Will, Imagination, and Reason sets forth a new understanding of reality and knowledge with far-reaching implications for the study of man and society. Employing a systematic approach, Claes Ryn goes to the philosophical depths to rethink and reconstitute the epistemology of the humanities and social sciences. He shows that will and imagination, together, constitute our basic outlook on life and that reason derives its material and general orientation from the interaction between them.

The imaginative master-minds--novelists, poets, composers, painters, and others--powerfully affect the sensibility and direction of society. Sometimes a distorting, self-serving willfulness at the base of their visions draws civilization, including reason, into dangerous illusion. More penetrating and balanced vision and rationality spring from a different quality of will. Ryn explains the kind of interplay between will, imagination, and reason that is conducive to a deepened sense of reality and to intellectual understanding. He argues that human life and self-knowledge are inescapably historical. In developing his dialectical view of intellect, he draws from Irving Babbitt, Benedetto Croce, and other philosophers to refute positivistic, formalistic, and ahistorical theories of knowledge and to develop his alternative.

Advancing a systematic epistemological argument, Ryn throws much new light on the nature of reason but also on central issues of ethics and aesthetics. This trenchant and original work is indispensable to philosophers, social, political and cultural theorists, literary scholars, and historians.

Will, Imagination, and Reason sets forth a new understanding of reality and knowledge with far-reaching implications for the study of man and society. Employing a systematic approach, Claes Ryn goes to the philosophical depths to rethink and reconstitute the epistemology of the humanities and social sciences. He shows that will and imagination, together, constitute our basic outlook on life and that reason derives its material and general orientation from the interaction between them. The imaginative master-minds novelists, poets, composers, painters, and others powerfully affect the sensibility and direction of society. Sometimes a distorting, self-serving willfulness at the base of their visions draws civilization, including reason, into dangerous illusion. More penetrating and balanced vision and rationality spring from a different quality of will. Ryn explains the kind of interplay between will, imagination, and reason that is conducive to a deepened sense of reality and to intellectual understanding. He argues that human life and self-knowledge are inescapably historical. In developing his dialectical view of intellect, he draws from Irving Babbitt, Benedetto Croce, and other philosophers to refute positivistic, formalistic, and ahistorical theories of knowledge and to develop his alternative. Advancing a systematic epistemological argument, Ryn throws much new light on the nature of reason but also on central issues of ethics and aesthetics. This trenchant and original work is indispensable to philosophers, social, political and cultural theorists, literary scholars, and historians.

Urged on by a powerful ideological and political movement, George W. Bush committed the United States to a quest for empire. American values and principles were universal, he asserted, and should guide the transformation of the world. Claes Ryn sees this drive for virtuous empire as the triumph of forces that in the last several decades acquired decisive influence in both the American parties, the foreign policy establishment, and the media.

Public intellectuals like William Bennett, Charles Krauthammer, William Kristol, Michael Novak, Richard Perle, and Norman Podhoretz argued that the United States was an exceptional nation and should bring "democracy," "freedom," and "capitalism" to countries not yet enjoying them. Ryn finds the ideology of American empire strongly reminiscent of the French Jacobinism of the eighteenth century. He describes the drive for armed world hegemony as part of a larger ideological whole that both expresses and aggravates a crisis of democracy and, more generally, of American and Western civilization.

"America the Virtuous" sees the new Jacobinism as symptomatic of America shedding an older sense of the need for restraints on power. Checks provided by the US Constitution have been greatly weakened with the erosion of traditional moral and other culture.

This study goes to the heart of ethics and politics. Strongly argued and lucidly written, the book makes a crucial distinction between two forms of democracy. The author defends constitutional democracy as potentially supportive of the ethical life, while he criticizes the plebiscitary form of democracyas undermiining man's moral nature. The book includes an extensive interpretation and refutation of the ideas of Jean-Jacques Rousseau and offers a new perspective on the American Constitution and the relationship between moral community and self-interest. This edition includes an important new section on the common good and the state of Western democracy. PRAISE FOR THE BOOK: "One of the best books on the terrain where politics and morality precariously overlap, recommended vigorously to all who are concerned with the loss of political morality."--Peter Viereck "An excellent and much needed analysis, and synthesis, of the relation of man's moral life to democratic, constitutional self rule."--Vera Lex

Urged on by a powerful ideological and political movement, George W. Bush committed the United States to a quest for empire. American values and principles were universal, he asserted, and should guide the transformation of the world. Claes Ryn sees this drive for virtuous empire as the triumph of forces that in the last several decades acquired decisive influence in both the American parties, the foreign policy establishment, and the media.

