This study succinctly views some works of nine black women playwrights, who flourished between 1916 and 1935, and explores--in some detail--some characteristics of selected plays of Alice Childress, Lorraine Hansberry, and Ntozake Shange. . . . This is a well-conceived, well-researched, well-written study. Especially useful are Brown-Guillory's careful definition of terms and her clearly pointing out the directions in which she is heading. American Literature Brown-Guillory's study is a reference work important to anyone studying black women playwrights, or black drama. Her ideas and terminology describing these playwrights are well-reasoned, and her analysis of symbolism and its place in Western and African traditions is well-supported. Black American Literature Forum This important contribution to African American and women's studies analyzes the dramatic works of America's black women playwrights. The plays of such writers as Alice Childress, Lorraine Hansberry, and Ntozake Shange are examined in light of the tradition from which they emerged. Brown-Guillory begins by tracing the development of African American theatre with its roots in African theatrics, then moves on to discuss women playwrights of the Harlem Renaissance such as Angelina Weld Grimke, Alice Dunbar-Nelson, Georgia Douglas Johnson, May Miller, Mary Burrill, Myrtle Smith Livingston, Ruth Gaines-Shelton, Eulalie Spence, and Marita honner. Though rarely anthologized and infrequently made the subject of critical interpretation, asserts the author, the plays of these early twentieth-century black women offer much to the American theatre in the way of content, tonal and structural form, characterization, as well as dialogue, and were instrumental in paving a way for black playwrights from the 1950s to the present.

For those whose familiarity with black women playwrights is limited to the works of Lorraine Hansberry and Ntozake Shange, this collection of 15 plays written between 1925 and 1985 by eight authors will be a revelation. They express a passionate longing for social justice and for a stable, nurturing relationship between black men and women. Introductions for each author provide biographical information and critical analyses. A useful bibliography of plays and secondary sources is also included. This anthology helps to fill a serious gap in the standard histories of American drama. Library Journal Wines in the Wilderness brings together thirteen plays by black women from the 1920s to the present, including works by Marita Bonner, Georgia Douglas Johnson, Eulalie Spence, May Miller, Shirley Graham, Alice Childress, Sonia Sanchez, Sybil Kein, and Elizabeth Brown-Guillory. The plays and dramatists selected are representative of and have made considerable contributions to African American theater. Although the works of these playwrights span over sixty years, they are closely linked by the theme of women struggling to define their roles in society. The heroines speak out against interracial and intraracial biases, stereotyping, lynch mobs, illiteracy, poverty, promiscuity, self-righteousness, abusive men, rape, and miscegenation. Each play is preceded by a critical introduction that includes biographical information, an assessment of the playwright's contributions to black theater, and a synopsis and critical analysis of the play. The bibliography that follows the plays provides selected lists of published plays, produced plays, and anthologies. An index completes the work. This collection represents an effort to make available plays written by black women that have not been published or are now out of print. In recovering these plays, scholars will now be able to take a close look at the contributions that black women dramatists have made not only to African American theater, but to American theater in general.

A middle-grade fantasy adventure powered by a kick-ass wild-west heroine and a collection of magical objects known as Oddities.

The daughter of a murdered physician vows to protect the magical Oddity he left behind – if only she knew what it was – in an alternate nineteenth century in which the United States is at war with Napoleon’s France. When her physician father is murdered, thirteen-year-old Clover Elkin embarks on a perilous mission through warring frontier territories to protect the one secret Oddity he left behind. And as she uncovers the truth about her parents and her past, Clover herself emerges as a powerful agent of history. A rich, startling, funny fantasy adventure, powered by an irresistible force-of-nature heroine; Clover Elkin is a born fighter – a heroine to rival Lyra Belacqua or True Grit’s Mattie Ross.

