In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.

U.S. culture has been profoundly impacted by contributions from Mexico and the rest of Central America, South America, and the Spanish Caribbean. These contributions and their adaptations in the United States are showcased in nearly 500 essay entries on noted people, festivities, items, terms, movements, sports, food, events, places, visual and performing arts, film, institutions, fashion, literature, organizations, the media, and much more. The wide range of entries with many areas of unique coverage will meet the high demand for multidisciplinary use. Students and other readers will appreciate the inclusiveness of cultural groups, the gender sensitivity, and the heavy contextual grounding of the topics. The Latino population is the fastest-growing segment of our society, and this encyclopedia is the first to focus on the breadth of their cultural expression. The up-to-date entries and authoritative information provided by a host of subject experts will make this the source to turn to for quick reference and research. Numerous photos complement the text.

Violence and the Body: Race, Gender, and the State explores the relationship between subalternity, the discourse and technology of the body, and the rise and proliferation of racial, colonial, sexual, domestic, and state violence, examining the materiality of violence on the "otherized" body.

Grounded in U.S./Mexico border and Latin American cultural studies, the essays in this collection intersect discussions of subalternity, violence, and discourses of the body in a transethnic, feminist, and global cultural studies context. They provide a global mapping of contemporary modes and acts of physical and representational violence and demonstrate how discourses of otherization are reinforced and interanimated through violence on what Elizabeth Grosz has called the "intensities" and "flows" of the body.

Colonial discourse in the United States has tended to criminalize, pathologize, and depict as savage not only Native Americans but Mexican immigrants, indigenous peoples in Mexico, and Chicanas/os as well. While postcolonial studies of the past few decades have focused on how these ethnicities have been constructed by others, "Disrupting Savagism" reveals how each group, in turn, has actively attempted to create for itself a social and textual space in which certain negative prevailing discourses are neutralized and rendered ineffective.
Arturo J. Aldama begins by presenting a genealogy of the term "savage," looking in particular at the work of American ethnologist Lewis Henry Morgan and a sixteenth-century debate between Juan Gines de Sepulveda and Bartolome de las Casas. Aldama then turns to more contemporary narratives, examining ethnography, fiction, autobiography, and film to illuminate the historical ideologies and ethnic perspectives that contributed to identity formation over the centuries. These works include anthropologist Manuel Gamio's" The Mexican Immigrant: His Life Story, " Leslie Marmon Silko's "Ceremony, " Gloria Anzaldua's "Borderlands/La Frontera, " and Miguel Arteta's film "Star Maps." By using these varied genres to investigate the complex politics of racialized, subaltern, feminist, and diasporic identities, Aldama reveals the unique epistemic logic of hybrid and mestiza/o cultural productions.
The transcultural perspective of "Disrupting Savagism" will interest scholars of feminist postcolonial processes in the United States, as well as students of Latin American, Native American, and literary studies.

Traditional accounts of Colorado's history often reflect an Anglocentric perspective that begins with the 1859 Pikes Peak Gold Rush and Colorado's establishment as a state in 1876. "Enduring Legacies" expands the study of Colorado's past and present by adopting a borderlands perspective that emphasizes the multiplicity of peoples who have inhabited this region.
Addressing the dearth of scholarship on the varied communities within Colorado-a zone in which collisions structured by forces of race, nation, class, gender, and sexuality inevitably lead to the transformation of cultures and the emergence of new identities-this volume is the first to bring together comparative scholarship on historical and contemporary issues that span groups from Chicanas and Chicanos to African Americans to Asian Americans.
This book will be relevant to students, academics, and general readers interested in Colorado history and ethnic studies.

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women s and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies.

Contributors include Norma Alarcon, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chavez Candelaria, Alejandra Elenes, Ramon Garcia, Maria Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia Maria de la Luz Montes, Laura Elisa Perez, Naomi Quinonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, Jose David Saldivar, Anna Sandoval, and Jonathan Xavier Inda."

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.