Greed, frustrated love, traffic jams, infertility, politics,
polygamy. These--together with depictions of traditional village
life and the impact of colonialism made familiar to Western readers
through Chinua Achebe's writing--are the stuff of Nigerian fiction.
Bearing Witness examines this varied content and the determined
people who, against all odds, write, publish, sell, and read novels
in Africa's most populous nation.
Drawing on interviews with Nigeria's writers, publishers,
booksellers, and readers, surveys, and a careful reading of close
to 500 Nigerian novels--from lightweight romances to literary
masterpieces--Wendy Griswold explores how global cultural flows and
local conflicts meet in the production and reception of fiction.
She argues that Nigerian readers and writers form a reading class
that unabashedly believes in progress, rationality, and the
slow-but-inevitable rise of a reading culture. But they do so
within a society that does not support their assumptions and does
not trust literature, making them modernists in a country that is
simultaneously premodern and postmodern.
Without privacy, reliable electricity, political freedom, or
even social toleration of bookworms, these Nigerians write and read
political satires, formula romances, war stories, complex gender
fiction, blood-and-sex crime capers, nostalgic portraits of village
life, and profound explorations of how decent people get by amid
urban chaos. Bearing Witness is an inventive and moving work of
cultural sociology that may be the most comprehensive sociological
analysis of a literary system ever written.
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