Shakespeare's Thought: Unobserved Details and Unsuspected Depths in Eleven Plays demonstrates that Shakespeare's plays were conceived and executed as studies of great moral and political issues. After examining the divergent views of critics across the years, this book goes on to analyze eleven of Shakespeare's most famous plays, observing details and supplying interpretations that indicate the depth of his mind and the full extent of his artistic spirit. This book offers an in-depth exploration of the ways in which each play demonstrates Shakespeare's political thought and his poetic genius.

Shakespeare's Thought: Unobserved Details and Unsuspected Depths in Eleven Plays demonstrates that Shakespeare's plays were conceived and executed as studies of great moral and political issues. After examining the divergent views of critics across the years, this book goes on to analyze eleven of Shakespeare's most famous plays, observing details and supplying interpretations that indicate the depth of his mind and the full extent of his artistic spirit. This book offers an in-depth exploration of the ways in which each play demonstrates Shakespeare's political thought and his poetic genius.

First published in 1986, Landscape Meanings and Values presents a major contribution to the debate concerning the relationship between theory and practice in landscape analysis and planning. It brings together a number of the most eminent researchers, commentators and practitioners from both the United States of America and Britain to pursue the fundamental meanings and values in landscape. The insights into the theory behind landscape management will force a fundamental rethink of the role of landscape architect and land management. Academic researchers will find the feedback from eminent practitioners a stimulation for more practical research. The collection of ideas in the last chapter provides a unique synthesis of the need for an expansion of study into the fundamental significance of landscape today. This book will be of value to students of geography, environmental studies, landscape architecture and land management.

The idea that the heritage of nature is fundamentally cultural is provocative to many, but it is becoming increasingly accepted in the context of heritage preservation. It is argued here that a person's perspective on natural vs. cultural heritage as a contested patrimony is, to some extent, governed by one's intellectual and geographical position. In discourses influenced by the natural sciences culture is a heritage of nature, whereas in those deriving from the humanities and social sciences, nature is defined socio-culturally. There is also, however, a geographical dimension to how one looks at the nature culture relation. From at least the time of Aristotle, the North has been identified with a cultural heritage thought to derive from the northern natural environment. It was no longer culture, as represented by the architectural monuments of the South, but the natural landscape that provided the measure for both natural and cultural heritage, as the natural landscape and its ecosystems were put in focus. This essay provides a contemporary picture of the long-standing contestation between natural and cultural heritage that provided the basis for the northern perspective taken in these essays. This book was previously published as a special issue of The International Journal of Heritage Studies.

The past remains essential - and inescapable. A quarter-century after the publication of his classic account of man's attitudes to his past, David Lowenthal revisits how we celebrate, expunge, contest and domesticate the past to serve present needs. He shows how nostalgia and heritage now pervade every facet of public and popular culture. History embraces nature and the cosmos as well as humanity. The past is seen and touched and tasted and smelt as well as heard and read about. Empathy, re-enactment, memory and commemoration overwhelm traditional history. A unified past once certified by experts and reliant on written texts has become a fragmented, contested history forged by us all. New insights into history and memory, bias and objectivity, artefacts and monuments, identity and authenticity, and remorse and contrition, make this book once again the essential guide to the past that we inherit, reshape and bequeath to the future.

By analyzing many of Lincoln's most important speeches, The Mind and Art of Abraham Lincoln, Philosopher Statesman shows him to be a profound and systematic thinker who tries to get at the root of issues, not all of them strictly political. Lowenthal emphasizes Lincoln's manner of writing, which enables him to conceal his most radical thoughts, and pays special attention to the reasoning and artfulness with which he treats a wide variety of subjects. The book follows Lincoln from his Perpetuation or Lyceum address in 1838 to his last speech just after Lee's surrender, as he confronts the great issues of the day and lays out the fundamentals of American politics. Along the way, Lowenthal's careful analysis frees Lincoln of the charge of racial prejudice with which he has been saddled in recent years.

By analyzing many of Lincoln's most important speeches, The Mind and Art of Abraham Lincoln, Philosopher Statesman shows him to be a profound and systematic thinker who tries to get at the root of issues, not all of them strictly political. Lowenthal emphasizes Lincoln's manner of writing, which enables him to conceal his most radical thoughts, and pays special attention to the reasoning and artfulness with which he treats a wide variety of subjects. The book follows Lincoln from his Perpetuation or Lyceum address in 1838 to his last speech just after Lee's surrender, as he confronts the great issues of the day and lays out the fundamentals of American politics. Along the way, Lowenthal's careful analysis frees Lincoln of the charge of racial prejudice with which he has been saddled in recent years.

