Long before Garth Brooks and Shania Twain, the original pioneers of country music paved the way for future country artists. Country music authority Charles Wolfe gathers together his profiles of 50 legends of country music.
Based on interviews with the musicians and those who knew them, this collection provides insights into the history of country music which will fascinate not only fans and scholars of country music, but anyone interested in the roots of American popular music.

Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more.

In 1927, nineteen bands gathered for a recording session in Bristol, on the Tennessee-Virginia border, including some of the most influential names in American music - the Carter Family, Jimmie Rodgers and more. Organized by Ralph Peer for Victor records to capitalize on the popularity of ""hillbilly"" music, the Bristol Sessions were a key moment in country music's evolution. The musicians played a variety of styles largely endemic to the mountain region. Rather than traditional sounds, Peer sought a combination of their elements, an amalgam that would form the backbone of modern country music. The reverberations of the Bristol Sessions are still felt today, yet their influence is widely misunderstood, and popular accounts of the event are more legend than history. These 19 essays offer an examination and reevaluation of the Bristol Sessions - from their germination, to the actual sessions, to their place in history and continuing influence. The first section discusses technological advances that resulted in the unmatched quality of the Bristol recordings. The second examines the people and bands involved, including Peer, responsible for many of the mistruths long attached to the event. The third gives first-hand accounts of the Bristol Sessions, while the fourth presents musicological studies of two of the prominent acts. The final section details subsequent recording sessions in Bristol and nearby Johnson City, and explores the lasting local musical legacy.

Now available in paper with a new afterward, Kentucky Country is a lively tour of the state's indigenous music, from the days of string bands through hillbilly, western swing, gospel, bluegrass, and honkey-tonk to through the Nashville Sound and beyond. Through personal interviews with many of the living legends of Kentucky music, Charles K. Wolfe illuminates a fascinating and important area of American culture. The list of country music stars who hail from Kentucky is a long and glittering one. Red Foley, Bill Monroe, Loretta Lynn, Tom T. Hall, the Judds, Dwight Yaokum, Billy Ray Cyrus, Ricky Skaggs, John Michael Montgomery, and Keith Whitely -- all these and many others have called Kentucky home. Kentucky Country is the story of these stars and dozens more. It is also the story of many Kentucky musicians whose contributions have been little known or appreciated, and of those collectors, promoters, and entrepreneurs who have worked behind the scenes to bring Kentucky music to national attention.

Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe's commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe's life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a "who's who" of bluegrass, connecting Monroe to the music's larger history and containing many fascinating stories. The second part of each chapter presents the discography. Information here includes the session's place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data. The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe's contributions as a composer, interpreter, and performer.