Late Antiquity witnessed a dramatic recalibration in the economy of power, and nowhere was this more pronounced than in the realm of religion. The transformations that occurred in this pivotal era moved the ancient world into the Middle Ages and forever changed the way that religion was practiced. The twenty eight studies in this volume explore this shift using evidence ranging from Latin poetic texts, to Syriac letter collections, to the iconography of Roman churches and Merowingian mortuary goods. They range in chronology from the late third through the early seventh centuries AD and apply varied theories and approaches. All converge around the notion that religion is fundamentally a discourse of power and that power in Late Antiquity was especially charged with the force of religion. The articles are divided into eight sections which examine the power of religion in literature, theurgical power over the divine, emperors and the deployment of religious power, limitations on the power of the ecclesiastical hierarchy, the use of the cross as a symbol of power, Rome and its transformation as a center of power, the power of religion in the barbarian west, and religious power in the communities of the east. This kaleidoscope of perspectives creates a richly illuminating volume that add a new social and political dimension to current debates about religion in Late Antiquity.

Interpreting rock movies details the reaction to British and American pop films during the 1950s and 1960s. By examining the British reception of films such as Rock Around the Clock, Love Me Tender, A Hard Day's Night and Summer Holiday, the book provides a valuable insight into British film criticism, teenage culture during the 1950s and 1960s and the generic status of rock films/teen movies and cultural hierarchies. This book not only contains an extensive account of how the film and music press reacted to rock'n'roll films, but also fully explores issues about taste and distinction within reviewing practices. The movie output of Elvis Presley, the Beatles, Cliff Richard and numerous others is located within the context of popular music during the 1950s and 1960s, the British and American film industries at a time of transition, fears over Americanisation and juvenile delinquency, family entertainment and fan culture.

Jerome's Epitaph on Saint Paula (Epitaphium Sanctae Paulae) is one of the most famous writings by one of the most prolific authors in all of Latin antiquity. Composed in 404, it is an elaborate eulogy commemorating the life of Paula (347-404), a wealthy Christian widow from Rome who renounced her senatorial status and embraced a lifestyle of ascetic self-discipline and voluntary poverty. She used her vast inherited fortune to fund various charitable causes and to co-found with Jerome, in 386, a monastic complex in Bethlehem which was equipped with a hostelry for Christian pilgrims. The Epitaphium is one of the core primary texts on female spirituality (both real and idealized) in Late Antiquity, and it also is one of Jerome's crowning literary achievements, yet until now it has not received the depth of scholarly analysis that only a proper commentary can afford. This book presents the first full-scale commentary on this monumental work in any language. Cain accesses a very extensive array of ancient sources to fully contextualize the Epitaphium and he comprehensively addresses stylistic, literary, historical, topographical, theological, text-critical and other issues of interpretive interest, including relevant matters of Hebrew, Greek, and Latin philology. Considerable effort also is expended on extricating the elusive Paula of history from the sticky web of Jerome's idealized hagiographic construct of her. Accompanying the commentary is an introduction which situates the Epitaphium in the broader context of its author's life and work and exposes its various propagandistic dimensions. The critical Latin text and the facing-page translation will make the Epitaphium more accessible than ever before and will provide a reliable textual apparatus for future scholarship on this key Hieronymian writing.

In the centuries following his death, Jerome (c.347-420) was venerated as a saint and as one of the four Doctors of the Latin church. In his own lifetime, however, he was a severely marginalized figure whose intellectual and spiritual authority did not go unchallenged, at times not even by those in his inner circle. His ascetic theology was rejected by the vast majority of Christian contemporaries, his Hebrew scholarship was called into question by the leading Biblical authorities of the day, and the reputation he cultivated as a pious monk was compromised by allegations of moral impropriety with some of his female disciples.
In view of the extremely problematic nature of his profile, how did Jerome seek to bring credibility to himself and his various causes? In this book, the first of its kind in any language, Andrew Cain answers this crucial question through a systematic examination of Jerome's idealized self-presentation across the whole range of his extant epistolary corpus. Modern scholars overwhelmingly either access the letters as historical sources or appreciate their aesthetic properties. Cain offers a new approach and explores the largely neglected but nonetheless fundamental propagandistic dimension of the correspondence. In particular, he proposes theories about how, and above all why, Jerome used individual letters and letter-collections to bid for status as an expert on the Bible and ascetic spirituality.

