This book provides detailed descriptions of big data solutions for activity detection and forecasting of very large numbers of moving entities spread across large geographical areas. It presents state-of-the-art methods for processing, managing, detecting and predicting trajectories and important events related to moving entities, together with advanced visual analytics methods, over multiple heterogeneous, voluminous, fluctuating and noisy data streams from moving entities, correlating them with data from archived data sources expressing e.g. entities' characteristics, geographical information, mobility patterns, mobility regulations and intentional data. The book is divided into six parts: Part I discusses the motivation and background of mobility forecasting supported by trajectory-oriented analytics, and includes specific problems and challenges in the aviation (air-traffic management) and the maritime domains. Part II focuses on big data quality assessment and processing, and presents novel technologies suitable for mobility analytics components. Next, Part III describes solutions toward processing and managing big spatio-temporal data, particularly enriching data streams and integrating streamed and archival data to provide coherent views of mobility, and storing of integrated mobility data in large distributed knowledge graphs for efficient query-answering. Part IV focuses on mobility analytics methods exploiting (online) processed, synopsized and enriched data streams as well as (offline) integrated, archived mobility data, and highlights future location and trajectory prediction methods, distinguishing between short-term and more challenging long-term predictions. Part V examines how methods addressing data management, data processing and mobility analytics are integrated in big data architectures with distinctive characteristics compared to other known big data paradigmatic architectures. Lastly, Part VI covers important ethical issues that research on mobility analytics should address. Providing novel approaches and methodologies related to mobility detection and forecasting needs based on big data exploration, processing, storage, and analysis, this book will appeal to computer scientists and stakeholders in various application domains.

Volume III of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata LXI to Sonata XC. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices.

Classical string theory is concerned with the propagation of classical 1-dimensional curves 'strings', and the theory has connections to the calculus of variations, minimal surfaces and harmonic maps. The quantization of string theory gives rise to problems in different areas, according to the method used. The representation theory of Lie, Kac-Moody and Virasoro algebras have been used for such quantization. In this lecture note the authors give an introduction to certain global analytic and probabilistic aspects of string theory. It is their intention to bring together, and make explicit the necessary mathematical tools. Researchers with an interest in string theory, in either mathematics or theoretical physics, will find this a stimulating volume.

This book provides detailed descriptions of big data solutions for activity detection and forecasting of very large numbers of moving entities spread across large geographical areas. It presents state-of-the-art methods for processing, managing, detecting and predicting trajectories and important events related to moving entities, together with advanced visual analytics methods, over multiple heterogeneous, voluminous, fluctuating and noisy data streams from moving entities, correlating them with data from archived data sources expressing e.g. entities' characteristics, geographical information, mobility patterns, mobility regulations and intentional data. The book is divided into six parts: Part I discusses the motivation and background of mobility forecasting supported by trajectory-oriented analytics, and includes specific problems and challenges in the aviation (air-traffic management) and the maritime domains. Part II focuses on big data quality assessment and processing, and presents novel technologies suitable for mobility analytics components. Next, Part III describes solutions toward processing and managing big spatio-temporal data, particularly enriching data streams and integrating streamed and archival data to provide coherent views of mobility, and storing of integrated mobility data in large distributed knowledge graphs for efficient query-answering. Part IV focuses on mobility analytics methods exploiting (online) processed, synopsized and enriched data streams as well as (offline) integrated, archived mobility data, and highlights future location and trajectory prediction methods, distinguishing between short-term and more challenging long-term predictions. Part V examines how methods addressing data management, data processing and mobility analytics are integrated in big data architectures with distinctive characteristics compared to other known big data paradigmatic architectures. Lastly, Part VI covers important ethical issues that research on mobility analytics should address. Providing novel approaches and methodologies related to mobility detection and forecasting needs based on big data exploration, processing, storage, and analysis, this book will appeal to computer scientists and stakeholders in various application domains.

Scarlatti's Selected Keyboard Sonatas have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

Scarlatti's Selected Keyboard Sonatas have been published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

A revival of Giuseppe Scarlatti's spritely comic Baroque opera, recorded at the authentically restored Castle Theatre in Ceský Krumlov where it was first performed in 1768. Voytech Spurný leads the period-instruments of the Schwarzenberg Court Orchestra, with performances by Lenka Máciková, Ales Briscein, Katerina Knezíková and Jaroslav Brezina.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sedecia Re' Di Gerusalemme Alessandro Scarlatti, Filippo Fabri Zenobi, 1706

This is a complete collection of the keyboard sonatas by Domenico Scarlatti (1685-1757), L.1-500 & S.1-45 with four pages of the original source on each page, including index and lists of the sonatas sorted by Longo, Kirkpatrick or Pestelli and a short article about Scarlatti from wikipedia. The original sources are out of copyright editions of the sonatas, downloaded and reproduced from www.imslp.org. Keywords: K/P/L 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT183569Engraved throughout, apart from the letterpress preface. No more published?. London?, 1785?]. 4],2,29, 1]p.: engr.music; obl.2

This acclaimed edition is making available authentic versions of the works of a key figure in the history of opera.

"Gli equivoci nel sembiante" (1679), Scarlatti's first opera, is a comedy of mistaken identities and amorous intrigues in the pastoral mode. It was one of the most popular and widely performed works of the composer's long career. A small cast and simple scenic requirements make it an ideal work for performances today.

In preparing the score presented here, Frank A. D'Accone compared the six extant manuscripts. His introduction sketches the opera's history and discusses performance practice. A translation of the libretto is appended.

Donald Jay Grout is Given Foundation Professor of Musicology Emeritus, Cornell University Frank A. D'Accone is Professor of Music, University of California, Los Angeles.

Scarlatti operas already published: "Eraclea, Marco Attilio Regolo, Griselda, The Faithful Princess, Massimo Puppieno, and La Caduta de' Decemviri."

Donald Grout's widely praised edition of the work of a key figure in the history of opera provides the most reliable version of the score for each opera, appending a translation of the libretto. These volumes are "at once practical and unquestionably scholarly" in the words of Opera Journal. A tale of love and honor in the "opera seria" tradition, "Tigrane" was first performed at Naples in 1715. This edition of it will please performance groups and music historians alike.

Donald Jay Grout is Given Foundation Professor of Musicology Emeritus, Cornell University; Michael Coffins is Professor of Music, North Texas State University.

Operas already available: "Eraclea, Marco Attilia Regolo, Griselda, The Faithful Princess, Massimo Puppieno, La Caduta de' Decemviri, and Gli Equivoci nel Sernbiante."

This acclaimed edition of Scarlatti's operas is making available for the first time authentic versions of the works of one of the key figures in the history of the genre. In this fifth volume of the series, Cohn Slim provides a definitive edition of "Massimo Puppieno," an opera from the middle years of Scarlatti's career. In his introduction he discusses the opera and performance practices of the day. A translation of the libretto is included.

H. Cohn Slim is Professor of Music, University of California, Irvine.

Other operas available are "Eraclea, Marco Attilio Regolo, Griselda," and "The Faithful Princess."