Batman
The streets of Gotham City are no longer safe for criminals, who are being picked off by a masked vigilante in a rubber suit - dubbed 'Batman' by the press. Reporter Alexander Knox (Robert Wuhl) teams with photographer Vicki Vale (Kim Basinger) in an attempt to discover Batman's true identity - an investigation which leads them to the door of mysterious millioniare Bruce Wayne (Michael Keaton). Meanwhile, crime boss Carl Grissom's (Jack Palance) attempt to rid himself of untrustworthy henchman Jack Napier (Jack Nicholson) does not go according to plan, and after emerging physically - and mentally - disfigured from a vat of chemicals, Napier reinvents himself as the psychotic Joker.

Batman Returns
Oswald Cobblepot was abandoned by his parents as a baby. Thirty three years later, bent on revenge, he returns to Gotham City as the Penguin (Danny DeVito). First he begins a warped campaign to become Mayor, helped by millionaire businessman Max Shreck (Christopher Walken); next, he undertakes a mission to murder every first born son in Gotham - a plan which will avenge his own beginnings. Meanwhile, he has two adversaries to contend with: Catwoman (Michelle Pfeiffer), the embittered ex-secretary of Max Shreck, and, of course, the old caped crusader himself - Batman (Michael Keaton).

Beetlejuice
The Maitlands (Geena Davis and Alec Baldwin) are a happy couple who, when killed in a car crash, return as ghosts to their beloved home to wreak havoc on the ghastly yuppie family who have moved in. Being novices at haunting, their efforts go unnoticed by the house's new inhabitants except Goth daughter Lydia (Winona Ryder), who doesn't mind one bit. At their wit's end, the ghostly couple call on a despicably disgusting demon named 'Beetlejuice' (Michael Keaton) for help.

Mars Attacks
When Martians arrive on planet Earth, American President James Dale (Jack Nicholson) is persuaded to extend the hand of friendship. One of the President's advisers, Donald Kessler (Pierce Brosnan), has been studying the aliens, and is keen to make peaceful contact. However, the Martians gleefully fry their greeting party from Earth, and launch an all-out attack on the planet. Various celebrity faces including Michael J. Fox, Danny DeVito, Sarah Jessica Parker and Martin Short appear briefly before being zapped by the Martian baddies in director Tim Burton's quirky spoof of alien invasion movies.

Pee Wee's Big Adventure
Call in the FBI. Alert the President. Advise all ships at sea and break out the Batphone because this is no ordinary adventure: this is Pee-wee's Big Adventure! Pee-wee's bicycle, the keenest bike in the world, is missing. It's his most prized possession...and he's just got to get it back. Searching high, low and in between, Pee-wee hits the open road and encounters riotous adventures with bikers, bums, cowboys, cons, a phantom trucker and a waitress with wanderlust and even Warner Bros. Studios.

Charlie And The Chocolate Factory
What wonders await you in Willy Wonka's factory? Explore fields of soft minty sugar grass in the Chocolate Room... Sail along the Chocolate River in a pink sugar boat... Experiment with Everlasting Gobstoppers in the Inventing Room... Observe talented squirrels in the Nut Room and travel to the Television Room by a glass elevator. You'll find a lot that's funny, a little that's mysterious... and an adventure as sweet and satisfying as a Wonka Whipple-Scrumptious Fudgemallow Delight bar. This dazzling film adapted from Roald Dahl's classic children's novel, directed by Tim Burton and starring Johnny Depp and Freddie Highmore, is your Golden Ticket to a world so inventive, so imaginative, you won't want to miss a delicious moment!

