Opinionated talk show host and columnist Michael Smerconish has been chronicling local, state, and national events for the Philadelphia Daily News and the Philadelphia Inquirer for more than 15 years. He has sounded off on topics as diverse as the hunt for Osama bin Laden and what the color of your Christmas lights says about you. In this collection of 100 of his most memorable columns, Smerconish reflects on American political life with his characteristic feistiness. A new Afterword for each column provides updates on both facts and feelings, indicating how the author has evolved over the years, moving from a reliable Republican voter to a political Independent. Clowns to the Left of Me, Jokers to the Right covers the post-9/11 years, Barack Obama's ascension, and the rise of Donald Trump. Smerconish describes meeting Ronald Reagan, having dinner with Fidel Castro, barbequing with the band YES in his backyard, spending the same night with Pete Rose and Ted Nugent, drinking champagne from the Stanley Cup, and conducting Bill Cosby's only pretrial interview. He also writes about local Philadelphia culture, from Sid Mark to the Rizzo statue. Smerconish's outlook as expressed in these impassioned opinion pieces goes beyond "liberal" or "conservative." His thought process continues to evolve and change, and as it does, he aims to provoke readers to do the same. All author proceeds benefit the Children's Crisis Treatment Center, a Philadelphia- based, private, nonprofit agency that provides behavioral health services to children and their families.

Opinionated talk show host and columnist Michael Smerconish has been chronicling local, state, and national events for the Philadelphia Daily News and the Philadelphia Inquirer for more than 15 years. He has sounded off on topics as diverse as the hunt for Osama bin Laden and what the color of your Christmas lights says about you. In this collection of 100 of his most memorable columns, Smerconish reflects on American political life with his characteristic feistiness. A new Afterword for each column provides updates on both facts and feelings, indicating how the author has evolved over the years, moving from a reliable Republican voter to a political Independent. Clowns to the Left of Me, Jokers to the Right covers the post-9/11 years, Barack Obama's ascension, and the rise of Donald Trump. Smerconish describes meeting Ronald Reagan, having dinner with Fidel Castro, barbequing with the band YES in his backyard, spending the same night with Pete Rose and Ted Nugent, drinking champagne from the Stanley Cup, and conducting Bill Cosby's only pretrial interview. He also writes about local Philadelphia culture, from Sid Mark to the Rizzo statue. Smerconish's outlook as expressed in these impassioned opinion pieces goes beyond "liberal" or "conservative." His thought process continues to evolve and change, and as it does, he aims to provoke readers to do the same. All author proceeds benefit the Children's Crisis Treatment Center, a Philadelphia- based, private, nonprofit agency that provides behavioral health services to children and their families.

In The Eclipse I Call Father: Essays on Absence, David Axelrod recalls a balmy night in May 1970 when he vowed to allow no one and nothing he loves to pass from this life without praise, even if it meant praising the most bewildering losses. In each of these fourteen essays Axelrod delivers on that vow as he ranges across topics as diverse as marriage, Japanese poetry, Craftsman design, Old English riddles, racism, extinction, fatherhood, mountaineering, predatory mega-fauna, street fighting, trains, the Great Depression, and the effects of climate change-accretions of absence that haunt the writer and will likewise haunt readers. The essays in this collection grew from a ten-year period when the author found himself periodically living and working abroad, wondering why foreign landscapes haunted him more than the familiar landscapes of the inland Pacific Northwest he called home. Each place had a long history of habitation, but at home he was blind, unable to see past the surfaces of things. Axelrod examines many aspects of that phenomenon in these pages, framing surface realities and imagining the scale and scope of that surface, but also trying to sense what is absent or changed, and how, despite its absence, the unseen accretes to ever-greater densities and persists as something uncanny. Curious, alert, and keenly observant, these essays probe the boundaries between what is here and what is gone, what is present and what is past, in elegant prose. Readers familiar with Axelrod's poetry will find a new facet of his lyrical gifts, while those encountering his work for the first time will be richly rewarded by the discovery of this Northwest literary talent.

Producer, arranger, and engineer David Axelrod made his mark with Cannonball Adderley, Lou Rawls, and the Electric Prunes. Song of Innocence made critics turn their heads in its day, regarding it as a visionary curiosity piece; today it's simply a great, timeless work of pop art that continues to inspire over three decades after its initial release. EMI. 1999.