In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society.

What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address these questions directly.

Not a book about a single goddess or even about a variety of South Asian goddesses, the volume raises questions about images of deities as symbols and the ways in which they function. Contributors discuss contemporary Indian women who have embraced goddesses as spiritually and socially liberating, as well as the seeming contradictions between the power of Indian goddesses and the lives of Indian women. They also explore such topics as the element of male desire in the embodiment of female deities, the question of who speaks for the goddesses, and the politics and theology of Western feminist use of Hindu and Buddhist goddesses as models for their feminist reflections.

In Indian mythological texts like the Mahabharata and Ramayana, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahabharata poets' art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyasa's "entire thought"-including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahabharata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahabharata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahabharata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.

In Indian mythological texts like the Mahabharata and Ramayana, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahabharata poets' art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyasa's "entire thought"-including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahabharata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahabharata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahabharata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.

In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society.

What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address these questions directly.

Not a book about a single goddess or even about a variety of South Asian goddesses, the volume raises questions about images of deities as symbols and the ways in which they function. Contributors discuss contemporary Indian women who have embraced goddesses as spiritually and socially liberating, as well as the seeming contradictions between the power of Indian goddesses and the lives of Indian women. They also explore such topics as the element of male desire in the embodiment of female deities, the question of who speaks for the goddesses, and the politics and theology of Western feminist use of Hindu and Buddhist goddesses as models for their feminist reflections.

The sharp contrast between cultures with a monotheistic paternal deity and those with pluralistic maternal deities is a theme of abiding interest in religious studies. Attempts to understand the implications of these two vast organizing principles for religious life lead to an overwhelmingly diverse set of facts and their meanings. In Freud's India, the companion volume to Freud's Mahabharata, Alf Hiltebeitel takes up this enormously engaging question, focusing on the thinking of two spokespeople for the inner life of their cultures- Sigmund Freud and Girindrasekhar Bose. Hiltebeitel examines the attempts of these two men to communicate with and understand each other and these issues in the heated context of emotionally divisive allegiances. The book is elegant in its nuanced attention to these two thinkers and its tightly controlled exploration of what their interactions reveal about their contributions and limitations as representatives of the psychology and religion of their respective cultures. Anxieties about mothers, says Hiltebeitel, separate Eastern from Western imaginations. They separate Freud from Bose, and they separate Hindu foundational texts from the foundational texts of Judaism.

In World of Wonders, Alf Hiltebeitel addresses the Mahabharata and its supplement, the Harivamsa, as a single literary composition. Looking at the work through the critical lens of the Indian aesthetic theory of rasa, "juice, essence, or taste," he argues that the dominant rasa of these two texts is adbhutarasa, the "mood of wonder." While the Mahabharata signposts whole units of the text as "wondrous" in its table of contents, the Harivamsa foregrounds a stepped-up term for wonder (ascarya) that drives home the point that Vishnu and Krishna are one. Two scholars of the 9th and 10th centuries, Anandavardhana and Abhinavagupta, identified the Mahabharata's dominant rasa as santarasa, the "mood of peace." This has traditionally been received as the only serious contestant for a rasic interpretation of the epic. Hiltebeitel disputes both the positive claim that the santarasa interpretation is correct and the negative claim that adbhutarasa is a frivolous rasa that cannot sustain a major work. The heart of his argument is that the Mahabharata and Harivamsa both deploy the terms for "wonder" and "surprise" (vismaya) in significant numbers that extend into every facet of these heterogeneous texts, showing how adbhutarasa is at work in the rich and contrasting textual strategies which are integral to the structure of the two texts.

The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. "In Rethinking the Mahabharata," Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a wide range of literary and narrative theory, Hiltebeitel draws on historical and comparative research in an attempt to discern the spirit and techniques behind the epic's composition. He focuses on the education of Yudhisthira, also known as the Dharma King, and shows how the relationship of this figure to others-especially his author-grandfather Vyasa and his wife Draupadi-provides a thread through the bewildering array of frames and stories embedded within stories. Hiltebeitel also offers a revisionist theory regarding the dating and production of the original text and its relation to the Veda. No ordinary reader's guide, this volume will illuminate many mysteries of this enigmatic masterpiece.
This work is the fourth volume in Hiltebeitel's study of the Draupadi cult. Other volumes include "Mythologies: From Gingee to Kuruksetra" (Volume One), "On Hindu Ritual and the Goddess" (Volume Two), and "Rethinking India's Oral and Classical Epics" (Volume Three).

Between 300 BCE and 200 CE, concepts and practices of dharma attained literary prominence throughout India. Both Buddhist and Brahmanical authors sought to clarify and classify their central concerns, and dharma proved a means of thinking through and articulating those concerns.
Alf Hiltebeitel shows the different ways in which dharma was interpreted during that formative period: from the grand cosmic chronometries of kalpas and yugas to narratives about divine plans, gendered nuances of genealogical time, royal biography (even autobiography, in the case of the emperor Asoka), and guidelines for daily life, including meditation. He reveals the vital role dharma has played across political, religious, legal, literary, ethical, and philosophical domains and discourses about what holds life together. Through dharma, these traditions have articulated their distinct visions of the good and well-rewarded life.
This insightful study explores the diverse and changing significance of dharma in classical India in nine major dharma texts, as well some shorter ones. Dharma proves to be a term by which to make a fresh cut through these texts, and to reconsider their own chronology, their import, and their relation to each other.

