Folklore has been a phenomenon based on nostalgic and autochthonous nuances conveyed with a story-telling technique with a penchant for over-playing and nationalistic pomp and circumstance, often with significant consequences for societal, poetic, and cultural areas. These papers highlight challenges that have an outreaching relationship to the regional, rhetorical, and trans-rhetorical devices and manners in Kurdish folklore, which subscribes to an ironic sense of hope all the while issuing an appeal for a largely unaccomplished nationhood, simultaneously insisting on a linguistic solidarity. In a folkloric literature that has an overarching theory of poetics - perhaps even trans-figurative cognitive poetics due to the multi-faceted nature of its application and the complexity of its linguistic structure - the relationship of man (and less frequently woman) with others takes center stage in many of the folkloric creations. Arts are not figurative representations of the real in the Kurdish world; they are the real.

The articles in this volume are dedicated to Professor Ahmad Mahdavi Damghani for the breadth and depth of his interests and his influence on those interests. They attest to the fact that his fervor and rigorously surgical attention to detail have found fertile ground in a wide variety of disciplines, including (among others) Persian literature and philology; Islamic history and historiography; Arabic literature and philology; and Islamic philosophy and jurisprudence. The volume has brought together some of the most respected scholars in the fields of Islamic studies and Islamic literatures, all his prior students, to contribute with articles that touch on the fields Professor Mahdavi Damghani has so permanently touched with his astonishing scholarship and attention to detail.

Literature, images, and metaphor are often where most of a nation’s history are embedded. A study of modern Kurdish literature highlights a fealty to a rich literary past and a rich source of historiography. The articles in this volume address many facets of the literary in the Kurdish world: literary resistance, proverbs, feminist literariness, resistance in literary works, poetry, prose, etc. In the end, the volume offers a general paradigm of the complex literary framework of the Kurds, their continuous resistance for nationhood in their history, and their modern reinventing of the self. An overview of some of the works of what we consider modern in modern Kurdish literature points to both asymmetry and commonality as pertains to comparative literary studies. These works highight the wide extend of thematic reach in Kurdish literary studies.

The Iranian languages are one of the world's major language families. With an estimated 150 to 200 million native speakers, these languages constitute the western group of the larger Indo-Iranian family, which represents a major eastern branch of the Indo-European languages. Geographically, the Iranian Languages are spoken from Central Turkey, Syria and Iraq in the West to Pakistan and western edged of Xinjiang Uygur Autonomous Region of China in the east. Iranian languages have long been among the major interests of the philologists and general linguists, and European scholars have made tremendous contributions to the study of this language family. In light of such efforts, now we know that the Iranian languages can be historically divided into three phases, that are old, middle and new Iranian languages, and the new Iranian languages may be generally grouped as Eastern and Western. In recent years, the orientation towards typology has led to the appearance of somewhat more ponderance on the subject but the work has not included description of some of the very important languages of the Caspian, and or of the religious minorities (such as those of the Zoroastrians or the Jewish community), of the four-fold Central Plateau dial.

Compiled by experts on the works of each individual poet, this book covers the poetry and poets of the Constitutional Revolution of Iran. Following a two-pronged approach, this volume studies both those who were influenced by the Constitutional Revolution in their works and those who addressed the Revolution with their work, influencing it directly. Through the analysis of their works, this volume explores influential poets and writers from the period, including Iraj, Vaziri, Afrashteh, Yazdi, Bahar and 'Eshqi. It covers female poets who are often overlooked, as well as the major satirical poets whose work educated and entertained the readers and criticized socio-political events. Analysing the mainstream and marginal poets, this volume argues the margins initiated the evolution of Persian poetry. As Persian poetry and its multifunctional legacy became the standard-bearer of the Constitutional movement, this volume is an important contribution to an understanding of Iran. This volume will be of interest to historians of the Constitutional Revolution and Iranian poetry, as well as to students and scholars of comparative revolutions. It is suitable for both undergraduate and graduate courses on Iranian history, Middle Eastern history and comparative studies of literature and revolution.

Korangy and Sharifian's groundbreaking book offers the first in-depth study into cultural linguistics for the Persian language. The book highlights a multitude of angles through which the intricacies of Persian and its many dialects and accents, wherever spoken, can be examined. Linguistics with cultural studies as its backdrop is not a new phenomenon; however, with this text we are afforded an insight into the complex relationship that exists between human cognizance and human expression in this ancient civilization. This study helps develop an innovative understanding of history, intent, and meaning as understood by a culture and by a people, in this case the Persian-speaking folk of Iran. The chapters are insightful resources for analyzing and augmenting our knowledge of linguistics under the rubric of Persian culture but also for proposing and foregrounding new ideas in this field of study.

This set of essays highlights the state of the art in the linguistics of Iranian languages. The contributions span the full range of linguistic inquiry, including pragmatics, syntax, semantics, phonology/phonetics, lexicography, historical linguistics and poetics and covering a wide set of Iranian languages including Persian, Balochi, Kurdish and Ossetian. This book will engage both the active scholar in the field as well as linguists from other fields seeking to assess the latest developments in Iranian linguistics.

Korangy and Sharifian's groundbreaking book offers the first in-depth study into cultural linguistics for the Persian language. The book highlights a multitude of angles through which the intricacies of Persian and its many dialects and accents, wherever spoken, can be examined. Linguistics with cultural studies as its backdrop is not a new phenomenon; however, with this text we are afforded an insight into the complex relationship that exists between human cognizance and human expression in this ancient civilization. This study helps develop an innovative understanding of history, intent, and meaning as understood by a culture and by a people, in this case the Persian-speaking folk of Iran. The chapters are insightful resources for analyzing and augmenting our knowledge of linguistics under the rubric of Persian culture but also for proposing and foregrounding new ideas in this field of study.

In the long literary history of the Middle East, the notion of 'the beloved' has been a central trope in both the poetry and prose of the region. This book explores the concept of the beloved in a cross-cultural and interdisciplinary manner, revealing how shared ideas on the subject supersede geographical and temporal boundaries, and ideas of nationhood. The book considers the beloved in its classical, modern and postmodern manifestations, taking into account the different sexual orientations and forms of desire expressed. From the pre-Islamic 'Udhri (romantic unrequited love), to the erotic same-sex love in thirteenth century poetry and prose, the divine Sufi reflections on the topic, and post-revolutionary love encounters in Iran, Egypt and Saudi Arabia, The Beloved in Middle Eastern Literatures connects the affective and cultural with the political and the obscene. In focusing on the diverse manifestations of love and tropes of the lover/beloved binary, this book is unique in foregrounding what is often regarded as a 'taboo subject' in the region. The multi-faceted outlook reveals the variety of philological, philosophical, poetic and literary forms that treat this significant motif.