The year is 1819, and the renowned chef Owen Wedgwood has been kidnapped by a beautiful yet ruthless pirate. He will be spared, Mad Hannah Mabbot tells him, as long as he can conjure an exquisite meal every Sunday from the ship's meager supplies. While Wedgwood attempts to satisfy his captor with feats such as tea-smoked eel and pineapple-banana cider, he realizes that Mabbot herself is under siege. Hunted by a deadly privateer and plagued by a saboteur, she pushes her crew past exhaustion in her search for the notorious Brass Fox. But there is a method to Mabbot's madness, and as the "Flying Rose" races across the ocean, Wedgwood learns to rely on the bizarre crew members he once feared: a formidable giant who loves to knit; a pair of stoic martial arts masters, sworn to defend their captain; and the ship's deaf cabin boy, who becomes the son he never had.
An anarchic tale of love and appetite, Eli Brown's "Cinnamon and Gunpowder" is a wildly original feat of the imagination, deep and startling as the sea itself.

The Decker Rat Terrier is an exciting look at the development, utility, and day-to-day life of a specific strain of Rat Terrier sure to grow in popularity in the very near future. This book explores characteristics and standards for the Decker Rat Terrier as well as the man behind the breed. A conclusive discussion of how the breed is used for hunting, companionship, and breeding make this an interesting book for new and experienced enthusiasts alike. The Decker Rat Terrier will prove to be the authority on the breed and catapult this unique dog into public recognition for its qualities both as a hunter and companion animal.

This is the first book-length study of black American women playwrights. It will be useful to scholars in the fields of black and women's literature and an excellent source of background reading in graduate and undergraduate courses on American women playwrights. The author's training as both a scholar and a playwright is evident in this book. "Choice"

This important contribution to African American and women's studies analyzes the dramatic works of America's black women playwrights. The plays of such writers as Alice Childress, Lorraine Hansberry, and Ntozake Shange are examined in light of the tradition from which they emerged. Brown-Guillory begins by tracing the development of African American theater with its roots in African theatrics, then moves on to discuss women playwrights of the Harlem Renaissance such as Angelina Weld Grimke, Alice Dunbar-Nelson, Georgia Douglas Johnson, May Miller, Mary Burrill, Myrtle Smith Livingston, Ruth Gaines-Shelton, Eulalie Spence, and Marita Bonner. Though rarely anthologized and infrequently made the subject of critical interpretation, asserts the author, the plays of these early twentieth-century black women offer much to the American theater in the way of content, tonal and structural form, characterization, as well as dialogue, and were instrumental in paving a way for black playwrights from the 1950s to the present.

For those whose familiarity with black women playwrights is limited to the works of Lorraine Hansberry and Ntozake Shange, this collection of 15 plays written between 1925 and 1985 by eight authors will be a revelation. They express a passionate longing for social justice and for a stable, nurturing relationship between black men and women. Introductions for each author provide biographical information and critical analyses. A useful bibliography of plays and secondary sources is also included. This anthology helps to fill a serious gap in the standard histories of American drama. "Library Journal"

"Wines in the WildernesS" brings together thirteen plays by black women from the 1920s to the present, including works by Marita Bonner, Georgia Douglas Johnson, Eulalie Spence, May Miller, Shirley Graham, Alice Childress, Sonia Sanchez, Sybil Kein, and Elizabeth Brown-Guillory. The plays and dramatists selected are representative of and have made considerable contributions to African American theater.

Although the works of these playwrights span over sixty years, they are closely linked by the theme of women struggling to define their roles in society. The heroines speak out against interracial and intraracial biases, stereotyping, lynch mobs, illiteracy, poverty, promiscuity, self-righteousness, abusive men, rape, and miscegenation. Each play is preceded by a critical introduction that includes biographical information, an assessment of the playwright's contributions to black theater, and a synopsis and critical analysis of the play. The bibliography that follows the plays provides selected lists of published plays, produced plays, and anthologies. An index completes the work. This collection represents an effort to make available plays written by black women that have not been published or are now out of print. In recovering these plays, scholars will now be able to take a close look at the contributions that black women dramatists have made not only to African American theater, but to American theater in general.