In 1822, thirty-four slaves and their leader, a free black man named Denmark Vesey, were tried and executed for their alleged plot to murder the white citizens of Charleston, South Carolina. Presenting a vast collection of contemporary documents that support or contradict the "official" story, the editors of this volume annotate the texts and interpret the evidence. This is the definitive account of a landmark event that spurred the South to secession and holds symbolic meaning today-as evidenced by the 2015 shooting that took place in Emanuel AME Church, a church Vesey had attended. This volume argues that the Vesey plot was one of the most sophisticated acts of collective slave resistance in the history of the United States.

Final Resting Places brings together some of the most important and innovative scholars of the Civil War era to reflect on what death and memorialization meant to the Civil War generation—and how those meanings still influence Americans today. In each essay, a noted historian explores a different type of gravesite—including large marble temples, unmarked graves beneath the waves, makeshift markers on battlefields, mass graves on hillsides, neat rows of military headstones, university graveyards, tombs without bodies, and small family plots. Each burial place tells a unique story of how someone lived and died; how they were mourned and remembered. Together, they help us reckon with the most tragic period of American history. CONTRUBUTORS: Terry Alford, Melodie Andrews, Edward L. Ayers, DeAnne Blanton, Michael Burlingame, Katherine Reynolds Chaddock, John M. Coski, William C. Davis, Douglas R. Egerton, Stephen D. Engle, Barbara Gannon, Michael P. Gray, Hilary Green, Allen C. Guelzo, Anna Gibson Holloway, Vitor Izecksohn, Caroline E. Janney, Michelle A. Krowl, Glenn W. LaFantasie, Jennifer M. Murray, Barton A. Myers, Timothy J. Orr, Christopher Phillips, Mark S. Schantz, Dana B. Shoaf, Walter Stahr, Michael Vorenberg, and Ronald C. White

This collection of essays examines the lives and thoughts of three interrelated Southern groups - enslaved rebels, conservative white reformers, and white revolutionaries -presenting a clear and cogent understanding of race, reform, and conservatism in early American history.

On July 2, 1822, Denmark Vesey was hanged in Charleston, S.C., for his role in planning one of the largest slave uprisings in the United States. During his long, extraordinary life Vesey played many roles-Caribbean field hand, cabin boy, chandler's man, house servant, proud freeman, carpenter, husband, father, church leader, abolitionist, revolutionary. Yet until his execution transformed him into a symbol of liberty, Vesey made it his life's work to avoid the attention of white authorities. Because he preferred to dwell in the hidden alleys of Charleston's slave community, Vesey remains as elusive as he is today celebrated, and his legend is often mistaken for fact. In this biography of the great rebel leader, Douglas R. Egerton employs a variety of historical sources-church records, court documents, travel accounts, and newspapers from America and Saint Domingue-to recreate the lost world of the mysterious Vesey. The revised and updated edition reflects the most recent scholarship on Vesey, and a new afterword by the author explores the current debate about the existence of the 1822 conspiracy. If Vesey's plot was unique in the annals of slave rebellions in North America, it was because he was unique; his goals, as well as the methods he chose to achieve them, were the product of a hard life's experience.

This collection of essays examines the lives and thoughts of three interrelated Southern groups - enslaved rebels, conservative white reformers, and white revolutionaries - presenting a clear and cogent understanding of race, reform, and conservatism in early American history.

America between the Revolution and the Civil War was a society in full adolescence. Vibrant, cocky, feeling its own strength, and ready to take on the world, America was driven by an upstart economy and a capitalist bravado. The early republic, argues Paul Gilje in his cogent introduction, was the crucial period in the development of that trademark characteristic of American society modern capitalism. In this collection of essays, eight social and economic historians consider the rise of capitalism in the early American republic. Expanding upon traditional interpretations of economic development encouraged and controlled by merchants and financiers these essays demonstrate the centrality of common men and women as artisans, laborers, planters and farmers in the dramatic transitions of the period. They show how changes in the workshop, home, and farm were as crucial as those in banks and counting houses. Capping these fundamental changes was the rise of consumerism among Americans and the development of a "mentality of capitalism" that ensured the success of this new economic system with all its benefits and costs. Contributing authors include Paul A. Gilje, Jeanne Boydston, Christopher Clark, Douglas R. Egerton, Cathy D. Matson, Jonathan Prude, Richard Stott, and Gordon S. Wood.

