Money-laundering, cyber-knavery and shell-company chicanery: Marty Hench is an expert in them all. He's Silicon Valley's most accomplished forensic accountant and well versed in the devious ways of Fortune 500s, divorcing oligarchs, and international drug cartels alike (and there’s more crossover than you might imagine). Cory Doctorow's hard-charging, read-in-one-sitting, techno take on the classic PI pulp novel. ** It's 2006, and Marty Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between the people who want to hide money and the people who want to find it. He spends his downtime holidaying on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost $25. (Wait, what?) When, during one vacation, Marty disrupts a seemingly innocuous scheme, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life. Because he's made his most dangerous mistake yet. He's trespassed into the playgrounds of the ultra-wealthy and identified their latest target: California’s Department of Corrections, who manage the state's prison system. Secure in the knowledge that they’re living behind far too many firewalls to be identified, the tycoons have hundreds of thousands of prisoners at their mercy, and the potential of millions of pounds to make off them. But now, Marty is about to ruin their fun... A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a red-hot follow up to Red Team Blues.

Money-laundering, cyber-knavery and shell-company chicanery: Marty Hench is an expert in them all. He's Silicon Valley's most accomplished forensic accountant and well versed in the devious ways of Fortune 500s, divorcing oligarchs, and international drug cartels alike (and there’s more crossover than you might imagine). ** In cyber-security, RED TEAM plays attack. BLUE TEAM plays defence. Marty Hench’s career in tech is almost as old as Silicon Valley. He’s the most accomplished forensic accountant in town, an expert on the international money-laundering and shell-company chicanery used by Fortune 500s, divorcing oligarchs, and international drug cartels alike (there’s more crossover than you might imagine). Marty was born to play attack. If there’s a way to get under the walls and bring the castle down, he’s the one to do it. There’s no better financial Red Teamer in the Valley. Now he’s on the trail of a stolen key, one that unlocks an illicit backdoor to billions in crypto. More than reputation and fortune is on the line – Marty’s adversaries are implacable criminal sadists who will spill oceans of blood to get what they want. Finding the stolen key is going to be the least of Marty’s problems: now he has to save his skin. To do that, he’ll have to play defence. And Marty hates playing the Blue Team.

A FINANCIAL TIMES BOOK OF THE YEAR A call to action for the creative class and labour movement to rally against the power of Big Tech and Big Media. Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers) - or both. Scholar Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of 'chokepoint capitalism', with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well illustrated by the plight of creative workers. By analysing book publishing and news, live music and music streaming, screenwriting, radio, and more, Giblin and Doctorow deftly show how powerful corporations construct 'anti-competitive flywheels' designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away - before it's too late.

It’s thirty years from now. We’re making progress, mitigating climate change, slowly but surely. But what about all the angry old people who can’t let go? For young Americans a generation from now, climate change isn't controversial. It's just an overwhelming fact of life. And so are the great efforts to contain and mitigate it. Entire cities are being moved inland from the rising seas. Vast clean-energy projects are springing up everywhere. Disaster relief, the mitigation of floods and superstorms, has become a skill for which tens of millions of people are trained every year. The effort is global. It employs everyone who wants to work. Even when national politics oscillates back to right-wing leaders, the momentum is too great; these vast programs cannot be stopped in their tracks. But there are still those Americans, mostly elderly, who cling to their red baseball caps, their grievances, their huge vehicles, their anger. To their "alternative" news sources that reassure them that their resentment is right and pure and that "climate change" is just a giant scam. And they're your grandfather, your uncle, your great-aunt. And they're not going anywhere. And they’re armed to the teeth. The Lost Cause asks: What do we do about people who cling to the belief that their own children are the enemy? When, in fact, they're often the elders that we love?

When Trent McCauley's obsession for making movies by reassembling footage from popular films causes his home's internet to be cut off, it nearly destroys his family. Shamed, Trent runs away to London. A new bill threatens to criminalize even harmless internet creativity. Things look bad, but the powers-that-be haven't entirely reckoned with the power of a gripping movie to change people's minds...