Public intellectuals like William Bennett, Charles Krauthammer, William Kristol, Michael Novak, Richard Perle, and Norman Podhoretz argued that the United States was an exceptional nation and should bring "democracy," "freedom," and "capitalism" to countries not yet enjoying them. Ryn finds the ideology of American empire strongly reminiscent of the French Jacobinism of the eighteenth century. He describes the drive for armed world hegemony as part of a larger ideological whole that both expresses and aggravates a crisis of democracy and, more generally, of American and Western civilization.

"America the Virtuous" sees the new Jacobinism as symptomatic of America shedding an older sense of the need for restraints on power. Checks provided by the US Constitution have been greatly weakened with the erosion of traditional moral and other culture.

A RIVETING THRILLER, A HAUNTING PICTURE OF AMERICA Could two people be more enviable than Richard and Helen Bittenberg? They love each other, have two healthy, intelligent children, and are financially comfortable. Richard is at the top of his profession. Their home is in a desirable Washington, D.C., neighborhood. The culturally rich, cosmopolitan atmosphere of the capital of the most powerful nation in the world forms part of their privileged existence. But to Richard it seems that perverse, irresponsible forces are destroying the country he loves. He feels compelled to resist. But how? Deeply troubled by his powerlessness, he seizes a daunting opportunity that he could never have foreseen. His life changes drastically. He is drawn into tension-filled, sometimes harrowing circumstances. They tax his moral conscience, courage, and endurance to the utmost. Helen worries about his increasingly fraught and stressed condition and tries to make him change his ways, but she does not know their real cause. Then, when she least expects it, she finds herself in the middle of a nightmare of her own. She has to muster all her willpower and wile. Helen and Richard must independently handle daunting ordeals, one involving secret, nerve-racking political machinations, one involving an agonizing police investigation. The milieus of the novel are Washington, D.C., Paris and environs, and Charleston, South Carolina. This is a political and psychological thriller that sneaks up on the reader and then only tightens its grip. It also has the fully developed characters and the trenchant, nuanced narrative of a serious work of fiction. Telling the story of the existential crises that Richard and Helen must face, the novel becomes a disquieting and thought-provoking commentary on the state of America and the Western world. Does the novel's poignant picture of contemporary society suggest merely fictional possibilities? A DESPERATE MAN deeply engages the reader, raising profound moral and cultural questions. About the author: CLAES G. RYN has lived for most of his adult life in Washington, D.C., where he is Professor of Politics at the Catholic University of America. He and his wife reside outside the District line in Potomac, Maryland. His teaching and research have focused on politics as it relates to philosophy, history, culture, and ethics. Ryn has taught also at Georgetown University, the University of Virginia, and Louisiana State University. He has lectured widely in the United States, Europe, and China. A frequent visitor to China, he gave the Distinguished Foreign Scholar Lectures at Beijing University in 2000 and was named Honorary Professor at Beijing Normal University in 2012. He is the author of many scholarly books. In addition to numerous scholarly articles, he has published much writing in newspapers and magazines. He appears with some frequency on radio and television.

A HIGHLY ACCLAIMED, RIVETING DRAMA A HAUNTING PICTURE OF AMERICA Could two people be more enviable than Richard and Helen Bittenberg? They love each other, have two healthy, intelligent children, and are financially comfortable. Richard is at the top of his profession. They live in a desirable neighborhood in Washington, D.C., the capital of the most powerful nation in the world with its culturally rich and cosmopolitan atmosphere. Yet Richard is distraught. It seems to him that perverse, irresponsible forces are destroying the country he loves. Troubled by his powerlessness, he seizes a daunting, wholly unexpected opportunity to act. He is drawn into tense, sometimes harrowing circumstances that tax his conscience, courage, and endurance to the utmost. Helen worries about his increasingly stressed condition, but she does not know its real cause. Suddenly, she finds herself in the middle of a nightmare of her own. Helen and Richard must independently handle grueling ordeals, one involving secret political machinations, one involving an agonizing police investigation. The narrative keeps tightening its grip on the reader. The milieus of the novel are Washington, D.C., Paris and environs, and Charleston, South Carolina. Though intensely suspenseful, this is no ordinary thriller. An absorbing moral drama with an epic dimension, it forms a trenchant, thought-provoking commentary on the state of America and the Western world. This novel has received very high praise. It has been compared to the fiction of George Santayana, Thomas Mann, and Gore Vidal, as well as to Whittaker Chambers's autobiographical classic, Witness. CLAES G. RYN was born and raised in Sweden but has lived in Washington, D.C., for most of his adult life. He is Professor of Politics and former chairman of his department at the Catholic University of America and is the author of a number of scholarly books. He has taught also at Georgetown University, the University of Virginia, and Louisiana State University. His teaching and writing focus on ethics and politics, politics and culture, and the history of Western political thought. A frequent visitor to China, he gave the Distinguished Foreign Scholar Lectures at Beijing University in 2000 and is Honorary Professor at Beijing Normal University.