When the basic conceptions of the world held by whole
generations in the West are formed by popular culture, and in
particular by the music that serves as its soundtrack, can theology
remain unchanged? The authors of the essays in this important
volume insist that the answer is no.
These gifted theologians help readers make sense of what happens
to religious experience in a world heavily influenced by popular
media culture, a world in which songs, musicians, and celebrities
influence our individual and collective imaginations about how we
might live. Readers will consider the theological relationship
between music and the creative process, investigate ways that music
helps create communities of heightened moral consciousness, and
explore the theological significance of songs.
Contributors to this fascinating collection include: David Dalt
Maeve Heaney Daniel White Hodge Michael J. Iafrate Jeffrey F. Keuss
Mary McDonough Gina Messina-Dysert Christian Scharen Myles
Werntz
"Tom Beaudoin is associate professor of theology at Fordham
University, specializing inpractical theology. His books include
"Witness to Dispossession: The Vocation of a Postmodern Theologian;
Consuming Faith: Integrating Who We Are with What We Buy"; and"
Virtual Faith: The Irreverent Spiritual Faith of Generation X." He
has given nearly 200 papers, lectures, or presentations on religion
and culture over the last thirteen years. He has been playing bass
in rock bands since 1986 and directs the Rock and Theology Project
for Liturgical Press (www.rockandtheology.com).""
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