This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the "Mahabharata," that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit "Mahabharata," takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.

The preeminent scholar of comparative studies of Indo-European society, Georges Dumezil theorized that ancient and prehistoric Indo-European culture and literature revolved around three major functions: sovereignty, force, and fertility. This work treats these functions as they are articulated through "first king" legends found in Indian, Iranian, and Celtic epics, particularly the "Mahabharata," Dumezil, drawing on an extraordinarily broad range of Indo-European sources from Scandinavia to India and offering an original and provocative analytic method, set a new agenda for studies in comparative oral literature, historical linguistics, comparative mythology, and history of religions.
"The Destiny of a King" examines one of the "little" epics within the "Mahabharata"2;the legend of King Yayati, a distant ancestor of the Pandavas, the heroes of the larger epic. Dumezil compares Yayati's attributes and actions with those of the legendary Celtic king Eochaid Feidlech and also finds striking similarities in the stories surrounding the daughters of these two kings, the Indian Madhavi and the Celtic Medb. When he compares these two traditions with the "first king" legends from Iran, he finds such common themes as the apportionment of the earth and the "sin of the sovereign."

Throughout India and Southeast Asia, ancient classical epics--the "Mahabharata" and the "Ramayana"--continue to exert considerable cultural influence. "Rethinking India's Oral and Classical Epics" offers an unprecedented exploration into South Asia's regional epic traditions.
Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the Sanskrit epics. Drawing on literary theory and cultural studies, he reveals the shared subtexts of the Draupadi cult "Mahabharata" and the five oral epics, and shows how the traditional plots are twisted and classical characters reshaped to reflect local history and religion. In doing so, Hiltebeitel sheds new light on the intertwining oral traditions of medieval Rajput military culture, Dalits ("former Untouchables"), and Muslims.
Breathtaking in scope, this work is indispensable for those seeking a deeper understanding of South Asia's Hindu and Muslim traditions.
This work is the third volume in Hiltebeitel's study of the Draupadi cult. Other volumes include "Mythologies: From Gingee to Kuruksetra" (Volume One), "On Hindu Ritual and the Goddess" (Volume Two), and "Rethinking the Mahabharata" (Volume Four).

Though Freud never overtly refers to the Mahabharata, many of the Sanskrit epic's themes are illuminated by Freud's thought and, conversely, many incidents in the epic can be used to illustrate Freud's theories. In Freud's Mahabharata, the companion volume to Freud's India, Alf Hiltebeitel offers what he calls a "pointillist introduction" to a new theory about the Mahabharata based on Freud. Chapter 1 introduces the concept of the preoedipal, along with Freud's discussion of burial alive, ghosts and doubles, and castration anxiety, and looks at parallels with Indian theories of karma and reincarnation. In Chapter 2 Hiltebeitel draws on Andre Green's concept of "the dead mother," alive but dead to her child, to tell the epic's main story through the interactions between the peace-loving King Yudhisthira and his bellicose mother Kunti. Chapter 3 takes up three "dead mother" stories in the Mahabharata's early books, all of them featuring Kunti, among a plethora of really dead or divine past mothers in the Pandava lineage. Next, Chapter 4 looks at Fernando Wulff Alonso's hypothesis that the Mahabharata poets worked from Greek sources in modeling their stories. Hiltebeitel explores the epic's divine plan of the unburdening of the Earth, the goddess Earth, and its Greek counterpart in the Iliad's plan of Zeus. Girindrasekhar Bose's concept of the "Oedipus mother" is introduced in Chapter 5 through a discussion of Aravan, a minor figure throughout the Sanskrit epic tradition but one who looms in importance in the Draupadi cult and has a cult of his own, where he is called Kuttantavar. In both cults Aravan is worshiped for his self-mutilating sacrifice as a battle-opening offering to "mother" Kali, and he is worshipped in his own cult by Indian eunuchs or castrati called Aravanis in his honor. The book concludes with a new theory of the epic based on Freud's Moses and Monotheism, in which he argued that religious traditions deserve to be studied not only in what they say consciously about themselves, but in what they have registered unconsciously from past traumas, loss of memory, and the return of the repressed.

This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the "Mahabharata," that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit "Mahabharata," takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.

This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the "Mahabharata," that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit "Mahabharata," takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.

Throughout India and Southeast Asia, ancient classical epics--the "Mahabharata" and the "Ramayana"--continue to exert considerable cultural influence. "Rethinking India's Oral and Classical Epics" offers an unprecedented exploration into South Asia's regional epic traditions.
Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the Sanskrit epics. Drawing on literary theory and cultural studies, he reveals the shared subtexts of the Draupadi cult "Mahabharata" and the five oral epics, and shows how the traditional plots are twisted and classical characters reshaped to reflect local history and religion. In doing so, Hiltebeitel sheds new light on the intertwining oral traditions of medieval Rajput military culture, Dalits ("former Untouchables"), and Muslims.
Breathtaking in scope, this work is indispensable for those seeking a deeper understanding of South Asia's Hindu and Muslim traditions.
This work is the third volume in Hiltebeitel's study of the Draupadi cult. Other volumes include "Mythologies: From Gingee to Kuruksetra" (Volume One), "On Hindu Ritual and the Goddess" (Volume Two), and "Rethinking the Mahabharata" (Volume Four).