Eran Creevy writes and directs this British gangster thriller set in London's docklands. Ex-con Jacob Sternwood (Mark Strong) is forced to return to London from his hideout in Iceland when his son gets caught up in a heist gone wrong. His reappearance gives detective Max Lewinsky (James McAvoy) the chance he has long been waiting for to take down his old nemesis. But as their cat-and-mouse game unfolds, the two men end up becoming unlikely allies and working together to expose a deeper and more sinister conspiracy.

Essays on the York Mystery Plays, uniting voices from the scholarly world with the York community that has assumed responsibility for their production today. The York Play of Corpus Christi, also known as the York Cycle, has been central to the study of early English theatre for over a century and a touchstone for the revival of medieval dramatic practice for over fifty years. But these two endeavours... have often found little common ground. This volume therefore accomplishes something very important. It brings together scholars of medieval English drama and places them in dialogue with experienced practtitioners from the community. Together, they share a common commitment to understanding how performances matter to the communities that produce them, and how plays intersect with other public activities. CAROL SYMES, Professor of History, University of Illinois at Urbana. This volume provides a wealth of new insights into the performance of mystery plays in medieval York and their modern revival. It utilises both academic study, and the practical experience of those who now produce the cycle within York itself on wagons in the street, in an approximation of their original performance. A number of topics are covered. The manuscript is linked to Richard III; the Masons are introduced as non-guildsmen in an enterprise assumed to be guild-specific; families, not just male heads of households, are shown to be important to the dramatic narrative; and cognitive theory elucidates performance past and present.Recent productions are discussed in lively detail by those directly responsible for them, leading to analyses of performances in Israel, Spain, and Australia, not all of them of a predictable kind, which offer further angles on the medieval dramatic tradition. Professor Margaret Rogerson teaches in the Department of English at the University of Sydney. Contributors: Margaret Rogerson, Keith Jones, Richard Beadle, Sheila K. Christie,Mike Tyler, Jill Stevenson, Elenid Davies, Ben Pugh, Peter Brown, Tony Wright, Steve Bielby, Emma Cunningham, Alan Heaven, Linda Ali, Paul Toy, Gweno Williams, John Merrylees, David Richmond, Alexandra F. Johnston, Sharon Aronson-Lehavi, Pamela M. King

With the subject of the atonement of Christ attracting such a lot of polemical work at this time, it is easy to conclude that the current debate is generating more heat than light. 'Atonement Theories' presents the beginning student, pastor, or researcher with an accessible and fair treatment of every school of thought on this subject. 'Atonement Theories' signifcantly updates previous histories of the doctrine, providing analysis of some fascinating and highly signifcant recent developments. It also intriguingly highlights at various points where aspects of this central message of Christianity might find a connection within contemporary culture. It aims to empower the reader to quickly gain a working knowledge of current debates and the history behind them.

No sooner have they mastered the basics than students of theology can quickly find themselves in over their heads. They are bombarded with claim and counter-claim as soon as they want to tackle anything topical. The contentious subjects tend to be the historical Jesus, gender and sexuality, or the atonement. Other subjects might be less contentious but attract an astonishing excess of literature. Take the vast literature tackling the subject of the Church, for instance, or the bloated body of tomes on various aspects of Pneumatology. This book tries to provide the bewildered and intimidated student with a primer that is at once introductory and incisive; approachable and informative. It will help those training for ministry to recover their fascination for the subject of theology and how it could apply to their future ministry. Subjects covered include - The Quests for the Historical Jesus - Third Article Theology - The Missional Church - Liberation Theology - Feminist, LGBT and Queer Approaches - Postmodern Faith and the Emerging Church - Nonviolent Atonement

About the Contributor(s): Ben Pugh is Lecturer in Theology at Cliff College, UK. He is the author of Atonement Theories: A Way Through the Maze (forthcoming).

For most of us, learning abstract philosophical concepts involves literally learning a new language, a language that the initiated converse in with ease but which leaves the rest of us baffled. The SCM Studyguide to Philosophy and Christian Faith aims to meet a need for an accessible treatment of the intersection between philosophy and theology. It deals with some of the loftiest concepts ever conceived by the human race, and yet makes these easy to grasp and applicable. A must-have primer, the book offers students an overview of the history of Western philosophy, and equips them to understand more deeply the culture-shaping beliefs that are driving the kinds of questions, both past and present, which our culture brings to the Christian faith.