Millions of Amor Towles fans are in for a treat as he shares some of his shorter fiction: six stories based in New York City and a novella set in Golden Age Hollywood.

The New York stories, most of which take place around the year 2000, consider the fateful consequences that can spring from brief encounters and the delicate mechanics of compromise that operate at the heart of modern marriages.

In Towles’s novel Rules of Civility, the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, “Eve in Hollywood” describes how Eve crafts a new future for herself—and others—in a noirish tale that takes us through the movie sets, bungalows, and dive bars of Los Angeles.

Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting fiction.

Tense Future falls into two parts. The first develops a critical account of total war discourse and addresses the resistant potential of acts, including acts of writing, before a future that looks barred or predetermined by war. Part two shifts the focus to long interwar narratives that pit both their scale and their formal turbulence against total war's portrait of the social totality, producing both ripostes and alternatives to that portrait in the practice of literary encyclopedism. The book's introduction grounds both parts in the claim that industrialized warfare, particularly the aerial bombing of cities, intensifies an under-examined form of collective traumatization: a pretraumatic syndrome in which the anticipation of future-conditional violence induces psychic wounds. Situating this claim in relation to other scholarship on "critical futurities," Saint-Amour discusses its ramifications for trauma studies, historical narratives generally, and the historiography of the interwar period in particular. The introduction ends with an account of the weak theory of modernism now structuring the field of modernist studies, and of weak theory's special suitability for opposing total war, that strongest of strong theories.

Copyright looms large in the digital world. As users and creators of expressive works, we all know more about copyright than we did a decade ago. But scholars of modernism have felt a special urgency in grappling with this branch of law, whose rapid expansion in recent years has prolonged or revived the rights in many modernist works. Indeed, thanks to public clashes between estates and users, 'modernism' has lately begun to seem like a byword for contested intellectual property. At the same time, today's volatile legal climate has prompted us to ask how modernism was, from its beginning, shaped by intellectual property law-and how modernists sought variously to exploit, reform, anoint, and evade copyright. We are beginning to discover, too, how copyright's transatlantic and imperial asymmetries during the modernist decades helped set the stage for its geopolitical role in the new millennium. Modernism and Copyright is the first book to take up these questions and discoveries in all their urgency. A truly multi-disciplinary study, it brings together essays by well-known scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works like these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean.

But the tall, dense pine trees are not the only things casting shadows across her skin.

When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh.

Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask herself:

Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

The New York stories, most of which take place around the year 2000, consider the fateful consequences that can spring from brief encounters and the delicate mechanics of compromise that operate at the heart of modern marriages.

Told from seven points of view, 'Eve in Hollywood' describes how one of Towles’s most beloved characters, the indomitable Evelyn Ross from Rules of Civility, crafts a new future for herself―and others―in a noirish tale that takes us through the movie sets, bungalows and dive bars of 1930s Los Angeles.

Written with his signature wit, humour and sophistication, Table for Two is another glittering addition to Towles’s canon of stylish and transporting fiction.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Amor uprooted herself from the good life in the business capital of India to the fashion capital of the world, to find marital bliss. This was a leap into the unknown which was exciting for her adventurous self. But it was actually a disaster just waiting to happen. The same hands that caressed her for hours also went straight for her jugular not once but twice. Her estranged husband spoilt her rotten in the eclectic revolving restaurant in the mountains of Switzerland. Soon after he and his family poisoned her food which left her brain dead and helpless. They had champagne wishes and a beer budget. She was healed gradually but completely by a man who lives close to the Egyptian Pyramids. Those who you cannot kill, you can only make them stronger - This passionate tale of an indecent proposal and a heartfelt disposal will keep you fascinated, wondering what will happen next in a story of intrigue. Her constantly threatened existence was a living nightmare but somewhere down the line her husband fell madly in love with her. Was he sending her mixed signals? Was she oblivious to the treacherous path ahead? She had absolutely no idea what was in store for her a few continents away.

On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol.

Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval.

Can a life without luxury be the richest of all?

THE INSTANT NUMBER ONE NEW YORK TIMES BESTSELLER FROM THE AUTHOR OF RULES OF CIVILITY AND A GENTLEMAN IN MOSCOW 'Deserves a place alongside Kerouac, Steinbeck and Wolfe as the very best of the genre' OBSERVER 'An absolute beauty of a book. As soon as I finished it, I wanted to read it again' TANA FRENCH 'Welcome to the enormous pleasure that is The Lincoln Highway . . . in which the miles fly by and the pages turn fast' ANN PATCHETT In June, 1954, eighteen-year-old Emmett returns home to his younger brother Billy after serving fifteen months in a juvenile facility for involuntary manslaughter. They are getting ready to leave their old life behind and head out to sunny California. But they're not alone. Two runaways from the youth work farm, Duchess and Wolly, have followed Emmett all the way to Nebraska with a plan of their own, one that will take the four of them on an unexpected and fateful journey in the opposite direction - to New York City. 'Already feels like an American coming of age classic' RED 'The best novel I've read in years' CHRIS CLEAVE 'Wise and wildly entertaining . . . permeated with light, wit, youth' THE NEW YORK TIMES

This book is the "greatest hits" compilation of more than one hundred Russian books, journals, papers, and articles. It contains more than fifteen thousand key Russian economic, legal, medical, military, political, scientific, and sociological terms and colloquial phrases. It also contains important abbreviations. One look will convince you, the student or interpreter, of the value of this work

#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year "Wise and wildly entertaining . . . permeated with light, wit, youth." -The New York Times Book Review "A classic that we will read for years to come." -Jenna Bush Hager, Read with Jenna book club "A real joyride . . . elegantly constructed and compulsively readable." - NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction-to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. "Once again, I was wowed by Towles's writing-especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero's journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel." - Bill Gates