Over the last three decades, the visual artist William Kentridge
has garnered international acclaim for his work across media
including drawing, film, sculpture, printmaking, and theater.
Rendered in stark contrasts of black and white, his images reflect
his native South Africa and, like endlessly suggestive shadows,
point to something more elemental as well. Based on the 2012
Charles Eliot Norton Lectures, Six Drawing Lessons "is the most
comprehensive collection available of Kentridge s thoughts on art,
art-making, and the studio.
Art, Kentridge says, is its own form of knowledge. It does not
simply supplement the real world, and it cannot be purely
understood in the rational terms of traditional academic
disciplines. The studio is the crucial location for the creation of
meaning: the place where linear thinking is abandoned and the
material processes of the eye, the hand, the charcoal and paper
become themselves the guides of creativity. Drawing has the
potential to educate us about the most complex issues of our time.
This is the real meaning of drawing lessons.
Incorporating elements of graphic design and ranging freely
from discussions of Plato s cave to the Enlightenment s role in
colonial oppression to the depiction of animals in art, Six Drawing
Lessons "is an illustration in print of its own thesis of how art
creates knowledge. Foregrounding the very processes by which we
see, Kentridge"makes us more aware of the mechanisms and deceptions
through which we construct meaning in the world."
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