Viewing the poem as a social agent and product in women's lives,
the essays in this collection examine factors influencing the
relationships between writers and readers of poetry in
seventeenth-century England and Scotland. The archival and
theoretical research on literary authorship, textual transmission
and socio-literary networks invites a re-examination of the
production and reception of poetry, and alters our understanding of
the way poetry participated in social, literary and political life.
The volume takes account of the expansion and changes to the canon
of women's poetry and emerging research on key aspects of literary
production and reception. It builds on and responds to both recent
critical emphasis on literary form and on archival scholarship in
women's writing, understanding the two emphases to be mutually
informative. -- .
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