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Video Ethnography provides a thought-provoking, guided framework to
ethnographic filmmaking. It examines how this kind of filmmaking
can be a means of approximating, mediating and evoking lived
experience. Functioning as a kind of sensory extension of the
videographer, video ethnography arises directly out of lived
experience as a process of dynamic encounters, mobile situations,
and embodied approaches that include senses and choices of the
videographer, and the participants of the ethnography. The book
will help describe and develop students' sensibility and awareness
of this crucial aspect of video ethnography, so they can craft
their own video ethnographies with a fully conscious awareness of
how certain skilled and attuned approaches to audiovisual
techniques can help facilitate the fullest and most dynamic
encounters possible. This book is suitable for classes in
ethnographic filmmaking, video ethnography and visual anthropology
/ sociology.
Video Ethnography provides a thought-provoking, guided framework to
ethnographic filmmaking. It examines how this kind of filmmaking
can be a means of approximating, mediating and evoking lived
experience. Functioning as a kind of sensory extension of the
videographer, video ethnography arises directly out of lived
experience as a process of dynamic encounters, mobile situations,
and embodied approaches that include senses and choices of the
videographer, and the participants of the ethnography. The book
will help describe and develop students' sensibility and awareness
of this crucial aspect of video ethnography, so they can craft
their own video ethnographies with a fully conscious awareness of
how certain skilled and attuned approaches to audiovisual
techniques can help facilitate the fullest and most dynamic
encounters possible. This book is suitable for classes in
ethnographic filmmaking, video ethnography and visual anthropology
/ sociology.
Beads, Bodies, and Trash merges cultural sociology with a
commodity chain analysis by following Mardi Gras beads to their
origins. Beginning with Bourbon Street of New Orleans, this book
moves to the grim factories in the tax-free economic zone of rural
Fuzhou, China. Beads, Bodies, and Trash will increase students
capacity to think critically about and question everyday objects
that circulate around the globe: where do objects come from, how do
they emerge, where do they end up, what are their properties, what
assemblages do they form, and what are the consequences (both
beneficial and harmful) of those properties on the environment and
human bodies? This book also asks students to confront how the
beads can contradictorily be implicated in fun, sexist, unequal,
and toxic relationships of production, consumption, and disposal.
With a companion documentary, Mardi Gras Made in China, this book
introduces students to recording technologies as possible research
tools."
Beads, Bodies, and Trash merges cultural sociology with a
commodity chain analysis by following Mardi Gras beads to their
origins. Beginning with Bourbon Street of New Orleans, this book
moves to the grim factories in the tax-free economic zone of rural
Fuzhou, China. Beads, Bodies, and Trash will increase students
capacity to think critically about and question everyday objects
that circulate around the globe: where do objects come from, how do
they emerge, where do they end up, what are their properties, what
assemblages do they form, and what are the consequences (both
beneficial and harmful) of those properties on the environment and
human bodies? This book also asks students to confront how the
beads can contradictorily be implicated in fun, sexist, unequal,
and toxic relationships of production, consumption, and disposal.
With a companion documentary, Mardi Gras Made in China, this book
introduces students to recording technologies as possible research
tools."
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