For artists of the increasingly mechanized Victorian age, questions
about the meaning and value of labour presented a series of urgent
problems: Is work a moral obligation or a religious duty? Must
labour be the preserve of men alone? Does the amount of work
bestowed on a painting affect its value? Should art celebrate
wholesome rural work or reveal the degradations of the industrial
workplace? In this highly original book, Tim Barringer considers
how artists and theorists addressed these questions and what their
solutions reveal about Victorian society and culture. Based on
extensive new research, Men at Work offers a compelling study of
the image as a means of exploring the relationship between labour
and art in Victorian Britain. Barringer arrives at a major
reinterpretation of the art and culture of nineteenth-century
Britain and its empire as well as new readings of such key figures
as Ford Madox Brown and John Ruskin. Published for the Paul Mellon
Centre for Studies in British Art
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