In Critical and Creative Perspectives on Fairy Tales: An
Intertextual Dialogue between Fairy-Tale Scholarship and Postmodern
Retellings Vanessa Joosen broadens the traditional concept of
intertextuality to include academic texts. With three key texts
from the 1970s at the center of her discussion-Marcia K.
Lieberman's "Some Day My Prince Will Come," Bruno Bettelheim's The
Uses of Enchantment, and Sandra Gilbert and Susan Gubar's The
Madwoman in the Attic-Joosen connects the critical views expressed
in these feminist and psychoanalytic interpretations with fictional
fairy-tale retellings and illustrations that have been published in
Dutch, English, and German since the 1970s. While readers may not
automatically connect fairy-tale retellings and criticism, Joosen
argues that they represent a similar conviction to understand,
interpret, criticize, and experiment with the original tale. Moving
through her three critical focus texts in chronological order,
Joosen addresses fairy-tale retellings in prose, poetry, and
pictures, including revisions of "Snow White," "Cinderella,"
"Sleeping Beauty," "Hansel and Gretel," "Little Red Riding Hood,"
and "Beauty and the Beast." Authors and illustrators whose work is
discussed include Paul Biegel, Anthony Browne, Gillian Cross, Emma
Donoghue, Iring Fetscher, Adele Geras, Otto Gmelin, Wim Hofman,
Anne Provoost, Anne Sexton, Barbara Walker, and Jane Yolen. Joosen
argues that retellings and criticism participate in a continuous
and dynamic dialogue about the traditional fairy tale, but on
different terms. Critical and Creative Perspectives on Fairy Tales
offers many insights into the workings of fiction and criticism
that will appeal to fairy-tale scholars, literature scholars, and
general readers interested in intertextuality and fairy tales.
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