In Death or Liberty, Douglas R. Egerton offers a sweeping chronicle of African American history stretching from Britain's 1763 victory in the Seven Years' War to the election of slaveholder Thomas Jefferson as president in 1800.
While American slavery is usually identified with the cotton plantations, Egerton shows that on the eve of the Revolution it encompassed everything from wading in the South Carolina rice fields to carting goods around Manhattan to serving the households of Boston's elite. More important, he recaptures the drama of slaves, freed blacks, and white reformers fighting to make the young nation fulfill its republican slogans. Although this struggle often unfolded in the corridors of power, Egerton pays special attention to what black Americans did for themselves in these decades, and his narrative brims with compelling portraits of forgotten figures such as Quok Walker, a Massachusetts runaway who took his master to court and thereby helped end slavery in that state; Absalom Jones, a Delaware house slave who bought his freedom and later formed the Free African Society; and Gabriel, a young Virginia artisan who was hanged for plotting to seize Richmond and hold James Monroe hostage. Egerton argues that the Founders lacked the courage to move decisively against slavery despite the real possibility of peaceful, if gradual, emancipation. Battling huge odds, African American activists and rebels succeeded in finding liberty--if never equality--only in northern states.
Canvassing every colony and state, as well as incorporating the wider Atlantic world, Death or Liberty offers a lively and comprehensive account of black Americans and the Revolutionary era inAmerica.
"Now, for the first time, the scores of recent investigations of black participation in the American Revolution have been synthesized into an elegant and seamless narrative. In Death or Liberty...Douglas Egerton shows that African Americans not only extracted the most liberty from the Revolutionary experience but also paid the highest price for it."
--Woody Holton, author of Unruly Americans and the Origins of the Constitution

Final Resting Places brings together some of the most important and innovative scholars of the Civil War era to reflect on what death and memorialization meant to the Civil War generation—and how those meanings still influence Americans today. In each essay, a noted historian explores a different type of gravesite—including large marble temples, unmarked graves beneath the waves, makeshift markers on battlefields, mass graves on hillsides, neat rows of military headstones, university graveyards, tombs without bodies, and small family plots. Each burial place tells a unique story of how someone lived and died; how they were mourned and remembered. Together, they help us reckon with the most tragic period of American history. CONTRUBUTORS: Terry Alford, Melodie Andrews, Edward L. Ayers, DeAnne Blanton, Michael Burlingame, Katherine Reynolds Chaddock, John M. Coski, William C. Davis, Douglas R. Egerton, Stephen D. Engle, Barbara Gannon, Michael P. Gray, Hilary Green, Allen C. Guelzo, Anna Gibson Holloway, Vitor Izecksohn, Caroline E. Janney, Michelle A. Krowl, Glenn W. LaFantasie, Jennifer M. Murray, Barton A. Myers, Timothy J. Orr, Christopher Phillips, Mark S. Schantz, Dana B. Shoaf, Walter Stahr, Michael Vorenberg, and Ronald C. White

In Death or Liberty, Douglas R. Egerton offers a sweeping chronicle of African American history stretching from Britain's 1763 victory in the Seven Years' War to the election of slaveholder Thomas Jefferson as president in 1800. While American slavery is usually identified with antebellum cotton plantations, Egerton shows that on the eve of the Revolution it encompassed everything from wading in the South Carolina rice fields to carting goods around Manhattan to serving the households of Boston's elite. More important, he recaptures the drama of slaves, freed blacks, and white reformers fighting to make the young nation fulfill its republican slogans. Although this struggle often unfolded in the corridors of power, Egerton pays special attention to what black Americans did for themselves in these decades, and his narrative brims with compelling portraits of forgotten African American activists and rebels, who battled huge odds and succeeded in finding liberty--if never equality--only in northern states. Egerton concludes that despite the real possibility of peaceful, if gradual, emancipation, the Founders ultimately lacked the courage to end slavery.

"Gabriel's Rebellion" tells the dramatic story of what was perhaps the most extensive slave conspiracy in the history of the American South. Douglas Egerton illuminates the complex motivations that underlay two related Virginia slave revolts: the first, in 1800, led by the slave known as Gabriel; and the second, called the 'Easter Plot, ' instigated in 1802 by one of his followers. Although Gabriel has frequently been portrayed as a messianic, Samson-like figure, Egerton shows that he was a literate and highly skilled blacksmith whose primary goal was to destroy the economic hegemony of the 'merchants, ' the only whites he ever identified as his enemies. According to Egerton, the social, political, and economic disorder of the Revolutionary era weakened some of the harsh controls that held slavery in place during colonial times. Emboldened by these conditions, a small number of literate slaves--most of them highly skilled artisans--planned an armed insurrection aimed at destroying slavery in Virginia. The intricate scheme failed, as did the Easter Plot that stemmed from it, and Gabriel and many of his followers were hanged. By placing the revolts within the broader context of the volatile political currents of the day, Egerton challenges the conventional understanding of race, class, and politics in the early days of the American republic.