Sweeney Todd
Based on a 'penny dreadful' tale (which later became an urban myth) from the mid-19th Century, this musical tells the tale of Benjamin Barker (Depp), a barber who returns to London after spending years in exile for a crime he didn't commit. He soon discovers from pie-maker Mrs Lovett (Bonham Carter) that, in his absence, his wife has taken her own life and his daughter is now in the care of the man who had him sent away - the dastardly Judge Turpin (Alan Rickman). Seeking revenge and filled with a murderous rage, Barker sets up a barber's shop above Mrs Lovett's premises. Now calling himself Sweeney Todd, Barker kills off all his customers with a razor to the throat and sends their cadavers to the shop below to be used as a tasty new filling for Mrs Lovett's meat pies. What was once the worst pie shop in London quickly becomes one of the city's most popular eateries, but Barker won't be satisfied until he can lure Judge Turpin into the barber's chair...

Corpse Bride
Set back in the late 1800s in a Victorian village, a man and woman by the names of Victor Van Dort and Victoria Everglot are betrothed because the Everglots need the money or else they'll be living on the streets and the Van Dorts want to be high in society. But when things go wrong at the wedding rehearsal, Victor goes into the woods to practice his vows. Just as soon as he gets them right, he finds himself married to Emily, the corpse bride. While Victoria waits on the other side, there's a rich newcomer that may take Victor's place. So two brides, one groom, who will Victor pick?

Tim Burton's film version of the Stephen Sondheim musical starring Johnny Depp and Helena Bonham Carter. Based on a 'penny dreadful' tale (which later became an urban myth) from the mid-19th Century, this musical tells the tale of Benjamin Barker (Depp), a barber who returns to London after spending years in exile for a crime he didn't commit. He soon discovers from pie-maker Mrs Lovett (Bonham Carter) that, in his absence, his wife has taken her own life and his daughter is now in the care of the man who had him sent away - the dastardly Judge Turpin (Alan Rickman). Seeking revenge and filled with a murderous rage, Barker sets up a barber's shop above Mrs Lovett's premises. Now calling himself Sweeney Todd, Barker kills off all his customers with a razor to the throat and sends their cadavers to the shop below to be used as a tasty new filling for Mrs Lovett's meat pies. What was once the worst pie shop in London quickly becomes one of the city's most popular eateries, but Barker won't be satisfied until he can lure Judge Turpin into the barber's chair...

Collection of four films starring Johnny Depp. In 'The Astronaut's Wife' (1999), on a seemingly routine mission to repair a space satellite, astronaut Spencer Armacost (Depp) loses contact with Mission Control for a period of time. Once Spencer has returned to Earth his wife Jillian (Charlize Theron) falls pregnant with twin boys, but her joy is tempered by the suspicion that something terrible happened to her husband in space - something which could threaten the entire human race. In 'Dark Shadows' (2012), when playboy Barnabas Collins (Depp) breaks the heart of the beautiful Angelique Brouchard (Eva Green), an old family curse is released as Angelique, a witch, turns Barnabas into a vampire before burying him alive. Two centuries later, Barnabas is inadvertently freed and emerges into the very changed world of 1972. Returning to his former home at Collinwood Manor, he finds his estate in ruins and the dysfunctional dregs of his family in tatters. Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer) has enlisted the services of live-in psychiatrist Dr Julia Hoffman (Helena Bonham Carter) to help with her numerous family problems - but between Elizabeth's loser brother, Roger Collins (Jonny Lee Miller), her rebellious teenage daughter, Carolyn Stoddard (Chloë Moretz), and Roger's precocious 10-year-old son, David Collins (Gulliver McGrath), Dr Hoffman has certainly got her work cut out. 'Sweeney Todd - The Demon Barber of Fleet Street' (2007), Tim Burton's film version of the Stephen Sondheim musical, is based on a 'penny dreadful' tale (which later became an urban myth) from the mid-19th Century. The story centres around Benjamin Barker (Depp), a barber who returns to London after spending years in exile for a crime he didn't commit. He soon discovers from pie-maker Mrs Lovett (Bonham Carter) that, in his absence, his wife has taken her own life and his daughter is now in the care of the man who had him sent away - the dastardly Judge Turpin (Alan Rickman). Seeking revenge and filled with a murderous rage, Barker sets up a barber's shop above Mrs Lovett's premises. Now calling himself Sweeney Todd, Barker kills off all his customers with a razor to the throat and sends their cadavers to the shop below to be used as a tasty new filling for Mrs Lovett's meat pies. What was once the worst pie shop in London quickly becomes one of the city's most popular eateries, but Barker won't be satisfied until he can lure Judge Turpin into the barber's chair... In 'Don Juan DeMarco' (1994) Marlon Brando plays a psychiatrist whose last case, that of Don Juan (Depp), is his most difficult. Don Juan is the world's greatest lover, having seduced over 1000 women, and his amorous tales totally captivate the analyst, re-awakening passions which he thought had been lost forever.

