Mark Lewis' work functions as a critique of cinema, encouraging the viewer's awareness of the cliches, conventions and fragmentary nature of film, and how it has been constructed historically. In so doing, he also acknowledges its suggestive power, and the alluring, seductive visual qualities of the medium, whilst maintaining a certain critical distance in his extraction and re-evaluation of its components. This catalogue provides a survey of Lewis' film works from 1995-2000.

Launched in 1999, Afterall is a journal of contemporary art that offers in-depth analysis of artists' work, along with essays that broaden the context in which to understand it. Its academic format differentiates it from popular review magazines. Volume 48 is Afterall's 21st anniversary issue, in which the editorial team reflects on the journal's past though a series of reprints of contextual essays and artist features, together with new commissions that inform the present and future vision of the journal.

In Richard Deacon's solo exhibition Some Time, a refabricated version of his sculpture Never Mind takes pride of place among more than twenty-five other works. Over time, the original sculpture, made in 1993, proved to be incompatible with the natural environment of an open-air museum. Now, after a period of critical reflection and discussion with the artist himself, what he calls a 'refabrication' has taken place. Follow the artist and the museum's quest for an innovative, sustainable solution to the renewal of (or variation on) a monumental sculpture that offers a potentially new line of approach for the future. This book not only represents the Some Time exhibition, but thanks to its diversity of material, ranging from original sketches and intimate correspondence to construction photos from the workshop and installation shots, it also gives a unique insight into Deacon's working process. At the same time, it provides a moment of critical reflection from the perspectives of the various authors who have contributed to it. Text in English and Dutch.

Launched in 1999, Afterall is a journal of contemporary art that offers in-depth analysis of artists' work, along with essays that broaden the context in which to understand it. Its academic format differentiates it from popular review magazines. In issue 47, featured artists are planned to include Gulsun Karamustafa, Armin Linke, Naeem Mohaiemen, and Araya Rasdjarmrearnsook, Thao-Nguyen Phan, and Anne-Mie Van Kerckhoven, among others.

The phenomenon of artists' platforms and artists' initiatives have been gaining in popularity and strength over recent years, in the Netherlands and beyond. Artists form groups and organize themselves in order to change something in the local, regional or national environment, or in order to create work together. "Shifting Map" asks to what extent these artists can play a role in a society in flux. "Shifting Map" contributes to the wide-ranging international debate about western and non-western art, social engagement, cultural identity and the dominant visual culture. The book does not simply focus on a purely theoretical discussion, but also provides anchoring points and pause for thought for artists, curators and policy makers. Besides texts and images by the artists' initiatives and artists' platforms themselves, the publication includes essays by philosopher Reinaldo Laddaga and art critic Charles Esche which examine the significance of artists' initiatives, the artistic debate and its significance in the worldwide field of art.
"Shifting Map" is a publication by the RAIN Artists' Initiatives Network, a network of artists' platforms and initiatives in Africa, Asia and Latin America that was set up by former residents at the Rijksakademie van Beeldende Kunsten in Amsterdam.