Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Royal Academician Charles Leslie (1794-1859) also wrote biographies of fellow painters. His life of John Constable and a two-volume work on Sir Joshua Reynolds are also reissued in this series. On his death, the Reynolds work was completed by the journalist and dramatist Tom Taylor (1817-80), who also edited Leslie's two-volume autobiography, published in 1860. Though born in London, Leslie was an American, a child prodigy in drawing, who returned to Britain in 1811 to study painting with Benjamin West and Washington Allston. He had enormous admiration for the paintings of his contemporaries and of the previous generation, and his reminiscences are intended to preserve 'some recollections of those chiefly whom I could praise'. Volume 1 of this lively and self-deprecating work, full of good-humoured anecdotes, is prefaced by an introductory essay by Taylor on Leslie and his art.

The Royal Academician Charles Leslie (1794-1859) also wrote biographies of fellow painters. His life of John Constable and a two-volume work on Sir Joshua Reynolds are also reissued in this series. On his death, the Reynolds work was completed by the journalist and dramatist Tom Taylor (1817-80), who also edited Leslie's two-volume autobiography, published in 1860. Though born in London, Leslie was an American, a child prodigy in drawing, who returned to Britain in 1811 to study painting with Benjamin West and Washington Allston. He had enormous admiration for the paintings of his contemporaries and of the previous generation, and his reminiscences are intended to preserve 'some recollections of those chiefly whom I could praise'. Volume 2 of this lively and self-deprecating work, full of good-humoured anecdotes, consists of extensive extracts from Leslie's letters and an appendix listing his paintings.

This two-volume life of Sir Joshua Reynolds (1723 92) was begun by the Royal Academician Charles Leslie (1794 1859), who had previously published a life of John Constable, also reissued in this series. On Leslie's death, the journalist and dramatist Tom Taylor (1817 80) completed the work, published in 1865. Leslie's motive was that he felt that Reynolds had been unfairly treated by an earlier biography. He aimed to show that Reynolds was 'the genial centre of a most various and brilliant society, as well as the transmitter of its chief figures to our time by his potent art'. One of the greatest artists of the eighteenth century, especially famous for his portraits, Reynolds was also instrumental in founding the Royal Academy, and was its first president. Volume 1 covers his early life and his progress as an artist until his fiftieth year."

This two-volume life of Sir Joshua Reynolds (1723 92) was begun by the Royal Academician Charles Leslie (1794 1859), who had previously published a life of John Constable, also reissued in this series. On Leslie's death, the journalist and dramatist Tom Taylor (1817 80) completed the work, published in 1865. Leslie's motive was that he felt that Reynolds had been unfairly treated by an earlier biography. He aimed to show that Reynolds was 'the genial centre of a most various and brilliant society, as well as the transmitter of its chief figures to our time by his potent art'. One of the greatest artists of the eighteenth century, especially famous for his portraits, Reynolds was also instrumental in founding the Royal Academy, and was its first president. Volume 2 begins in 1773, and ends with Reynolds' death. Leslie also provides an assessment of his status as an artist."

First published in 1843 and reissued here in its expanded second edition of 1845, this biography represents an early and informed portrait of the prolific landscape artist and draughtsman John Constable (1776 1837). An upbringing in the East Anglian countryside and his first sighting of a painting by Claude Lorrain inspired his lifelong dedication to capturing scenes from nature, reflected in early works such as Dedham Vale (1802) and in his mature masterpieces, notably The Hay Wain (1821). Prepared by Charles Robert Leslie (1794 1859), a close friend and fellow member of the Royal Academy, this work is based principally on his collection of Constable's letters and papers, drawing also on friends' accounts of the artist. Illuminating his relationship with Maria Bicknell and the influence of early mentor Sir George Beaumont, the book details the development of Constable's career, revealing the nature of his opinions and anxieties.