Collection of eight films from director Tim Burton. In 'Batman' (1989) the streets of Gotham City are no longer safe for criminals, who are being picked off by a masked vigilante in a rubber suit - dubbed 'Batman' by the press. Reporter Alexander Knox (Robert Wuhl) teams with photographer Vicki Vale (Kim Basinger) in an attempt to discover Batman's true identity - an investigation which leads them to the door of mysterious millionaire Bruce Wayne (Michael Keaton). Meanwhile, crime boss Carl Grissom (Jack Palance)'s attempt to rid himself of untrustworthy henchman Jack Napier (Jack Nicholson) does not go according to plan, and after emerging physically - and mentally - disfigured from a vat of chemicals, Napier reinvents himself as the psychotic Joker... In 'Batman Returns' (1992) Oswald Cobblepot (Danny DeVito), who was abandoned by his parents as a baby 33 earlier, is bent on revenge and returns to Gotham City as the Penguin. First he begins a warped campaign to become Mayor, helped by millionaire businessman Max Shreck (Christopher Walken), and then he undertakes a mission to murder every first born son in Gotham - a plan which will avenge his own beginnings. Meanwhile, he has two adversaries to contend with: Catwoman (Michelle Pfeiffer), the embittered ex-secretary of Max Shreck, and, of course, the old caped crusader himself - Batman. 'Charlie and the Chocolate Factory' (2005), based on the novel by Roald Dahl, follows eccentric chocolatier Willy Wonka (Johnny Depp) and Charlie Bucket (Freddie Highmore), a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory. Most nights in the Bucket home, dinner is a watered-down bowl of cabbage soup, which young Charlie gladly shares with his mother (Helena Bonham Carter) and father (Noah Taylor) and both pairs of grandparents. They all live in a tiny, tumbledown, drafty old house but it is filled with love. Every night, the last thing Charlie sees from his window is the great factory, and he drifts off to sleep dreaming about what might be inside. For nearly 15 years, no one has seen a single worker going in or coming out of the factory, or caught a glimpse of Willy Wonka himself, yet, mysteriously, great quantities of chocolate are still being made and shipped to shops all over the world. One day Willy Wonka makes a momentous announcement. He will open his famous factory and reveal 'all of its secrets and magic' to five lucky children who find golden tickets hidden inside five randomly selected Wonka chocolate bars. When Charlie finds some money on the snowy street and takes it to the nearest store for a Wonka Whipple-Scrumptious Fudgemallow Delight he finds a golden ticket. The family decides that Grandpa Joe (David Kelly) should be the one to accompany Charlie on this once-in-a-lifetime adventure. Once inside, Charlie is dazzled by one amazing sight after another. In 'Mars Attacks!' (1996) Martians arrive on planet Earth and American President James Dale (Nicholson) is persuaded to extend the hand of friendship. One of the President's advisers, Donald Kessler (Pierce Brosnan), has been studying the aliens and is keen to make peaceful contact. However, the Martians gleefully fry their greeting party from Earth and launch an all-out attack on the planet. In 'Beetlejuice' (1988) the Maitlands (Geena Davis and Alec Baldwin) are a happy couple who, when killed in a car crash, return as ghosts to their beloved home to wreak havoc on the ghastly yuppie family who have moved in. Being novices at haunting, their efforts go unnoticed by the house's new inhabitants except for goth daughter Lydia (Winona Ryder), who doesn't mind one bit. At their wit's end, the ghostly couple call on a despicably disgusting demon named 'Beetlejuice' (Keaton) for help. The animated 'Corpse Bride' (2005), set in a 19th century European village, follows Victor (voiced by Depp), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride (Bonham Carter), while his real bride, Victoria (Emily Watson), waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colourful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. Musical 'Sweeney Todd - the Demon Barber of Fleet Street' (2007), based on a 'penny dreadful' tale (which later became an urban myth) from the mid-19th century, tells the tale of Benjamin Barker (Depp), a barber who returns to London after spending years in exile for a crime he didn't commit. He soon discovers from pie-maker Mrs Lovett (Bonham Carter) that, in his absence, his wife has taken her own life and his daughter is now in the care of the man who had him sent away - the dastardly Judge Turpin (Alan Rickman). Seeking revenge and filled with a murderous rage, Barker sets up a barber's shop above Mrs Lovett's premises. Now calling himself Sweeney Todd, Barker kills off all his customers with a razor to the throat and sends their cadavers to the shop below to be used as a tasty new filling for Mrs Lovett's meat pies. What was once the worst pie shop in London quickly becomes one of the city's most popular eateries, but Barker won't be satisfied until he can lure Judge Turpin into the barber's chair... Finally, 'Pee-wee's Big Adventure' (1985) follows man-child Pee-wee Herman (Paul Reubens) who goes on an adventure to recover his new bicycle after it is stolen. Along the way he encounters bikers, bums, convicts and a phantom trucker.

