This impressive book is richly illustrated with 91 gorgeous macro photographs - of flowers, and also some of their pollinators - by John Rodrigues, an artist who has taken that time to truly see. We invite you to sit back, maybe with a cup of hot Chamomile tea, and indulge in these images - taking the time to truly see these flowers, and to appreciate their inherent majesty. John Rodrigues takes an old lens and new camera and gives us a new look at an old photographic subject.

Complements is a gem, an intimate book to be savoured on first readings and held near as a resource on what is meaningful. It contains 110 luscious photos of small objects juxtaposed in ways that evoke emotions, thoughts, questions, and remembrance of beauty. The photographs tell stories, make wry jokes, and allude to the larger realities of the esoteric. As complements, the objects are more than the sum of their parts. A sentence or two of text accompanies each photograph, creating storylines that draw the viewer into the world of the objects as strongly as if the objects were human, except their not being human allows the viewer a purer sense of the message of their story. David Hume Kennerly, the Pulitzer Prize-winning photographer, says in the foreword, "The narrative and pictures reunite twins separated at birth." The photographs pull the viewer in with their emotional content, then ask the viewer to step back for another look - to both feel and think, to understand truths beyond words. Complements is a gem, an intimate book to be savoured on first readings and held near as a resource on what is meaningful. It contains 110 luscious photos of small objects juxtaposed in ways that evoke emotions, thoughts, questions, and remembrance of beauty. The photographs tell stories, make wry jokes, and allude to the larger realities of the esoteric. As complements, the objects are more than the sum of their parts. A sentence or two of text accompanies each photograph, creating storylines that draw the viewer into the world of the objects as strongly as if the objects were human, except their not being human allows the viewer a purer sense of the message of their story. David Hume Kennerly, the Pulitzer Prize-winning photographer, says in the foreword, "The narrative and pictures reunite twins separated at birth." The photographs pull the viewer in with their emotional content, then ask the viewer to step back for another look-to both feel and think, to understand truths beyond words. More book information can be found at: www.complementsthebook.com