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In New England today, there are megalithic stones, stone chambers
and structures, carvings and petroglyphs, even an unidentified
skeleton in armor that defy easy explanation. From Maine to
Massachusetts, this work presents an examination of various
unexplained historical remains in New England. From the most
notorious to the lesser known, it explores not only the layout and
dimensions of such sites--some reminiscent of Stonehenge with their
huge stones, astronomical alignments and undiscovered purposes--but
also the history and possible explanations for their existence.
Theories regarding Norse, Phoenician, Irish, Celtic and Native
American origins are presented here in an impartial and logical
manner. Sites discussed include Dighton Rock in Berkley,
Massachusetts; Newport Tower in Newport, Rhode Island; the Bellows
Falls Petroglyphs in Bellows Falls, Vermont; and Mystery Hill in
North Salem, New Hampshire (also known as America's Stonehenge),
with expanded coverage new to this edition. An appendix provides
information regarding sites open to the public.
The Westford Knight is a mysterious, controversial stone carving in
Massachusetts. Some believe it is an effigy of a 14th century
knight, evidence of an early European visit to the New World by
Henry Sinclair, the Earl of Orkney and Lord of Roslin. In 1954, an
archaeologist encountered the carving, long known to locals and
ascribed a variety of origin stories, and proposed it to be a
remnant of the Sinclair expedition. The story of the Westford
Knight is a mix of history, archaeology, sociology, and Knights
Templar lore. This work unravels the threads of the Knight's
history, separating fact from fantasy.This revised edition includes
a new foreword and four new chapters which add context to the
myth-building that has surrounded the Westford Knight and artifacts
like it.
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The Fly at 50 (Paperback)
Diane Kachmar, David Goudsward; Foreword by David Hedison
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R648
Discovery Miles 6 480
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Ships in 10 - 15 working days
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"Help me! Help me!" Andre Delambre is a devoted husband, a loving
father and a brilliant scientist. When his body is found in his
laboratory with his arm and head crushed by a hydraulic press, his
wife Helene admits to having killed him. Believing Helene incapable
of such a crime, Andre's brother slowly uncovers the truth - that
an experiment with Andre's new teleportation device went horribly
wrong and Andre persuaded Helene to assist him in suicide. When the
American Film Institute distributed a ballot with 400 nominated
movie quotes to a jury of over 1500 film industry figures, the
abovequote came in 123rd. But this film's influence extends far
beyond a simple quote. The movie's concept, ending and the quote
have permeated pop culture from 1958 to The Simpsons to a 2008
opera based on a 1986 film remake by David Cronenberg. The original
movie The Fly was the surprise hit on 1958. Shot in 18 days at a
cost of $450,00 dollars, it brought in $6 million, which at time
when Fox Studios was in desperate need of a hit. It was the biggest
box office film of director Kurt Neumann but he would never know -
he died one month after the premiere (a week before the movie was
released nationally). This film made a star of David Hedison and
cemented Vincent Price's place among the horror film immortals. It
is more than a tale of science gone wrong and hideous mutants. It
is a film classic, the rare perfect blending of story, cast and
crew, with the fantastic elements in sync with the universality of
Andre's struggle with what he had hoped to do with this technology
and what actually happened to him. That struggle touches everyone
who has ever watched this film and why, after 50 years, it remains
aclassic. Complete with reminiscences from the film's star, David
Hedison, this book covers the history and legacy of this seminal
science fiction film.
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