Late Antiquity witnessed a dramatic recalibration in the economy of power, and nowhere was this more pronounced than in the realm of religion. The transformations that occurred in this pivotal era moved the ancient world into the Middle Ages and forever changed the way that religion was practiced. The twenty eight studies in this volume explore this shift using evidence ranging from Latin poetic texts, to Syriac letter collections, to the iconography of Roman churches and Merowingian mortuary goods. They range in chronology from the late third through the early seventh centuries AD and apply varied theories and approaches. All converge around the notion that religion is fundamentally a discourse of power and that power in Late Antiquity was especially charged with the force of religion. The articles are divided into eight sections which examine the power of religion in literature, theurgical power over the divine, emperors and the deployment of religious power, limitations on the power of the ecclesiastical hierarchy, the use of the cross as a symbol of power, Rome and its transformation as a center of power, the power of religion in the barbarian west, and religious power in the communities of the east. This kaleidoscope of perspectives creates a richly illuminating volume that add a new social and political dimension to current debates about religion in Late Antiquity.

This book assembles eighteen studies by internationally renowned scholars that epitomize the latest and best advances in research on the greatest polymath in Latin Christian antiquity, Jerome of Stridon (c.346-420) traditionally known as "Saint Jerome." It is divided into three sections which explore topics such as the underlying motivations behind Jerome's work as a hagiographer, letter-writer, theological controversialist, translator and exegete of the Bible, his linguistic competence in Greek, Hebrew, and Syriac, his relations to contemporary Jews and Judaism as well as to the Greek and Latin patristic traditions, and his reception in both the East and West in late antiquity down through the Protestant Reformation. Familiar debates are re-opened, hitherto uncharted terrain is explored, and problems old and new are posed and solved with the use of innovative methodologies. This monumental volume is an indispensable resource not only for specialists on Jerome but also for students and scholars who cultivate interests broadly in the history, religion, society, and literature of the late antique Christian world.

In the late fourth and early fifth centuries, during a fifty-year stretch sometimes dubbed a Pauline "renaissance" of the western church, six different authors produced over four dozen commentaries in Latin on Paul's epistles. Among them was Jerome, who commented on four epistles (Galatians, Ephesians, Titus, Philemon) in 386 after recently having relocated to Bethlehem from Rome. His commentaries occupy a time-honored place in the centuries-long tradition of Latin-language commenting on Paul's writings. They also constitute his first foray into the systematic exposition of whole biblical books (and his only experiment with Pauline interpretation on this scale), and so they provide precious insight into his intellectual development at a critical stage of his early career before he would go on to become the most prolific biblical scholar of Late Antiquity. This monograph provides the first book-length treatment of Jerome's opus Paulinum in any language. Adopting a cross-disciplinary approach, Cain comprehensively analyzes the commentaries' most salient aspects-from the inner workings of Jerome's philological method and engagement with his Greek exegetical sources, to his recruitment of Paul as an anachronistic surrogate for his own theological and ascetic special interests. One of the over-arching concerns of this book is to explore and to answer, from multiple vantage points, a question that was absolutely fundamental to Jerome in his fourth-century context: what are the sophisticated mechanisms by which he legitimized himself as a Pauline commentator, not only on his own terms but also vis-a-vis contemporary western commentators?

The Greek Historia Monachorum in Aegypto was one of the most widely read and disseminated Greek hagiographic texts during Late Antiquity and the Middle Ages. To this day it remains, alongside Athanasius' Life of Antony, one of the core primary sources for fourth-century Egyptian monasticism as well as one of the most fascinating, yet perplexing, pieces of monastic hagiography to survive from the entire patristic period. However, until now it has not received the intensive and sustained scholarly analysis that a monograph affords. In this study, Andrew Cain incorporates insights from source criticism, stylistic and rhetorical analysis, literary criticism, and historical, geographical, and theological studies in an attempt to break new ground and revise current scholarly orthodoxy about a broad range of interpretive issues and problems.

From September 394 to early January 395, seven monks from Rufinus of Aquileia's monastery on the Mount of Olives made a pilgrimage to Egypt to visit locally renowned monks and monastic communities. Shortly af ter their return to Jerusalem, one of the party, whose identity remains a mystery, wrote an engaging account of this trip. Although he cast it in the form of a first-person travelogue, it reads more like a book of mira cles that depicts the great fourth-century Egyptian monks as prophets and apostles similar to those in the Bible. This work was composed in Greek, yet it is best known today as Historia monachorum in Aegypto (In quiry about the Monks in Egypt), the title of the Latin translation of this work made by Rufinus, the pilgrim-monks' abbot. The Historia monachorum is one of the most fascinating, fantastical, and enigmatic pieces of literature to survive from the patristic period. In both its Greek original and Rufinus's Latin translation it was one of the most popular and widely disseminated works of monastic hagi ography during Late Antiquity and the Middle Ages. Modern scholars value it not only for its intrinsic literary merits but also for its status, alongside Athanasius's Life of Antony, the Pachomian dossier, and other texts of this ilk, as one of the most important primary sources for mo nasticism in fourth-century Egypt. Rufinus's Historia monachorum is presented here in English transla tion in its entirety. The introduction and annotations situate the work in its literary, historical, religious, and theological contexts.