If you want a better future tomorrow, you're going to have to fight for it today.

Here are four urgent stories from author and activist Cory Doctorow, four social, technological and economic visions of the world today and its near – all too near – future.

'Unauthorized Bread' is a tale of immigration, toxic economic stratification and a young woman's perilously illegal quest to fix a broken toaster.

In 'Model Minority' a superhero finds himself way out his depth when he confronts the corruption of the police and justice system.

'Radicalized' is the story of a desperate husband, a darknet forum and the birth of a violent uprising against the US health care system.

The final story, 'The Masque of the Red Death', tracks an uber-wealthy survivalist and his followers as they hole up and attempt to ride out the collapse of society.

'Cory Doctorow is one of our most important science fiction writers' KIM STANLEY ROBINSON.

Return to the world of Little Brother and Homeland. Attack Surface takes us five minutes into the future, to a world where everything is connected and everyone is vulnerable. Masha Maximow has made some bad choices in life - choices that hurt people. But she's also made some pretty decent ones. In the log file of life, however, she can't quite work out which side of the ledger she currently stands. Masha works for Xoth Intelligence, an InfoSec company upgrading the Slovstakian Interior Ministry's ability to spy on its citizens' telecommunications with state-of-the-art software (at least, as state-of-the-art as Xoth is prepared to offer in its middle-upper pricing tier). Can you offset a day-job helping repressive regimes spy on their citizens with a nighttime hobby where you help those same citizens evade detection? Masha is about to find out. Pacy, passionate, and as current as next week, Attack Surface is a paean to activism, to courage, to the drive to make the world a better place. Praise for Cory Doctorow: 'The right book at the right time from the right author - and, not entirely coincidentally, Cory Doctorow's best novel yet' JOHN SCALZI 'A wonderful, important book ... I think it'll change lives' NEIL GAIMAN on Little Brother 'One of our most important science fiction writers' KIM STANLEY ROBINSON

A provocative and exhilarating tale of teen rebellion against global corporations from the New York Times bestselling author of Little Brother. Not far in the future... In the twenty-first century, it's not just capital that's globalized: labour is too. Workers in special economic zones are trapped in lives of poverty with no trade unions to represent their rights. But a group of teenagers from across the world are set to fight this injustice using the most surprising of tools - their online video games. In Industrial South China Matthew and his friends labour day and night as gold-farmers, amassing virtual wealth that's sold on to rich Western players, while in the slums of Mumbai 'General Robotwallah' Mala marshalls her team of online thugs on behalf of the local gang-boss, who in turn works for the game-owners. They're all being exploited, as their friend Wei-Dong, all the way over in LA, knows, but can do little about. Until they begin to realize that their similarities outweigh their differences, and agree to work together to claim their rights to fair working conditions. Under the noses of the ruling elites in China and the rest of Asia, they fight their bosses, the owners of the games and rich speculators, outsmarting them all with their gaming skills. But soon the battle will spill over from the virtual world to the real one, leaving Mala, Matthew and even Wei-Dong fighting not just for their rights, but for their lives...

Now published for the first time in the UK, the second visionary novel from the acclaimed author of LITTLE BROTHER. Art is an up-and-coming interface designer, working on the management of data flow along the Massachusetts Turnpike. He's doing the best work of his career and can guarantee that the system will be, without question, the most counterintuitive, user-hostile piece of software ever pushed forth into the world. Why? Because Art is an industrial saboteur. He may live in London and work for an EU telecommunications mega-corp, but Art's real home is the Eastern Standard Tribe. Instant wireless communication puts everyone in touch with everyone else, twenty-four hours a day. But one thing hasn't changed: the need for sleep. The world is slowly splintering into tribes held together by a common time zone, less than family and more than nations. Art is working to humiliate the Greenwich Mean Tribe to the benefit of his own people. But in a world without boundaries, nothing can be taken for granted - not happiness, not money, certainly not love. Which might explain why Art finds himself stranded on the roof of an insane asylum outside Boston, debating whether to push a pencil into his brain...

