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Hitchcock's Cryptonymies v2 - Volume II. War Machines (Paperback)
Loot Price: R581
Discovery Miles 5 810
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(11%)
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Hitchcock's Cryptonymies v2 - Volume II. War Machines (Paperback)
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List price R652
Loot Price R581
Discovery Miles 5 810
You Save R71 (11%)
Expected to ship within 12 - 17 working days
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In the first The Man Who Knew Too Much, Alfred Hitchcock films a
clay pigeon crossing the sky, a dark disc resembling a black sun.
When the same work takes viewers into a temple for sun worshippers
(it turns out to be a front for spies), another black orb is
introduced: a black marble used to hypnotize initiates. Tom Cohen
traces this motif-and many others-seeing it as an explicit
challenge both to Enlightenment-era protocols of representation and
to the auteurism that has defined studies of Hitchcock. This second
volume of Hitchcock's Cryptonomies presents the director's works as
a radical collage of images and absences, letters and numbers,
citations and sounds that together mark Hitchcock as a knowing
figure who was entirely aware of his-and cinema's-place at the dawn
of a global media culture, as well as of the cinema's revolutionary
impact on perception and memory. Cohen's provocative interrogation
culminates in an innovative close analysis of To Catch a Thief, a
work disregarded by the critical establishment as being merely
light entertainment. Disguised as thrillers, Hitchcock's films are
as subversive as the spies around which their plots often revolve.
Cohen sees them as "war machines"-hiding in plain sight at the
center of the film canon-designed as much to erode traditional
models of home, family, and state as to sabotage increasingly
obsolete ways of seeing and knowing.Tom Cohen is professor of
American literary, critical, and cinematic studies at the
University at Albany. He is the author of Anti-Mimesis: From Plato
to Hitchcock and Ideology and Inscription: "Cultural Studies" after
Benjamin, and coeditor of Material Events (Minnesota, 2000).
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