Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Carl Sandburg had three daughters and he loved telling them irrepressible, zany tales. He disliked the European fairy stories that involved kings and princesses and thought American tales should be more relevant to the world around his children, but of course made rather fantastic. So the stories are populated with trains on zig-zag tracks, skyscrapers, animals wearing bibs, corn fairies, not to mention the Village of Cream Puffs which floats in the wind. They have become firm favourites for generations of children. This edition of Rootabaga Stories features the original black and white illustrations by Maud and Miska Petersham.

Gimme the Ax decided to let his children name themselves.

"The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves."

When the first boy came to the house of Gimme the Ax, he was named Please Gimme. When the first girl came she was named Ax Me No Questions.

And both of the children had the shadows of valleys by night in their eyes and the lights of early morning, when the sun is coming up, on their foreheads.

And the hair on top of their heads was a dark wild grass. And they loved to turn the doorknobs, open the doors, and run out to have the wind comb their hair and touch their eyes and put its six soft fingers on their foreheads.

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Twenty-five stories in a whimsical Rootabaga vein -- from beloved American poet Carl Sandburg.

In the winter of 1914, Carl Sandburg, then a reporter at The Day Book in Chicago, submitted several of his poems to Harriet Monroe's Poetry magazine. The title poem began: "Hog Butcher for the World, / Tool Maker, Stacker of Wheat..." Monroe at first hesitated to accept the poems because of "their unorthodox form and their range from brutality to misty lyricism." But she took a deep breath and printed them. In the decade that followed, Sandburg came quickly to national prominence. In Poems for the People, George and Wilene Hendrick, Sandburg's most accomplished interpreters, have selected seventy-three poems from his early years in Chicago, almost all of them never before in print. Included are poems of social protest, gentle ruminations, and poems about teeming Chicago life. Sandburg may have regarded them as too radical for the time; others may have been set aside and never retrieved. This unearthed treasure, together with the Hendrick's biographical introduction and commentary on the poems, mark Poems for the People as a major publishing event.

Discover the power of poetry in this simple, modern introduction to Carl Sandburg, featuring an ode to autumn and the joys of HalloweenIn this beautifully illustrated adaptation of a beloved Carl Sandburg poem, children delight in the sensory and spooky arrival of autumn.

1916. Sandburg, Pulitzer Prize winning poet, was virtually unknown to the literary world when, in 1914, a group of his poems appeared in the nationally circulated Poetry magazine. His work found beauty and glory in the simple America that surrounded him: the farms, industry, landscape, culture, and most importantly, the American people. Chicago Poems was Sandburg's first published book of poems. Among the dozens of poems in this collection are such well-known verses as Chicago, Fog, To a Contemporary Bunkshooter, Who Am I? and Under the Harvest Moon as well as many others. See other titles by this author available from Kessinger Publishing.