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The Moral Economies of American Authorship - Reputation, Scandal, and the Nineteenth-Century Literary Marketplace (Hardcover)
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The Moral Economies of American Authorship - Reputation, Scandal, and the Nineteenth-Century Literary Marketplace (Hardcover)
Series: Oxford Studies in American Literary History
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The Moral Economies of American Authorship argues that the moral
character of authors became a kind of literary property within
mid-nineteenth-century America's expanding print marketplace,
shaping the construction, promotion, and reception of texts as well
as of literary reputations. Using a wide range of printed
materials-prefaces, dedications, and other paratexts as well as
book reviews, advertisements, and editorials that appeared in the
era's magazines and newspapers-The Moral Economies of American
Authorship recovers and analyzes the circulation of authors' moral
currency, attending not only to the marketing of apparently
ironclad status but also to the period's not-infrequent author
scandals and ensuing attempts at recuperation. These preoccupations
prove to be more than a historical curiosity-they prefigure the
complex (if often disavowed) interdependence of authorial character
and literary value in contemporary scholarship and pedagogy.
Combining broad investigations into the marketing and reception of
books with case studies that analyze the construction and repair of
particular authors' reputations (e.g., James Fenimore Cooper, Mary
Prince, Elizabeth Keckley, Frederick Douglass, Harriet Beecher
Stowe, and E.D.E.N. Southworth), the book constructs a genealogy of
the field's investments in and uses of authorial character. In the
nineteenth century's deployment of moral character as a signal
element in the marketing, reception, and canonization of books and
authors, we see how biography both vexed and created literary
status, adumbrating our own preoccupations while demonstrating how
malleable-and how recuperable-moral authority could be.
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