Living out a dull, bad dream of botched politics, the stunted
characters in these novellas exist in a no-man's-land, halfway
between the failed utopia of Chairman Mao and the promise of
McDonald's, Macintosh and MTV.Gingerly, resentfully, a churlish
young writer negotiates the task of helping his girlfriend's ailing
father pee into a bottle. It's a humdrum humiliation for all
concerned, but one that's finally rewarded with "the poignant
tinkle of water on plastic." Of such small things, Zhu Wen, a
leading light of the "New Generation" of Chinese writers who came
of age in the shadow of Tiananmen Square, crafts bitter,
tragicomic, poetic fiction. "A Hospital Night" isn't much,
plot-wise: Sick old man rages at smug youth. But the Worker's
Hospital where the action's set functions fine as metaphor-nothing
works there. Filial piety, the Confucian ideal, is a bankrupt
mockery, and socialist camaraderie is a joke. The title story is
even bleaker. Another callow writer goes trolling with his father
for teenaged whores. Dad's a mildly amiable tippler; the son's an
absolute cad, shacking up with a divorced older woman and then
cheating on her. A sexaholic, he's materialism run amuck: "If we're
not getting any otherwise and it's being sold on the market, why
shouldn't we go and buy some?" "Pounds, Ounces, Meat" achieves a
kind of Chekhovian surrealism: Yet one more disgruntled youngster,
after falling for a girl "carrying a black parasol and a copy of I
Love Dollars," embarks on a quest to determine the true value of a
pork filet. In the author's China, everything's a mess, from the
drifting Yangtze River steamer in "A Boat Crossing" to the
fouled-up factory in "Ah, Xiao Xie."A jaundiced view of
post-communist chaos. No heroism, no transcendence, just
all-too-human desperation. (Kirkus Reviews)
In five richly imaginative novellas and a short story, Zhu Wen
depicts the violence, chaos, and dark comedy of China in the
post-Mao era. A frank reflection of the seamier side of his
nation's increasingly capitalist society, Zhu Wen's fiction offers
an audaciously plainspoken account of the often hedonistic
individualism that is feverishly taking root.
Set against the mundane landscapes of contemporary China-a worn
Yangtze River vessel, cheap diners, a failing factory, a for-profit
hospital operating by dated socialist norms-Zhu Wen's stories zoom
in on the often tragicomic minutiae of everyday life in this
fast-changing country. With subjects ranging from provincial
mafiosi to nightmarish families and oppressed factory workers, his
claustrophobic narratives depict a spiritually bankrupt society,
periodically rocked by spasms of uncontrolled violence.
For example, "I Love Dollars," a story about casual sex in a
provincial city whose caustic portrayal of numb disillusionment and
cynicism, caused an immediate sensation in the Chinese literary
establishment when it was first published. The novella's loose,
colloquial voice and sharp focus on the indignity and iniquity of a
society trapped between communism and capitalism showcase Zhu Wen's
exceptional ability to make literary sense of the bizarre,
ideologically confused amalgam that is contemporary China.
Julia Lovell's fluent translation deftly reproduces Zhu Wen's
wry sense of humor and powerful command of detail and atmosphere.
The first book-length publication of Zhu Wen's fiction in English,
I Love Dollars "and Other Stories of China" offers readers access
to a trailblazing author and marks a major contribution to Chinese
literature in English.
General
Imprint: |
Columbia University Press
|
Country of origin: |
United States |
Series: |
Weatherhead Books on Asia |
Release date: |
2007 |
First published: |
2007 |
Authors: |
Wen Zhu
|
Translators: |
Julia Lovell
|
Dimensions: |
210 x 140 x 23mm (L x W x T) |
Format: |
Hardcover - Trade binding
|
Pages: |
256 |
ISBN-13: |
978-0-231-13694-5 |
Languages: |
English
|
Subtitles: |
Chinese
|
Categories: |
Books >
Fiction >
Special features >
Short stories
|
LSN: |
0-231-13694-3 |
Barcode: |
9780231136945 |
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