Werner Sollors' African American Writing takes a fresh look at what
used to be called "Negro literature." The essays collected here,
ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi
Jones/Amiri Baraka, and in time from the Enlightenment to the Obama
presidency, take a literary approach to black writing and present
writers as readers and as intellectuals who were or are open to the
world. From W.E.B. Du Bois commenting on Richard Wagner and Elvis
Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a
segregationist newspaper, to Charles Chesnutt's effigy darkened for
the black heritage postage stamp, Sollors alternates between close
readings and broader cultural contextualizations to delineate the
various aesthetic modes and intellectual exchanges that shaped a
series of striking literary works. Readers will make
often-surprising discoveries in the authors' writing and in their
encounters and dialogues with others. The essays, accompanied by
Winold Reiss's pastels, Carl Van Vechten's photographs, and other
portraits, attempt to honor this important literature's
achievement, heterogeneity, and creativity.
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