Joel Schumacher directs this drama based on the semi-autobiographical novel by Nick McDonell. Set in the world of the super-rich in Manhattan's Upper East Side, the film is a disturbing chronicle of privileged urban adolescence. Despite his unlimited potential, rich kid White Mike (Chace Crawford) has dropped out of his senior year at high school and spends his days selling marijuana to his ultra-privileged friends. But Mike's charmed existence hits a brick wall when his cousin is brutally murdered in an East Harlem project and his best friend is arrested for the crime. The supporting cast includes Emma Roberts, Ellen Barkin, 50 Cent and Rory Culkin. Keifer Sutherland narrates.

Do you believe in unicorns? Would you like to join a secret club of unicorn experts, who search for and look after unicorns in the wild? Now is the time to earn your place in the Secret Unicorn Club. Earn ten badges on your journey towards becoming an official Secret Unicorn Club member then discover a hidden handbook for only the truest friend of the unicorns. Guard the precious knowledge within these pages for the good of all horsekind...

Do you believe in fairies? Would you like to join a secret club of fairy experts, who search for and look after fairies and other magical creatures in the wild? Now is the time to earn your place in the Secret Fairy Club. Earn ten badges on your journey towards becoming an official Secret Fairy Club member, then discover a SECOND, HIDDEN HANDBOOK for only the truest friend of the fairies. Guard the precious knowledge within these pages for the good of all magical kind...

Emma Roberts and Dave Franco star in this crime thriller that centres on an online video game. The film follows Venus 'Vee' Delmonico (Roberts) as she takes part in an online game of truth or dare where she is assigned goals to complete for money. But, as a player, Vee soon finds her every move being controlled by her growing number of watchers, who follow her online as she completes her dares. After teaming up with Ian (Franco), the pair get given a series of dares to complete together, with the money and danger involved increasing each time. As the experience quickly evolves into a life-or-death struggle, Vee realises that the only way to escape the game without losing everything is to win it all.

Travel back 400 years to visit rowdy theatres and royal palaces to understand what it was like to live in Shakespeare's Elizabethan England and the influence it had on his ground-breaking work. This book charts Shakespeare's phenomenal talent and peeks behind the curtain at his most famous plays, from tragedies such as Romeo and Juliet and Hamlet to comedies such as A Midsummer Night's Dream and Taming of the Shrew.

Emma Roberts' 1835 work, compiled from articles she published in the Asiatic Journal, was well received in India and England. Roberts lived in India from 1828 with her sister and her brother-in-law, who served in the 61st Bengal infantry. In 1830 she moved to Calcutta, where she edited and wrote for the Oriental Observer and contributed to periodicals and annuals. Returning to London in 1832, she threw herself into the literary world, publishing in several different fields. This book reveals her sympathetic attitude to the Indian people and her genuine interest in providing a thorough and honest report of their culture. Volume 1 begins with a description of Calcutta. It reflects the diversity of Roberts' interests, covering topics from marriages to murders, domestic arrangements to military operations, religion to shopping, and architecture to dancing. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=robee

Emma Roberts' 1835 work, compiled from articles she published in the Asiatic Journal, was well received in India and England. Roberts lived in India from 1828 with her sister and her brother-in-law who served in the 61st Bengal infantry. In 1830 she moved to Calcutta, where she edited and wrote for the Oriental Observer and contributed to periodicals and annuals. Returning to London in 1832, she threw herself into the literary world, publishing in several different fields. This book reveals Roberts' sympathetic attitude to the Indian people and her genuine interest in providing a thorough and honest report of their culture. Volume 2 begins by describing Allahabad in northern India, and covers a wide variety of topics including diamonds, geology, climate, flora and fauna, superstition, litigation, children, tourism and sport. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=robee

Emma Roberts' 1835 work, compiled from articles she published in the Asiatic Journal, was well received in India and England. Roberts lived in India from 1828 with her sister and her brother-in-law who served in the 61st Bengal infantry. In 1830 she moved to Calcutta, where she edited and wrote for the Oriental Observer and contributed to periodicals and annuals. Returning to London in 1832, she threw herself into the literary world, publishing in several different fields. This book reveals Roberts' sympathetic attitude to the Indian people and her genuine interest in providing a thorough and honest report of their culture. Volume 3 covers topics including the position of women, shopping, gardening, manners, education, missionaries, politics, Anglo-Indian relations and the military establishment, as well as expanding on subjects discussed in the earlier volumes. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=robee

This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history. Artists have always been fascinated by and drawn to the sea and this book considers some of the themes and approaches in art that have evolved as a result of this captivation. The chapters consider how an examination of art can provide new insights into existing knowledge of port and maritime history, and are representative of a 'cultural turn' in port and maritime studies, which is becoming increasingly visible. In Art and the Sea, multiple perspectives are offered as a result of the contributors' individual positions and methodologies: some museological, others art historical or maritime-historical. Each chapter proposes a new way of building upon available interpretations of port and maritime history: whether this be to reject, support or reconsider existing knowledge. The book as a whole is a timely addition, therefore, to the developing body of revisionist texts in port and maritime history. The interdisciplinary nature of the volume relates to a current trend for interdisciplinarity in art history and will appeal to those with an interest in art history, geography, sociology, history and transport / maritime studies.