First published in 1947, In Due Season broke new ground with its fictional representation of women and of Indigenous people. Set during the dustbowl 1930s, this tersely narrated prize-winning novel follows Lina Ashley, a determined solo female homesteader who takes her family from drought-ridden southern Alberta to a new life in the Peace River region. Here her daughter Poppy grows up in a community characterized by harmonious interactions between the local Metis and newly arrived European settlers. Still, there is tension between mother and daughter when Poppy becomes involved with a Metis lover. This novel expands the patriarchal canon of Canadian prairie fiction by depicting the agency of a successful female settler and, as noted by Dorothy Livesay, was ""one of the first, if not the first Canadian novel wherein the plight of the Native Indian and the Metis is honestly and painfully recorded."" The afterword by Carole Gerson and Janice Dowson provides substantial information about author Christine van der Mark and situates her under-acknowledged book within the contexts of Canadian social, literary, and publishing history.

ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada."

The History of the Book in Canada is one of this country's great scholarly achievements, with three volumes spanning topics from Aboriginal communication systems established prior to European contact to the arrival of multinational publishing companies. Each volume observes developments in the realms of writing, publishing, dissemination, and reading, illustrating the process of a fledgling nation coming into its own. The third and final volume follows book history and print culture from the end of the First World War to 1980, discussing the influences on them of the twentieth century, including the country's growing demographic complexity and the rise of multiculturalism. Crucial to creating a sense of identity during this period was the Royal Commission on National Development in the Arts, Letters and Sciences, whose report of 1951 led to the establishment of influential cultural institutions such as the Canada Council for the Arts and the National Library of Canada. Other key developments included the initiation and growth of library systems, the expansion of film, radio, and television, the burgeoning of children's literature, enhanced opportunities for writers, the Quiet Revolution in Quebec, and the rise of Canadian studies and Canadian literature as respected fields for teaching and research. In English Canada, mainstream book publishing flourished during the 1920s, suffered severely during the Depression, went through a period of renewal and advance after the Second World War, but became imperilled by the 1970s. Small literary presses and allophone publishers, in turn, grew increasingly significant during the 1960s, a decade in which Quebec's new cultural policies began to foster ongoing support for francophone book culture. In addition to telling the stories of Canada's recent book history, this volume pays due attention to multifarious developments in print culture, including book prizes, sports writing, pulp magazines, the alternative press, Coles Notes, the international success of Harlequin, and the unprecedented influence of Les insolences du Fr re Untel, the famous cry for education reform in 1960s Quebec. Volume three of the History of the Book in Canada marks the successful completion of an extraordinary project that documents the country's achievements for generations of scholars and readers to come.

Frequently dismissed as a 'nature poet' and an 'Indian Princess' E. Pauline Johnson (1861-1913) was not only an accomplished thinker and writer but a contentious and passionate personality who 'talked back' to Euro-Canadian culture. "Paddling Her Own Canoe" is the only major scholarly study that examines Johnson's diverse roles as a First Nations champion, New Woman, serious writer and performer, and Canadian nationalist.

A Native advocate of part-Mohawk ancestry, Johnson was also an independent, self-supporting, unmarried woman during the period of first-wave feminism. Her versatile writings range from extraordinarily erotic poetry to polemical statements about the rights of First Nations. Based on thorough research into archival and published sources, this volume probes the meaning of Johnson's energetic career and addresses the complexities of her social, racial, and cultural position. While situating Johnson in the context of turn-of-the-century Canada, the authors also use current feminist and post-colonial perspectives to reframe her contribution. Included is the first full chronology ever compiled of Johnson's writing.

Pauline Johnson was an extraordinary woman who crossed the racial and gendered lines of her time, and thereby confounded Canadian society. This study reclaims both her writings and her larger significance.

Winner of the Raymond Klibansky Prize, awarded by the Canadian Federation for the Humanities and Social Sciences

E. Pauline Johnson (Tekahionwake) was a Native advocate of part-Mohawk ancestry, an independent woman during the period of first-wave feminism, a Canadian nationalist who also advocated strengthening the link to imperial England, a popular and versatile prose writer, and one of modern Canada's best-selling poets. Johnson longed to see the publication of a complete collection of her verse, but that wish remained unfulfilled during her life. Nine decades after her death, the first complete collection of all of Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, is now available.

In response to the current recognition of Johnson's historical position as an immensely popular and influential figure of the late nineteenth and early twentieth centuries, this volume also presents a representative selection of her prose, including fiction about native-settler relations, journalism about women and recreation, and discussions of gender roles and racial stereotypes.

Edited by Carole Gerson and Veronica Strong-Boag, authors of the enthusiastically received "Paddling Her Own Canoe: Times and Texts of E. Pauline Johnson (Tekahionwake)," this collection exhibits the same impeccable scholarship and is essential to a full understanding of Johnson as a major Canadian writer and cultural figure.

E. Pauline Johnson (Tekahionwake) was a Native advocate of part-Mohawk ancestry, an independent woman during the period of first-wave feminism, a Canadian nationalist who also advocated strengthening the link to imperial England, a popular and versatile prose writer, and one of modern Canada's best-selling poets. Johnson longed to see the publication of a complete collection of her verse, but that wish remained unfulfilled during her life. Nine decades after her death, the first complete collection of all of Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, is now available.

In response to the current recognition of Johnson's historical position as an immensely popular and influential figure of the late nineteenth and early twentieth centuries, this volume also presents a representative selection of her prose, including fiction about native-settler relations, journalism about women and recreation, and discussions of gender roles and racial stereotypes.

Edited by Carole Gerson and Veronica Strong-Boag, authors of the enthusiastically received "Paddling Her Own Canoe: Times and Texts of E. Pauline Johnson (Tekahionwake)," this collection exhibits the same impeccable scholarship and is essential to a full understanding of Johnson as a major Canadian writer and cultural figure.