In this unforgettable work of fiction, Donald Ray Pollock peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place.
Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.

From the acclaimed author of "Knockemstiff"--called "powerful, remarkable, exceptional" by the "Los Angeles Times"--comes a dark and riveting vision of America that delivers literary excitement in the highest degree.
In "The Devil All the Time," Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone's "Natural Born Killers" with the religious and Gothic over-tones of Flannery O'Connor at her most haunting.
Set in rural southern Ohio and West Virginia, "The Devil All the Time" follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There's Willard Russell, tormented veteran of the carnage in the South Pacific, who can't save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi-cial blood he pours on his "prayer log." There's Carl and Sandy Henderson, a husband-and-wife team of serial kill-ers, who troll America's highways searching for suitable models to photograph and exterminate. There's the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte's orphaned son, who grows up to be a good but also violent man in his own right.
Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.

**NOW A MAJOR NETFLIX FILM STARRING TOM HOLLAND AND ROBERT PATTINSON**

'Some people were born just so they could be buried'

In Knockemstiff, Ohio, war veteran Willard can't save his beautiful wife, Charlotte, from a slow death by cancer no matter how much sacrificial blood he pours on his 'prayer log'.

Carl and Sandy Henderson, a husband-and-wife team of serial killers, trawl America's highways searching for suitable models to photograph and exterminate.

Preacher Roy and his crippled virtuoso-guitar-playing sidekick are running from the law.

And caught in the middle of all this is Arvin, Willard and Charlotte's orphaned son, looking for answers....

Cane, Cob and Chimney Jewett are young Georgia sharecroppers held under the thumb of their God-fearing father, Pearl. When he dies unexpectedly, they set out on horseback for Canada, robbing and looting their way to wealth and infamy. But little goes to plan and soon they're pursued by both the authorities and the stories emanating from their trail of destruction - making the Jewett Gang out to be the most fearsome trio of murdering bank robbers in the Midwest. The truth, though, is far more complex than the legend. And the heaven they've imagined may in fact be worse than the hell they sought to escape.

In this unforgettable work of fiction, Donald Ray Pollock peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents.
Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff" "feature a cast of recurring characters who are woebegone, baffled and depraved--but irresistibly, undeniably real. Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.
With an artistic instinct honed on the works of Flannery O'Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.

"Every River on Earth: Writing from Appalachian Ohio" includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary writers, both established and up-and-coming. The wide range of material from authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others, offers the reader a window into daily life in the region. The people, the landscape, the struggles, and the deepest undercurrents of what it means to be from and of a place are revealed in these original, deeply moving, and sometimes shocking pieces.
The book is divided into four sections: Family & Folks, The Land, The Grind, and Home & Away, each of which explores a different aspect of the place that these authors call home. The sections work together beautifully to capture what it means to live, to love, and to die in this particular slice of Appalachia. The writing is accessible and often emotionally raw; "Every River on Earth" invites all types of readers and conveys a profound appreciation of the region's character.
The authors also offer personal statements about their writing, allowing the reader an intimate insight into their processes, aesthetics, and inspirations. What is it to be an Appalachian? What is it to be an Appalachian in Ohio? This book vividly paints that picture.

"Every River on Earth"
David Lee Garrison
I look out the window and see
through the neighbor's window
to an Amish buggy
where three children are peeping back,
and in their eyes I see the darkness
of plowed earth hiding seed.
Wind pokes the land in winter,
trying to waken it,
and in the melting snow
I see rainbows and in them
every river on earth. I see all the way
to the ocean, where sand and stones
embrace each falling wave
and reach back to gather it in.

"Every River on Earth: Writing from Appalachian Ohio" includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary writers, both established and up-and-coming. The wide range of material from authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others, offers the reader a window into daily life in the region. The people, the landscape, the struggles, and the deepest undercurrents of what it means to be from and of a place are revealed in these original, deeply moving, and sometimes shocking pieces.
The book is divided into four sections: Family & Folks, The Land, The Grind, and Home & Away, each of which explores a different aspect of the place that these authors call home. The sections work together beautifully to capture what it means to live, to love, and to die in this particular slice of Appalachia. The writing is accessible and often emotionally raw; "Every River on Earth" invites all types of readers and conveys a profound appreciation of the region's character.
The authors also offer personal statements about their writing, allowing the reader an intimate insight into their processes, aesthetics, and inspirations. What is it to be an Appalachian? What is it to be an Appalachian in Ohio? This book vividly paints that picture.

"Every River on Earth"
David Lee Garrison
I look out the window and see
through the neighbor's window
to an Amish buggy
where three children are peeping back,
and in their eyes I see the darkness
of plowed earth hiding seed.
Wind pokes the land in winter,
trying to waken it,
and in the melting snow
I see rainbows and in them
every river on earth. I see all the way
to the ocean, where sand and stones
embrace each falling wave
and reach back to gather it in.