What are the grounds for the distinction between the mental and the physical? What is it the relation between ascribing mental states to an organism and understanding its behavior? Are animals and complex systems vehicles of inner evolutionary environments? Is there a difference between personal and sub-personal level processes in the brain? Answers to these and other questions were developed in Daniel Dennett's first book, Content and Consciousness (1969), where he sketched a unified theoretical framework for views that are now considered foundational in cognitive science and philosophy of mind. Content and Consciousness Revisited is devoted to reconsider the ideas and ideals introduced in Dennett's seminal book, by covering its fundamental concepts, hypotheses and approaches and taking into account the findings and progress which have taken place during more than four decades. This book includes original and critical contributions about the relations between science and philosophy, the personal/sub-personal level distinction, intelligence, learning, intentionality, rationality, propositional attitudes, among other issues of scientific and philosophical interest. Each chapter embraces an updated approach to several disciplines, like cognitive science, cognitive psychology, philosophy of mind and cognitive psychiatry.

This book is the first to offer an in-depth analysis of Bus Rapid Transit (BRT), examining the opportunities it presents along with the significant challenges cities face in its implementation. A wide range of contributors bring expertise from both developed and developing countries, to provide a big picture assessment of BRT as part of a process for restructuring transit systems.

"Youth, Identity, Power" is the classic study of the origins of the 1960s Chicano civil rights movement. Written by a leader of the Chicano student movement who also played a key role in the creation of the wider Chicano Movement, this is the first full-length work to appear on the subject. It fills an important gap in the history of political and social protest in the United States.
Carlos Munoz places the Chicano Movement in the context of the political and intellectual development of people of Mexican descent in the USA, tracing the emergence of student activists and intellectuals in the 1930s and their initial challenge to the dominant white racial and class ideologies. He then documents the rise and fall of the Chicano Movement of the 1960s, situating it within the 1960s civil rights and radical movements and assessing the Chicano Movement's contribution to the development of the Mexican American population and the Latino population as a whole.
In an afterword to this new edition, Munoz charts the burgeoning growth of US Latino communities, assesses the nativist backlash against them, and argues that Latinos must play a central role in a new movement for multiracial democracy.

When we finally arrived at my brother's house in the United States, I thought about how far I was from home in Mexico. I looked back, saw the sun setting, and thought about my father and what he might be doing. I thought, 'Why did I come so far, and how am I going to return?' Before I left my father asked me why I wanted to leave. He said he thought we would never see each other again. My brother told him not to worry and that he would return me in a year. . . . He was right, because we never did. Irma Luna recalls her experience of migration, from Communities without BordersIn his stunning work of photojournalism and oral history, David Bacon documents the new reality of migrant experience: the creation of transnational communities. Today's indigenous migrants don't simply move from one point to another but create new communities all along the northern road from Guatemala through Mexico into the United States, connected by common culture and history. Drawing on his experience as a photographer and a journalist and also as a former labor organizer, Bacon portrays the lives of the people who migrate between Guatemala and Mexico and the United States. He takes us inside these communities and illuminates the ties that bind them together, the influence of their working conditions on their families and health, and their struggle for better lives. Bacon portrays in photographs and their own words Mixtec and Triqui migrants in Oaxaca, Baja California, and California; Guatemalan migrants in Huehuetenango and Nebraska; miners and indigenous communities in Sonora and Arizona; and veterans of the bracero program of the 1940s and 1950s. Bacon's interviews with this first wave of guest workers are especially relevant in light of the current political focus on guest-worker programs as a model for reforming immigration, an approach with which Bacon strongly disagrees.Throughout Communities without Borders, Bacon emphasizes the social movements migrants organize to improve their own working conditions and the well-being of their enclaves. U.S. border policy treats undocumented immigrants as an aggregation of individuals, ignoring the social pressures that force whole communities to move and the networks of families and hometowns that sustain them on their journeys. Communities without Borders makes an urgent appeal for understanding the human reality that should inform our national debate over immigration."

Miedo. Confusion. Perplejidad y asombro, harto originales. Aunque se note la mano, no adivinaremos nunca de donde vino la "cachetada metafisica" que diria Cortazar. Un narrador enfrentado a su primera mayoria de edad es este que ahora ustedes van a leer (antes fue "La Segunda Persona" de 1999). Entonces pongan mucha atencion a los imperceptibles matices que sus veloces historias les depararan. Un parpadeo puede ser fatal. Miren Donde? Que? Y se acabo.

Primeras fi guraciones es un estudio po tico acerca de la descomposici n. Las dos partes que lo componen giran en torno de fi guras centrales, sea el hundimiento de una embarcaci n o la deformaci n de un cuerpo. A manera de puntos de fuga, la creaci n po tica parte de un punto que luego se propaga en diversas direcciones. Los cuerpos, vistos as, est n sometidos al arte fi gurativo pero, de igual modo, a un proceso de ptica en el cual las fi guras se apartan cada vez m s del foco, hasta que apenas son reconocibles. La creaci n po tica es en esta obra un acto de transfi guraci n.