This book studies the interplay of theology and poetics in the three great epics of early-modern England: the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines the relationship between the poems' primary heroes, Arthur and the Son, who are godlike, virtuous, and powerful, and the secondary heroes, Redcrosse and Adam, who are human, fallible, and weak. He looks back at the development of this pattern of dual heroism in classical, Medieval, and Italian Renaissance literature, investigates the ways in which Spenser and Milton adapted the model, and demonstrates how the Jesus of Paradise Regained can be seen as the culmination of this tradition. Challenging the opposition between "Calvinist," "allegorical" Spenser and "Arminian," "dramatic" Milton, this book offers a new account of their doctrinal and literary affinities within the European epic tradition. Arguing that Spenser influenced Milton in fundamental ways, Bond establishes a firmer structural and thematic link between the two authors, and shows how they transformed a strongly antifeminist genre by the addition of a crucial, although at times ambivalent, heroine. He also proposes solutions to some of the most difficult and controversial theological cruxes posed by these poems, in particular Spenser's attitude to free will and Milton's to the Trinity. By providing a deeper understanding of the religious agendas of these epics, this book encourages a rapprochement between scholarly approaches that are too narrowly concerned with either theology or poetics.

Six strangers, a lonely farmhouse, surrounded by brain-eating zombies - what could go wrong? Night of the Living Dead(TM) Live is a fun and hilarious re-imagining of George A. Romero's legendary classic. Set in 1968 and presented in all black and white, it literally feels like the film has been brought to life and placed onstage. The play lovingly examines the movie itself, the period in which it was made, and the film's undying influence on the horror genre. More than just a re-creation of the s

Melodrama / Casting: 8m, 3f / Scenery: Simple ints./exts. In this version of the old melodrama, Todd has some grounds for his nefarious activities: his wife was abducted and raped by the Judge and his daughter abandoned, while he himself was deported on a false charge. He returns to avenge his family, accompanied by a sea captain, Anthony, whose life he has saved. Anthony falls in love with a young girl, the Judge's ward, who turns out to be Todd's daughter. Todd, meanwhile, sets up with Mrs. Lovett, the pie maker, and provides her with fillings for her pies. He proceeds with his vengeful plans but the outcome is bitterly ironic.

