Elderkin, whose debut (the award-winning Sunset Over Chocolate
Mountains, 2000) painted a lyric picture of the Arizona desert, now
delves into the mysteries of the Australian outback. The story
concerns a young man who hears voices that derive either from his
schizophrenia or from his special relationship with the Aboriginal
spirits that inhabit the landscape. At the start, Billy wakes up in
a hospital bed, having attacked an American tourist on a train
after being found wandering along the tracks. The doctors assigned
to his case consider insanity his defense against assault charges.
His Aboriginal nurse Cecily, however, lets him know in subtle ways
that she believes other forces caused his wandering and the strange
mutilation of his privates (if it is mutilation, not primitive
improvement to his manhood). Elderkin intercuts Billy's recovery
process with his buried memories of a childhood spent with his
distant mother and pitiful father in an isolated community being
dragged into the modern world by an unscrupulous developer. She
also offers the perspective of forces of nature-like the wind-as if
they were actual characters that watch over Billy (unless they're
merely voices in this head). In particular, there is the Aboriginal
girl-or spirit of a girl-Maisie, who draws the young Billy into her
world. Shortly after the boy Billy discovers that his mother is
having an affair, he takes Maisie for a joyride in one of his
father's cars and runs into a kangaroo. Distraught, he leaves the
outback, becomes a miner, and finds himself platonically involved
with a young mother of three. But the forces of nature, which Billy
perceives as voices, follow him and draw him back to the land,
where he undergoes a transformation-or nervous breakdown. If this
all sounds confusing, it is. Tottering between spiritual
gobbledygook and psychobabble, Elderkin nevertheless does create
lush exotic worlds, although an unfortunate undercurrent of polemic
weakens the mystery of what has happened to Billy. Lots to chew on,
but hard to digest. (Kirkus Reviews)
A novel of incantatory beauty set in the wilds of Australia from
Susan Elderkin, one of Granta's 'Best of British' writers and the
sparklingly original author of 'Sunset Over Chocolate Mountains'.
In the remote, blood-red landscape of the Australian bush,
thirteen-year-old Billy Saint hears the haunting song of an
Aboriginal girl. The song tugs at something deep, something larger
and more powerful than himself. She has sung Billy up - and he is
destined to love her for ever. In an Alice Springs hospital ten
years later, recovering from gruesome wounds of mysterious origin,
Billy attempts to explain the voices in his head. But only Cecily,
the Aboriginal nurse, will listen. What unravels is a mesmerising
account of the relationship between a man, the land he loves, and
the spirits of the country, struggling to be heard before it is too
late. 'The Voices' is as seductively beautiful as the timeless
landscape in which it is set. A lament for a disappearing culture,
told with great delicacy and power, it will continue to haunt its
readers long after the final page has turned.
General
Imprint: |
HarperPerennial
|
Country of origin: |
United Kingdom |
Release date: |
July 2004 |
Authors: |
Susan Elderkin
|
Dimensions: |
198 x 129 x 22mm (L x W x T) |
Format: |
Paperback - B-format
|
Pages: |
352 |
Edition: |
New ed |
ISBN-13: |
978-1-84115-202-8 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
1-84115-202-1 |
Barcode: |
9781841152028 |
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