A brilliantly funny and bizarre novel from the visionary author of LITTLE BROTHER, now published for the first time in the UK. Alan is a middle-aged entrepreneur who has devoted himself to fixing up a house in a bohemian neighbourhood of Toronto. This naturally brings him into contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings - wings, moreover, which grow back after each attempt to cut them off. Alan understands. He himself has a secret or two. His father is a mountain, his mother a washing machine, and among his brothers are a set of Russian nesting dolls. Now two of the three nesting dolls, Edward and Frederick are on his doorstep - well on their way to starvation because their innermost member, George, has vanished. It appears that yet another brother, Davey, whom Alan and his other siblings killed years ago, may have returned ... bent on revenge. Under such circumstances it seems only reasonable for Alan to involve himself with a visionary scheme to blanket Toronto with free wireless Internet connectivity, a conspiracy spearheaded by a brilliant technopunk who builds miracles of hardware from parts scavenged from the city's dumpsters. But Alan's past won't leave him alone - and Davey is only one of the powers gunning for him and his friends.

What does the future look like? A brilliantly entertaining and original novel about the end of the economy from the visionary author of Little Brother. Perry and Lester invent things. All sorts of things. Seashell robots that make toast, Boogie Woogie Elmo dolls that drive cars. They also invent an entirely new economic system. 'New Work' is a New Deal for the technological era. Soon barefoot bankers are criss-crossing the nation, microinvesting in high-tech communal start-ups like Perry and Lester's. Together they transform a country, and journalist Suzanne Church is there to document it. But a new economic system requires a whole new belief system - and there are plenty of non-believers out there. The New Work bust puts the dot.com-bomb to shame and soon Perry and Lester are out of funds and out of business. Down but not out, they go back to what they do best - making stuff. But when a rogue Disney executive grows jealous of their once more soaring popularity and convinces the police that their amazing 3-D printers are being used to run off AK-47s, things get very dark very quickly... This brilliantly entertaining and original novel from the visionary author of Little Brother fizzes with bold ideas about the future and how our lives will look as part of it. But at its heart are three characters, Perry, Lester and Suzanne, on an unforgettable journey that will bring them together only to break them apart as they each try to discover how to live meaningfully in an ever-changing world filled with both beauty and horror - where some things really are immutable...

In a world wrecked by climate change, in a society owned by the ultra-rich, in a city hollowed out by industrial flight, Hubert, Etc, Seth and Natalie have nowhere else to be and nothing better to do.

But there is another way. After all, now that anyone can design and print the basic necessities of life – food, clothing, shelter – from a computer, there is little reason to toil within the system. So, like thousands of others in the mid-21st century, the three of them turn their back on the world of rules, jobs, the morning commute and... walkaway.

It's a dangerous world out there; the empty, lawless lands are hiding predators – animal and human alike. Still, when the initial pioneer walkaways flourish, the few become many, building what threatens to become a post-scarcity utopia. But then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. And now it's war – a war that will turn the world upside down.

When the tech platforms promised a future of "connection," they were lying. They said their "walled gardens" would keep us safe, but those were prison walls. The platforms locked us into their systems and made us easy pickings, ripe for extaction. Twitter, Facebook and other Big Tech platforms hard to leave by design. They hold hostage the people we love, the communities that matter to us, the audiences and customers we rely on. The impossibility of staying connected to these people after you delete your account has nothing to do with technological limitations: it's a business strategy in service to commodifying your personal life and relationships. We can - we must - dismantle the tech platforms. In The Internet Con, Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission. Interoperability is the only route to the rapid and enduring annihilation of the platforms. The Internet Con is the disassembly manual we need to take back our internet.

Finalist for the 2020 Hugo Award for Best Semiprozine. Celebrate the fifteenth anniversary of cutting-edge science fiction from the hit podcast, Escape Pod. Escape Pod has been bringing the finest short fiction to millions of ears all over the world, at the forefront of a new fiction revolution. This anthology gathers together fifteen stories, including new and exclusive work from writers such as from Cory Doctorow, Ken Liu, Mary Robinette Kowal, T. Kingfisher and more. From editors Mur Laffterty and S.B. Divya comes the science fiction collection of the year, bringing together bestselling authors in celebration of the publishing phenomenon that is, Escape Pod.