This book studies the interplay of theology and poetics in the three great epics of early-modern England: the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines the relationship between the poems' primary heroes, Arthur and the Son, who are godlike, virtuous, and powerful, and the secondary heroes, Redcrosse and Adam, who are human, fallible, and weak. He looks back at the development of this pattern of dual heroism in classical, Medieval, and Italian Renaissance literature, investigates the ways in which Spenser and Milton adapted the model, and demonstrates how the Jesus of Paradise Regained can be seen as the culmination of this tradition. Challenging the opposition between "Calvinist," "allegorical" Spenser and "Arminian," "dramatic" Milton, this book offers a new account of their doctrinal and literary affinities within the European epic tradition. Arguing that Spenser influenced Milton in fundamental ways, Bond establishes a firmer structural and thematic link between the two authors, and shows how they transformed a strongly antifeminist genre by the addition of a crucial, although at times ambivalent, heroine. He also proposes solutions to some of the most difficult and controversial theological cruxes posed by these poems, in particular Spenser's attitude to free will and Milton's to the Trinity. By providing a deeper understanding of the religious agendas of these epics, this book encourages a rapprochement between scholarly approaches that are too narrowly concerned with either theology or poetics.

This book studies the interplay of theology and poetics in the three great epics of early-modern England: the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines the relationship between the poems' primary heroes, Arthur and the Son, who are godlike, virtuous, and powerful, and the secondary heroes, Redcrosse and Adam, who are human, fallible, and weak. He looks back at the development of this pattern of dual heroism in classical, Medieval, and Italian Renaissance literature, investigates the ways in which Spenser and Milton adapted the model, and demonstrates how the Jesus of Paradise Regained can be seen as the culmination of this tradition. Challenging the opposition between Calvinist, allegorical Spenser and Arminian, dramatic Milton, this book offers a new account of their doctrinal and literary affinities within the European epic tradition. Arguing that Spenser influenced Milton in fundamental ways, Bond establishes a firmer structural and thematic link between the two authors, and shows how they transformed a strongly antifeminist genre by the addition of a crucial, although at times ambivalent, heroine.He also proposes solutions to some of the most difficult and controversial theological cruxes posed by these poems, in particular Spenser's attitude to free will and Milton's to the Trinity. By providing a deeper understanding of the religious agendas of these epics, this book encourages a rapprochement between scholarly approaches that are too narrowly concerned with either theology or poetics.

The eight essays in Milton Studies 50 offer profound insights into Milton's poems, ranging from Comus and Lycidas, to Paradise Lost and Samson Agonistes. One essay offers an entirely new direction for Milton scholarship, examining how he may have influenced Seventh-day Adventism.
The initial essay tracks the many cultural voices that constitute a network in which the Lady of "Comus "is situated, and her character is astutely analyzed. The second entry traces the gradual emergence of a voice in "Lycidas, " which becomes that of a so-called reader-speaker, who develops a unique perspective on the many debating and competing voices in this elegy. The third essay breaks new ground on the topic of chaos in Milton's "Paradise Lost, " offering a bold and innovative reading of this often-interpreted phenomenon. The fourth essay is a revolutionary study of alternative masculinities in "Paradise Lost, "with an emphasis on systems of sex and gender embedded in the epic. The fifth essay focuses on Milton's adaptation of the beatitudes from Matthew's Gospel, notably in Eve's lyric to Adam in Book IV of "Paradise Lost." The sixth essay examines the myth of Persephone and its association with flowers in the classical tradition, shedding new light on the multifarious implications of Milton's similes. The seventh essay studies the phenomenon of oaths and vows-making and breaking them-in "Samson Agonistes." The final entry dwells on evidence that Milton may have affected Ellen Gould White, prophetess of Seventh-day Adventism, and American theologians in general.