Chakaia Booker: The Observance accompanies the first comprehensive museum survey of the American artist. The publication explores the artist's signature form-monumental works made of rubber-while showcasing her innovations across mediums. Featuring an expansive range of Booker's sculptures, including totemic and anthropomorphic assemblages fabricated from cast-off tires, the volume highlights Booker's ongoing expression of ecological and technological concerns, examinations of racial and economic disparities, and her interest in the symbolism of the automobile in American culture. The exhibition and accompanying publication Chakaia Booker: The Observance include some of Booker's most topical works, including Chu Ching (2012), which depicts a cross on a wheelbarrow resembling Jesus being dismounted from the cross, as well as two rarely seen series of paintings that explore landscape and language. The artist's photographic series, Foundling Warrior Quest (2010) and Graveyard Series (1995), are also featured to explore the importance of performance and mythology in her practice. Anchoring the presentation is The Observance (1995), an immersive installation made of deconstructed rubber tires and tubes-Booker's first work in this signature material, chosen by the artist for its associations with riots.

Published to mark the artist's first solo US museum show, Paulo Nazareth: Melee presents an engaging and timely look at the artist's multifarious work. The exhibition, held at the Institute of Contemporary Art, Miami in 2019, explored how Nazareth's work engages the complex colonial and racial histories of the Americas. An artist who works across mediums, Nazareth uses performance and sculpture to critique the colonial experience and its afterlives in Brazil and the Americas. His durational performances and installations draw from his joint African and Indigenous heritage to highlight marginalized historical legacies, progressive political figures, non-Western worldviews, and potential methods of nonexploitative living and relating. Nazareth's work assumes a new poignancy in light of the return of repressive political forces and the racial reckoning that our historical moment demands. This beautifully produced volume offers over one hundred color illustrations in addition to newly commissioned scholarship. Paulo Nazareth: Melee is the first exhaustive catalogue of Nazareth's work, solidifying his place as one of today's most important global artists.

One of the great conceptual artists of the twenty-first century, Terry Adkins (1953-2014) was renowned for his pioneering work across mediums, from sculpture, drawing, and site-specific installation to photography, video, and performance. Terry Adkins: Infinity is Always Less Than One accompanies the first institutional posthumous exhibition of Adkins's sculptural production. While Adkins is often recognized for his musical and performative practice, this exhibition focuses on his complex memorials and monuments to historical figures. The exhibition showcases four of his major series, dedicated to four distinct figures: Bessie Smith, John Brown, Zora Neale Hurston, and Jimi Hendrix. These series are presented alongside a group of early sculptures to reveal the development of the Adkins's mature practice. The exhibition highlights Adkins's crucial contributions to sculpture and to cultural protest, featuring major works that have not been viewed in decades. It explores significant periods and influences in Adkins's career, beginning with transitional hand-wrought sculptures and continuing with his major immersive installations. His often elegiac and always resonant objects challenge dominant historical narratives and prompt a rethinking of ways of being and moving in the world that are shaped by the legacies of displacement and the sociability and community that happen despite it. Adkins's work also enlarges the historical legacies of the postwar avant-garde while reminding us of the immaterial legacies that are passed on through ritual and sound. Contributors. Alex Gartenfeld, Kobena Mercer, Gean Moreno, Nizan Shaked, and Greg Tate A Publication of ICA Miami Distributed by Duke University Press

In 2018, the New Museum in New York presents its fourth Triennial, the museum’s signature survey of emerging artists from around the world. Curated by Gary Carrion-Murayari and Alex Gartenfeld, this edition of the much-anticipated exhibition - and the fully illustrated catalogue that accompanies it - features work by 26 artists and collectives from 19 countries, exploring a range of artistic practices. Though distinct in their approaches, these artists are connected by their deep engagement with their local context and a critical examination - and embrace - of the sense of internationalism that defines our time.