The ultimate tale of teen rebellion - one seventeen-year-old against the surveillance state. Big Brother is watching you. Who's watching back? Marcus is only seventeen years old, but he figures he already knows how the system works - and how to work the system. Smart, fast and wise to the ways of the networked world, he has no trouble outwitting his high school's intrusive but clumsy surveillance systems. But his whole world changes when he and his friends find themselves caught in the aftermath of a major terrorist attack on San Francisco. In the wrong place at the wrong time, Marcus and his crew are apprehended by the Department of Homeland Security and whisked away to a secret prison, where they're mercilessly interrogated for days. When the DHS finally releases them, Marcus discovers that his city has become a police state, where every citizen is treated like a potential terrorist. He knows no one will believe his story, which leaves him only one option: to take down the DHS himself.

The prophetic debut novel from the visionary author fo LITTLE BROTHER, now published for the first time in the UK. Jules is a young man barely a century old. He's lived long enough to see the cure for death and the end of scarcity, to learn ten languages and compose three symphonies ... and to realize his boyhood dream of taking up residence in Disney World. Disney World! The greatest artistic achievement of the long-ago twentieth century. Now overseen by a network of 'ad hocs' who keep the classic attractions running as they always have, enhanced with only the smallest high-tech touches. But the ad hocs are under attack. A new group has taken over the Hall of Presidents and is replacing its venerable audioanimatronics with new, immersive direct-to-brain interfaces that give guests the illusion of being Washington, Lincoln and all the others. For Jules, this is an attack on the artistic purity of Disney World itself. Worse: it appears that this new group has had Jules killed. This upsets him. (It's only his fourth death and revival after all.) Now it's war.

In cyber-security, RED TEAM plays attack. BLUE TEAM plays defence. Marty Hench's career in tech is almost as old as Silicon Valley. He's the most accomplished forensic accountant in town, an expert on the international money-laundering and shell-company chicanery used by Fortune 500s, divorcing oligarchs, and international drug cartels alike (there's more crossover than you might imagine). Marty was born to play attack. If there's a way to get under the walls and bring the castle down, he's the one to do it. There's no better financial Red Teamer in the Valley. Now he's on the trail of a stolen key, one that unlocks an illicit backdoor to billions in crypto. More than reputation and fortune is on the line - Marty's adversaries are implacable criminal sadists who will spill oceans of blood to get what they want. Finding the stolen key is going to be the least of Marty's problems: now he has to save his skin. To do that, he'll have to play defence. And Marty hates playing the Blue Team.

Money-laundering, cyber-knavery and shell-company chicanery: Marty Hench is an expert in them all. He's Silicon Valley's most accomplished forensic accountant and well versed in the devious ways of Fortune 500s, divorcing oligarchs, and international drug cartels alike (and there’s more crossover than you might imagine). Cory Doctorow's hard-charging, read-in-one-sitting, techno take on the classic PI pulp novel. ** It's 2006, and Marty Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between the people who want to hide money and the people who want to find it. He spends his downtime holidaying on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost $25. (Wait, what?) When, during one vacation, Marty disrupts a seemingly innocuous scheme, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life. Because he's made his most dangerous mistake yet. He's trespassed into the playgrounds of the ultra-wealthy and identified their latest target: California’s Department of Corrections, who manage the state's prison system. Secure in the knowledge that they’re living behind far too many firewalls to be identified, the tycoons have hundreds of thousands of prisoners at their mercy, and the potential of millions of pounds to make off them. But now, Marty is about to ruin their fun... A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a red-hot follow up to Red Team Blues.

The original 1818 text of Mary Shelley's classic novel, with annotations and essays highlighting its scientific, ethical, and cautionary aspects. Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, "the modern Prometheus," tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms-as a seminal example of romanticism or as a groundbreaking early work of science fiction-Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. This edition of Frankenstein pairs the original 1818 version of the manuscript-meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text-with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written. Essays by Elizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann