Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Studies have demonstrated that choices in the use of language convey information that goes beyond the content of the words themselves. In many cases, how something is said matters as much as what is said. Using techniques collectively referred to as linguistic content analysis, researchers have studied topics ranging from how to identify if individuals are lying, to whether there are particular characteristics associated with leaders who take their nations to war. This book presents findings from a research effort funded by the U.S. Department of Homeland Security's Science and Technology Directorate, which examined whether linguistic content analysis can indicate whether groups will engage in terrorist violence. Specifically, this project brought together several researchers who have developed manual and automated coding systems to analyse documents issued by Central al Qa'ida and al Qa'ida in the Arabian Peninsula, and two non-terrorist comparison groups. The intention has been to test whether linguistic content analysis can first, distinguish the language of terrorist groups from that of non-terrorist groups and second, provide indicators of specific terrorist attacks. This book was originally published as a Special Issue of Dynamics of Asymmetric Conflict.

Studies have demonstrated that choices in the use of language convey information that goes beyond the content of the words themselves. In many cases, how something is said matters as much as what is said. Using techniques collectively referred to as linguistic content analysis, researchers have studied topics ranging from how to identify if individuals are lying, to whether there are particular characteristics associated with leaders who take their nations to war. This book presents findings from a research effort funded by the U.S. Department of Homeland Security's Science and Technology Directorate, which examined whether linguistic content analysis can indicate whether groups will engage in terrorist violence. Specifically, this project brought together several researchers who have developed manual and automated coding systems to analyse documents issued by Central al Qa'ida and al Qa'ida in the Arabian Peninsula, and two non-terrorist comparison groups. The intention has been to test whether linguistic content analysis can first, distinguish the language of terrorist groups from that of non-terrorist groups and second, provide indicators of specific terrorist attacks. This book was originally published as a Special Issue of Dynamics of Asymmetric Conflict.

Germany's first democracy, the Weimar Republic, affected every aspect of life, particularly for women, who were granted such rights as the right to vote and equal pay for equal work. These rapid advancements combined with a strong economy and an increasing interest in popular culture, such as movies and sports, made possible the media creation of the New Woman. This book discusses four major works of the period--two dramas by Ernst Toller and two novels by Irmgard Keun--in terms of their portrayal of gender, both of traditional masculinity and femininity and of newer attitudes brought out in the period of the Neue Sachlichkeit. The analysis will explore what made the New Woman "new" and the reasons why she was never a reality for most German women. This book should be useful to those interested in German history, literature, and women's studies.

Contemporary artist Allison Smith's diverse creative practice critically engages with popular forms of historical reenactment through a variety of media, including sculpture, textiles, ceramics, and photography. Focusing on the handmade and performative aspects of history and material culture, Smith re-stages, refigures, and replays the role of traditional crafts in large-scale installations that reconsider the construction of collective memory and identity. For the core of Allison Smith: Needle Work, the artist created contemporary revisions of European and American gas masks from World War I and World War II. Smith used art supplies found at local fabric and craft retail stores to explore a range of masklike forms - from the ghoulish to the foolish - thereby questioning essential notions of camouflage and masquerade. This exhibition catalog, illustrated throughout in color, includes an essay that considers Smith's project in light of Peter Sloterdijk's "Terror from the Air", as well as in-depth interviews with the artist and the curator.