The idea that the heritage of nature is fundamentally cultural is provocative to many, but it is becoming increasingly accepted in the context of heritage preservation. It is argued here that a person's perspective on natural vs. cultural heritage as a contested patrimony is, to some extent, governed by one's intellectual and geographical position. In discourses influenced by the natural sciences culture is a heritage of nature, whereas in those deriving from the humanities and social sciences, nature is defined socio-culturally. There is also, however, a geographical dimension to how one looks at the nature culture relation. From at least the time of Aristotle, the North has been identified with a cultural heritage thought to derive from the northern natural environment. It was no longer culture, as represented by the architectural monuments of the South, but the natural landscape that provided the measure for both natural and cultural heritage, as the natural landscape and its ecosystems were put in focus. This essay provides a contemporary picture of the long-standing contestation between natural and cultural heritage that provided the basis for the northern perspective taken in these essays. This book was previously published as a special issue of The International Journal of Heritage Studies.

Literary works, through their very personal means of characterization, reveal the direct effect of politics on individuals in a way a political treatise cannot. The distinguished contributors to this volume share the belief that Shakespeare is the author who most effectively sets forth the multifarious pageant of politics. Shakespeare's rich canon presents monarchy and republic, tyrant and king, thinker and soldier, and Christian and pagan. The twelve essays in Shakespeare's Political Pageant discuss a broad range of Shakespeare's dramatic poetry from the perspective of the political theorist. This innovative book demonstrates the immense value of seeing Shakespeare's plays in the context of political philosophy. It will be an important source for students and scholars of both political science and literature.

'History is written by the winners' is the received wisdom. This book explains why historical interpretation has to incorporate perspectives from those other than 'winners', and demonstrates archaeology's crucial role in this wide-ranging approach. The book draws more on Africa, Afro-America, Australasia and Oceania than on Europe, the source of the traditionally dominant perspective in archaeology. The four organizing themes of The Politics of the Past are the forms and consequences of the Eurocentric heritage, the conflicting perspectives of rulers and ruled, the significance of administrative and institutional rivalries, and the cleavages that divide professional from popular views of archaeology. Archaeologists, anthropologists, historians and other scholars will find The Politics of the Past illuminating and provocative. It will enrich historical and archaeological inquiry and interpretation, and ramify their relevance for public policy.

Is unity of knowledge possible? Is it desirable? Two rival visions clash. One seeks a single way of explaining everything known and knowable about ourselves and the universe. The other champions diverse modes of understanding served by disparate kinds of evidence. Contrary views pit science against the arts and humanities. Scientists generally laud and seek convergence. Artists and humanists deplore amalgamation as a threat to humane values. These opposing perspectives flamed into hostility in the 1950s "Two Cultures" clash. They culminate today in new efforts to conjoin insights into physical nature and human culture, and new fears lest such syntheses submerge what the arts and humanities most value. This book, stemming from David Lowenthal's inaugural Stockholm Archipelago Lectures, explores the Two Cultures quarrel's underlying ideologies. Lowenthal shows how ingrained bias toward unity or diversity shapes major issues in education, religion, genetics, race relations, heritage governance, and environmental policy. Aimed at a general academic audience, Quest for the Unity of Knowledge especially targets those in conservation, ecology, history of ideas, museology, and heritage studies.

David Lowenthal transposes present society onto that in the novel, 1984, and illustrates "how the quest for a perfect society led instead to the worst--in the course of revolting against which the true ends of life are established." It is more than suspicion: the year 2021 is 1984. What many understand by instinct, Lowenthal here articulates in clear terms using the political prophesy of this no longer futuristic literature. To be one without truthful unity? This is the picture of human brotherhood ushering in the only thing worse than inequality--enslavement. There is no positive political message in 1984, argues Lowenthal, but there is positive moral message that is nearly always overlooked by commentators. "Through the movement of the novel, Orwell tries to impress on the passions, hearts and minds of his readers the most valuable lessons concerning the right and wrong way to live. With the decline of Christianity's influence in forming the moral sense of the West and the concomitant increase in power hunger, wielding instruments born of modern enlightenment, what mankind most needed was moral guidance, conveyed not abstractly, through philosophy, but in such a way as to grip the whole soul." But can Orwell be trusted as a guide to the goodness in human nature? Lowenthal says he can be, and more. He gives us a sketch of the intellectual process that compels Orwell to ultimately outgrow Marxism, his detection and rejection of totalitarian regimes (above all in Communism), and in what way the principles of liberalism of his day were given warning labels by a writer who was not a formally educated political philosopher. Laced with relativism, any current of thought that does not acknowledge the proper ends of man will be effaced by the next master of the masses. Lowenthal echoes Orwell when he says, "we have abandoned inculcating good citizenship, higher ideals and a sense of personal worth in the schools, encouraging instead an aimless low-level conformist 'individuality' just waiting to be harnessed together and directed. Given these conditions, can we be sure we have left the conditions to the horrors of 1984 far behind as mere fiction?" Orwell and Lowenthal are unlikely co-collaborators, unless one perceives how much alike in their exhortations to fellow man they are. The steady tenor of their hard warning is made possible by a hope-soaked confidence that, in utter sobriety, is repulsed by anything that threatens human freedom and dignity. This book is required reading for anyone who believes in the return of socialism. Indeed, any recent university graduate should be debriefed by Lowenthal before entering the real world.

