In France, Eric Miles Williamson is known as "The Erudite Bukowski." In America, he has been called "The Last Beat." Best known for his internationally praised and stunning novels of the blue-collar world, with the publication of 14 Fictional Positions, Williamson now shows his readers he is much more than a chronicler of the lives of workers and America's downtrodden. Williamson may have triumphantly captured the blue-collar experience in his novels, East Bay Grease, Two-Up, and Welcome to Oakland, but 14 Fictional Positions shows us that he, above all, is a painstakingly careful author deeply entrenched in the history of his medium. Former editor of Chelsea and Gulf Coast, now editor of American Book Review, The Texas Review, and Boulevard, longtime member of the Board of Directors of the National Book Critics Circle, and a college teacher since 1984, Williamson may have humble beginnings, but he is now a powerful force in America's literary establishment. Each of the stories in 14 Fictional Positions snaps with precision and intelligence. In "Hope, Among Other Vices and Virtues," we find two men drinking "in manly tandem" whose women loathe them as much as they love them. "I love you," says Agnes. "You are everything in a man I want to change." "H A N G M A N," set evidently in Brazil, weaves "a leaf-fringed legend" of two lovers whose lives are dictated by the formal arrangement of words and literary references. In "Phrases and Philosophies for the Use of the Young" Williamson shows himself to be an aphorist of the caliber of George Bernard Shaw, Ralph Waldo Emerson, and Oscar Wilde, both witty and erudite. "The Teachings of Don B." is a ghost story unlike any other in the English language, humorous and sad, insightful and playful, an homage to the foremost of Williamson's many prominent mentors, who include Harold Bloom, Denis Donoghue, Ronald Sukenick, Jacques Derrida, Edward Dorn, and, of course, the ghost of Donald Barthelme. Twenty-five years in the making, 14 Fictional Positions is a landmark short story collection, and confirmation that Eric Miles Williamson is an author whose energy, talent, and wisdom place him among the very best authors at work today in America.

The sheer energy and passion and intensity, the linguistic virtuosity of Eric Miles Williamson's latest novel, WELCOME TO OAKLAND, will leave readers breathless. The vigor and uncensored redneck honesty of T-Bird Murphy's blue-collar voice will at turns delight, offend, amuse and enrage readers as T-Bird gives us what we're not supposed to hear: the groans, gritos and war-whoops of men when they're not behaving like gentlemen, when they're out of sight and earshot, when they're wrapped around their drinks at Dick's Restaurant and Cocktail Lounge or your local workingman's watering hole. In WELCOME TO OAKLAND, the T-Bird Murphy of Williamson's internationally acclaimed novel, East Bay Grease, is now a man. He's been divorced twice, and he finds himself hiding out in a garage in rural Missouri for a reason we're never told, confused and stunned, shell-shocked by the hand life has dealt him. He opens his story, "I'm always happiest when I live in a dump, and I've lived in some serious shitholes," but it's difficult to believe him. What unfolds is the story of a workingman who tries his hardest to escape the hell of the Oakland ghetto, who finds honor in squalor, kinship among the broken divorcees of Dick's Restaurant and Cocktail Lounge, dignity and beauty at the garbage dumps where he sleeps in the cab of the scow he drives for a living.