1930. From the Johns Hopkins University Studies in Archaeology No.
7 edited by David M. Robinson. No art was more popular in Greece
than sculpture, and in none did the Greeks reveal their genius more
completely and abidingly. In this volume Agard examines what
characteristics have made its influence so potent. Contents: Greek
Sculpture; The Sculpture of Rome; The Lingering Tradition; The
Renaissance; Classicism and Neoclassicism; and The Modern Debt to
Greek Sculpture.
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