In 2015 portraits by Dr John Adamson were displayed at the National Museum of Scotland exhibition Photography: A Victorian Sensation. The audience response to these powerful works was such that this book has been produced, the first devoted to placing his work in its historical context and to acquainting a new audience with his work which, for conservation reasons, cannot be displayed all the time. Dr Adamson (1809-70) was the older brother of the better known Robert Adamson (1821-48), famous for his pioneering photography work with D. O. Hill. John Adamson remained an amateur; his photography had to be fitted in around his busy medical practice in St Andrews. The photographs are drawn mainly from two extremely early and significant albums, presented to the Museum in the 1940s. An Appendix has technical information on, for example: camera obscura, lenses, daguerreotype, calotype, the albumen process, and the collodian negative process.

In the middle of the nineteenth century a sympathetic relationship between art, science and technology laid the groundwork for photography to flourish, including camera obscura and the panorama. This is a lavishly produced book on the eventful first thirty years of photography in Scotland - around 1840 - 70. The photographers whose work is discussed include David Octavius Hill, Robert Adamson, James Valentine, Thomas Annan and George Washington Wilson plus practitioners not previously mentioned in any publication. Julia Margaret Cameron's encounter with Scotland is also described as is the work of Scottish photographers abroad.

At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had the self-confidence to exhibit their products in London to an international audience. How had this change come about, and why? This book looks at the four main, and two lesser, English centres known for instrument production outside the capital: Birmingham, Liverpool, Manchester and Sheffield, along with the older population centres in Bristol and York. Making wide use of new sources, Dr Morrison-Low, curator of history of science at the National Museums of Scotland, charts the growth of these centres and provides a characterisation of their products. New information is provided on aspects of the trade, especially marketing techniques, sources of materials, tools and customer relationships. From contemporary evidence, she argues that the principal output of the provincial trade (with some notable exceptions) must have been into the London marketplace, anonymously, and at the cheaper end of the market. She also discusses the structure and organization of the provincial trade, and looks at the impact of new technology imported from other closely-allied trades. By virtue of its approach and subject matter the book considers aspects of economic and business history, gender and the family, the history of science and technology, material culture, and patterns of migration. It contains a myriad of stories of families and firms, of entrepreneurs and customers, and of organizations and arms of government. In bringing together this wide range of interests, Dr Morrison-Low enables us to appreciate how central the making, selling and distribution of scientific instruments was for the Industrial Revolution.

At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had the self-confidence to exhibit their products in London to an international audience. How had this change come about, and why? This book looks at the four main, and two lesser, English centres known for instrument production outside the capital: Birmingham, Liverpool, Manchester and Sheffield, along with the older population centres in Bristol and York. Making wide use of new sources, Dr Morrison-Low, curator of history of science at the National Museums of Scotland, charts the growth of these centres and provides a characterisation of their products. New information is provided on aspects of the trade, especially marketing techniques, sources of materials, tools and customer relationships. From contemporary evidence, she argues that the principal output of the provincial trade (with some notable exceptions) must have been into the London marketplace, anonymously, and at the cheaper end of the market.She also discusses the structure and organisation of the provincial trade, and looks at the impact of new technology imported from other closely-allied trades. By virtue of its approach and subject matter, the book considers aspects of economic and business history, gender and the family, the history of science and technology, material culture, and patterns of migration. It contains a myriad of stories of families and firms, of entrepreneurs and customers, and of organizations and arms of government. In bringing together this wide range of interests, Dr Morrison-Low enables us to appreciate how central the making, selling and distribution of scientific instruments was for the Industrial Revolution.

In the middle of the nineteenth century a sympathetic relationship between art, science and technology laid the groundwork for photography to flourish, including camera obscura and the panorama. This is a lavishly produced book on the eventful first thirty years of photography in Scotland - around 1840 - 70. The photographers whose work is discussed include David Octavius Hill, Robert Adamson, James Valentine, Thomas Annan and George Washington Wilson plus practitioners not previously mentioned in any publication. Julia Margaret Cameron's encounter with Scotland is also described as is the work of Scottish photographers abroad.