The past remains essential - and inescapable. A quarter-century after the publication of his classic account of man's attitudes to his past, David Lowenthal revisits how we celebrate, expunge, contest and domesticate the past to serve present needs. He shows how nostalgia and heritage now pervade every facet of public and popular culture. History embraces nature and the cosmos as well as humanity. The past is seen and touched and tasted and smelt as well as heard and read about. Empathy, re-enactment, memory and commemoration overwhelm traditional history. A unified past once certified by experts and reliant on written texts has become a fragmented, contested history forged by us all. New insights into history and memory, bias and objectivity, artefacts and monuments, identity and authenticity, and remorse and contrition, make this book once again the essential guide to the past that we inherit, reshape and bequeath to the future.

In "Man and Nature," first published in 1864, polymath scholar and diplomat George Perkins Marsh challenged the general belief that human impact on nature was generally benign or negligible and charged that ancient civilizations of the Mediterranean had brought about their own collapse by their abuse of the environment. By deforesting their hillsides and eroding their soils, they had destroyed the natural fertility that sustained their well-being. Marsh offered his compatriots in the United States a stern warning that the young American republic might repeat these errors of the ancient world if it failed to end its own destructive waste of natural resources. Marsh's ominous warnings inspired conservation and reform. In linking culture with nature, science with history, "Man and Nature" was the most influential text of its time next to Darwin's "On the Origin of Species," published just five years earlier.

In his Introduction to this new edition, David Lowenthal places "Man and Nature" in the context of recent scholarship and evaluates its significance for the environmental movement that has emerged since the latter part of the twentieth century. He also paints a vivid portrait of the book's brilliant, passionate, wide-ranging, and sometimes choleric author.

Although what we know and what we fear about the environment have vastly amplified since Marsh's day, his appraisal of forest cover and erosion remains largely valid, his cautions about watershed control still cognent, and his call for stewardship ever more pertinent. "Man and Nature" is worth reading not only for having taught lessons crucial in its day, but for teaching them still so well.

David Lowenthal is professor emeritus of geography at University College London. His books include "George Perkins Marsh: Prophet of Conservation, The Heritage Crusade and the Spoils of History," and "The Past Is a Foreign Country."

" "Man and Nature was"] the rudest kick in the face that American initiative, optimism, and carelessness had yet received." - Wallace Stegner

"It is no exaggeration to say that "Man and Nature" launched the modern conservation movement. It helped Americans in the second half of the nineteenth century recognize the damage they were doing to the natural environment, and challenged them to behave in more responsible ways toward the earth and its natural systems. . . . "Man and Nature" stands right next to "Silent Spring" and "A Sand County Almanac" by any measure of historic significance." - from the Foreword by William Cronon

Is unity of knowledge possible? Is it desirable? Two rival visions clash. One seeks a single way of explaining everything known and knowable about ourselves and the universe. The other champions diverse modes of understanding served by disparate kinds of evidence. Contrary views pit science against the arts and humanities. Scientists generally laud and seek convergence. Artists and humanists deplore amalgamation as a threat to humane values. These opposing perspectives flamed into hostility in the 1950s "Two Cultures" clash. They culminate today in new efforts to conjoin insights into physical nature and human culture, and new fears lest such syntheses submerge what the arts and humanities most value. This book, stemming from David Lowenthal's inaugural Stockholm Archipelago Lectures, explores the Two Cultures quarrel's underlying ideologies. Lowenthal shows how ingrained bias toward unity or diversity shapes major issues in education, religion, genetics, race relations, heritage governance, and environmental policy. Aimed at a general academic audience, Quest for the Unity of Knowledge especially targets those in conservation, ecology, history of ideas, museology, and heritage studies.

