A vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde. Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.

"Gorgeous and real poetry. This book is a bright spot in a bleak time." – Peter Gizzi A True Account collects works written between 2013 and 2020, published by a variety of small presses in the UK and the US. Here are variously refracted the student movement, austerity, general election, referendum, the crisis of 2020 or 2019 or any year you care to name; the Massacre of the Innocents, the housing question, the October Revolution in November; Sappho, Mingus, Storm Ophelia; Rukeyser, Rilke, Rodefer; the aesthetics of resistance, the insistence of history: luxury and voluptuousness, peace and pleasure, beauty and order, the questions that still remain unanswered and the problems that remain unsolved. “Wanting poetry to save my life, to shame my life, as LONG as the WORLD is WIDE, and as WIDE as the WORLD is LONG.” For Fans Of: Sean Bonney, Amiri Baraka, Fred Moten, Peter Gizzi

The definitive guide to a major African American poet /> />This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography. /> />[sample poem] /> />The Distant Drum /> />I am not a metaphor or symbol. />This you hear is not the wind in the trees. />Nor a cat being maimed in the street. />I am being maimed in the street />It is I who weep, laugh, feel pain or joy. />Speak this because I exist. />This is my voice />These words are my words, my mouth />Speaks them, my hand writes. />I am a poet. />It is my fist you hear beating />Against your ear.

A vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde. Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.

The gastrointestinal tract is a long, muscular tube responsible for the digestion of food, assimilation of nutrients and elimination of waste. This is achieved by secretion of digestive enzymes and absorption from the intestinal lumen, with different regions playing specific roles in the processing of specific nutrients. These regions come into play sequentially as ingested material is moved along the length of the GI tract by contractions of the muscle layers. In some regions like the oesophagus transit it rapid and measured in seconds while in others like the colon transit is measured in hours and even days, commensurate with the relative slow fermentation that takes place in the large bowel. An hierarchy of controls, neural and endocrine, serve to regulate the various cellular targets that exist in the gut wall. These include muscle cells for contraction and epithelial cells for secretion and absorption. However, there are complex interactions between these digestive mechanisms and other mechanisms that regulate blood flow, immune function, endocrine secretion and food intake. These ensure a fine balance between the ostensibly conflicting tasks of digestion and absorption and protection from potentially harmful ingested materials. They match assimilation of nutrients with hunger and satiety and they ensure that regions of the GI tract that are meters apart work together in a coordinated fashion to match these diverse functions to the digestive needs of the individual. This ebook will provide an overview of the neural mechanisms that control gastrointestinal function. Table of Contents: Neural Control of Gastrointestinal Function / Cells and Tissues / Enteric Nervous System / From Gut to CNS: Extrinsic Sensory Innervation / Sympathetic Innervation of the Gut / Parasympathetic Innervation of the Gut / Integration of Function / References

The definitive guide to a major African American poet. This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography. [sample poem] The Distant Drum I am not a metaphor or symbol. This you hear is not the wind in the trees. Nor a cat being maimed in the street. I am being maimed in the street It is I who weep, laugh, feel pain or joy. Speak this because I exist. This is my voice These words are my words, my mouth Speaks them, my hand writes. I am a poet. It is my fist you hear beating Against your ear.