This series of essays shows how one can conceptualize an historical event such as the French Revolution, and identify the radical changes it produced as well as the continuity it provided, albeit under the appearance of change.

A study of Communism and a history of the myth of Communism as perpetuated by its admirers. Francois Furet illuminates how the support for Communism and its embodiment, the Soviet Union, became virtually synonymous with "anti-Fascism" and how this strategic arrangement reverberated through the West. During the first half of the 20th century, to be against the Soviet Union (and its Communism), argues Furet, was tantamount to betraying the fight against Fascism, despite the fact that both Fascism and Communism ultimately spring from the same nationalist impulse. Thus the struggle against Fascism resulted in the sanitizing or glorification of Communism. This whitewashing of the Soviet regime's excesses not only kept alive the myth and attractiveness of the Communist promise but had complex moral, intellectual, and political ramifications for the West. This book is a history of the ideological passions that have fueled and characterized the modern era. It serves as an effort to revise the understanding of the 20th century at the "fin de siecle".

Francois Furet needs little introduction. Widely considered one of the leading historians of the French Revolution, he was a maverick for his time, shining a critical light on the entrenched Marxist interpretations that prevailed during the mid-twentieth century. Shortly after his death in 1997, the New York Review of Books called him "one of the most influential men in contemporary France." Lies, Passions, and Illusions is a fitting capstone to this celebrated author's oeuvre: a late-career conversation with philosopher Paul Ricoeur on the twentieth century writ large, a century of violence and turmoil, of unprecedented wealth and progress, in which history advanced, for better or worse, in quantum leaps. This conversation would be, sadly, Furet's last - he died while Ricoeur was completing his edits. Ricoeur did not want to publish his half without Furet's approval, so what remains is Furet's alone, an astonishingly cohesive meditation on the political passions of the twentieth century. With strokes at once broad and incisive, he examines the many different trajectories that nations of the West have followed over the past hundred years. It is a dialogue with history as it happened but also as a form of thought. It is a dialogue with his critics, with himself, and with those major thinkers - from Tocqueville to Hannah Arendt - whose ideas have shaped our understanding of the tragic dramas and upheavals of the modern era. It is a testament to the crucial role of the historian, a reflection on how history is made and lived, and how the imagination is a catalyst for political change. Whether new to Furet or deeply familiar with his work, readers will find thought-provoking assessments on every page, a deeply moving look back at one of the most tumultuous periods of history and how we might learn and look forward from it.

In his major work on communism, the international bestseller The Passing of an Illusion, the eminent French historian François Furet devoted a lengthy footnote to German historian Ernst Nolte’s interpretation of fascism. Nolte responded, a correspondence ensued, and the result was the remarkable exchange presented in this volume. Fascism and Communism offers readers the rare opportunity to witness and learn from a confrontation between two of the world’s most distinguished historians over one of the most serious subjects of our time. Each from a different perspective, Furet and Nolte offer compelling arguments for the common genealogy of these two ideologies as well as reasons for the intellectual community’s rejection of this explosive thesis throughout the twentieth century. This discussion leads to a deeper understanding of the nature of totalitarianism as well as the trajectory and interpretation of modern European history.