George Perkins Marsh (1801-1882) was the first to reveal the menace of environmental misuse, to explain its causes, and to prescribe reforms. David Lowenthal here offers fresh insights, from new sources, into Marsh's career and shows his relevance today, in a book which has its roots in but wholly supersedes Lowenthal's earlier biography George Perkins Marsh: Versatile Vermonter (1958). Marsh's devotion to the repair of nature, to the concerns of working people, to women's rights, and to historical stewardship resonate more than ever. His Vermont birthplace is now a national park chronicling American conservation, and the crusade he launched is now global. Marsh's seminal book Man and Nature is famed for its ecological acumen. The clue to its inception lies in Marsh's many-sided engagement in the life of his time. The broadest scholar of his day, he was an acclaimed linguist, lawyer, congressman, and renowned diplomat who served 25 years as U.S. envoy to Turkey and to Italy. He helped found and guide the Smithsonian Institution, shaped the Washington Monument, penned potent tracts on fisheries and on irrigation, spearheaded public science, art, and architecture. He wrote on camels and corporate corruption, Icelandic grammar and Alpine glaciers. His pungent and provocative letters illuminate life on both sides of the Atlantic. Like Darwin's Origin of Species, Marsh's Man and Nature marked the inception of a truly modern way of looking at the world, of taking care lest we irreversibly degrade the fabric of humanized nature we are bound to manage. Marsh's ominous warnings inspired reforestation, watershed management, soil conservation, and nature protection in his day and ours. George Perkins Marsh: Prophet of Conservation was awarded the Association for American Geographers' 2000 J. B. Jackson Prize. The book was also on the shortlist for the first British Academy Book Prize, awarded in December 2001.

Heritage, while it often constitutes and defines the most positive aspects of culture, is a malleable body of historical text subject to interpretation and easily twisted into myth. When it is appealed to on a national or ethnic level in reactions against racial, religious, or economic oppression, the result is often highly-charged political contention or conflict. The extraordinary theme of this unique book is how the rise of a manifold, crusade-like obsession with tradition and inheritance--both physical and cultural--can lead to either good or evil. In a balanced account of the pros and cons of the rhetoric and spoils of heritage--on the one hand cultural identity and unity, on the other, potential holy war--David Lowenthal discusses the myriad uses and abuses of historical appropriation and offers a rare and accessible account of a concept at once familiar and fraught with complexity. David Lowenthal is Emeritus Professor of Geography at University College London, and the author of the bestselling The Past is a Foreign Country (Cambridge, 1985)

"Republication of David Lowenthal's elegant translation of Montesquieu's neglected study of the Romans--an indispensable source for understanding the philosopher's treatment of Rome in The Spirit of the Laws--makes the book available to a new generation of English-language readers. Lowenthal's perceptive introduction and useful notes also deserve the attention of those who can read Montesquieu in the original French." --James W. Muller, University of Alaska, Anchorage

Point Reyes National Seashore has a long history as a working landscape, with dairy and beef ranching, fishing, and oyster farming; yet, since 1962 it has also been managed as a National Seashore. The Paradox of Preservation chronicles how national ideals about what a park "ought to be" have developed over time and what happens when these ideals are implemented by the National Park Service (NPS) in its efforts to preserve places that are also lived-in landscapes. Using the conflict surrounding the closure of the Drakes Bay Oyster Company, Laura Alice Watt examines how NPS management policies and processes for land use and protection do not always reflect the needs and values of local residents. Instead, the resulting landscapes produced by the NPS represent a series of compromises between use and protection-and between the area's historic pastoral character and a newer vision of wilderness. A fascinating and deeply researched book, The Paradox of Preservation will appeal to those studying environmental history, conservation, public lands, and cultural landscape management, and to those looking to learn more about the history of this dynamic California coastal region.

""How I fumble about eulogizing a career that never even started . ""

"FISHING IN THE MAELSTROM" is the first book of poetry by David A. Lowenthal. It was born from a number of private "Poetic Journals" written over a 20-year span. Though never intended to be published, the book lies here before you.

Lowenthal dives into the passion, love, fear, joy, pain, loss, death and dreams of the young poet struggling to find his voice. His poems move from magical to base realism, from rhyming to free verse and structured to non-form without any gate. His poet voice is both brash and eloquent, sometimes in the same stanza.

""You apologize for biting, and I beg you not to stop."

"And too, that our dusty dreams will play tag in our minds as the light is not bright enough for us to guide them." "

You feel an echo of Neruda, cummings, Sexton, Ferlinghetti and Sandburg in his poems. Sometimes they simply lack definition. Perhaps he is a poet of a new age, starkly personal and smashing the molds before him.