in the name of national superiority. A
skilled propagandist, Hitler and his accomplices understood how to
stoke fear through mass media and through emblems, banners, and
uniforms. Many contemporary hate marks are rooted in Nazi
iconography both as serious homage and sarcastic digital bots and
trolls. Given the increasing tolerance for supremacist intolerance
tacitly and overtly shown by politicians the world over, this
revised (and reconfigured) edition includes additional material on
old and new hate logos as it examines graphic design's role in
far-right extremist ideology today.
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