This title was first published in 2003. This volume is concerned with the European north above the Arctic Circle and its representations in Cultural Geography and International Relations. The chapters in the book deal with cultural, geographical and political imaginations of northern peoples and landscapes. Emphasis is placed on the triangle of and interrelationship between culture, geography and politics. The historical and contemporary variations of meaning assigned to the north point to real processes which need to be studied in their own right. To achieve this aim, the book does not plainly specify the sites and levels of discourses (be they academic, political or popular), but it does take into account the material circumstances making the context of the European north. Illustrated by a coherent set of specially written case studies, the volume explores issues such as history, literature, gender, folk culture, pictorial representations, environment and climate change and links these issues with the (geo-)politics of the region.

This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images.Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image.This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace.

This study thinks with photography about peace. It asks how photography can represent peace, and how such representation can contribute to peace. The book offers an original critique of the almost exclusive focus on violence in recent work on visual culture and presents a completely new research agenda within the overall framework of visual peace research. Critically engaging with both photojournalism and art photography in light of peace theories, it looks for visual representations or anticipations of peace - peace or peace as a potentiality - in the work of selected photographers including Robert Capa and Richard Mosse, thus reinterpreting photography from the Spanish Civil War to current anti-migration politics in Europe. The book argues that peace photography is episodic, culturally specific, process-oriented and considerate of both the past and the future.

This title was first published in 2003. This volume is concerned with the European north above the Arctic Circle and its representations in Cultural Geography and International Relations. The chapters in the book deal with cultural, geographical and political imaginations of northern peoples and landscapes. Emphasis is placed on the triangle of and interrelationship between culture, geography and politics. The historical and contemporary variations of meaning assigned to the north point to real processes which need to be studied in their own right. To achieve this aim, the book does not plainly specify the sites and levels of discourses (be they academic, political or popular), but it does take into account the material circumstances making the context of the European north. Illustrated by a coherent set of specially written case studies, the volume explores issues such as history, literature, gender, folk culture, pictorial representations, environment and climate change and links these issues with the (geo-)politics of the region.

This book introduces a new research agenda for visual peace research, providing a political analysis of the relationship between visual representations and the politics of violence nationally and internationally. Using a range of genres, from photography to painting, it elaborates on how people can become agents of their own image.

Frank Moller untersucht den Wandel burgerlicher Herrschaft von den patrizisch-standischen Strukturen einer Reichstadt zur Klassengesellschaft einer Industriestadt. Die Eingliederung in das Konigreich Bayern, die seit den 1830er Jahren einsetzende Fruhindustrialisierung, die Revolution von 1848/49 und schliesslich die kulturkampferischen Auseinandersetzungen zwischen Liberalen und Ultramontanen sind die entscheidenden Stationen dieser Entwicklung. In der Selbstverwaltung, in der Wirtschaft, im Vereinswesen und in der politischen Orientierung musste burgerliche Herrschaft und damit Burgertum als Trager dieser Herrschaft immer wieder neu definiert werden. In einer Mischung von Sozial-, Politik- und Kulturgeschichte zeigt sich dabei, wie sehr in Augsburg die moderne burgerliche Gesellschaft durch das alte Stadtburgertum durchgesetzt wurde. Wenn das Burgertum zugleich ruckstandig und fortschrittlich war, so deswegen, weil es Veranderungen durch die Wiederbelebung alter Traditionen schuf."

Die Entstehung der modernen, nationalen Gesellschaften ist begleitet von der Ausbildung eines neuen populistischen Politikertyps. Diese charismatischen Fuhrer stutzen ihre Herrschaft auf das Volk, welches wiederum in ihnen seine Wunsche und Hoffnungen verwirklicht sieht. Als "Charisma" hat Max Weber die Eigenschaften eines Politikers bezeichnet, die von seinen Anhangern als ausseralltaglich bewertet werden. Diese Vorstellungen und Zuschreibungen der deutschen Offentlichkeit gegenuber den wichtigsten deutschen Politikern des 19. und 20. Jahrhunderts werden in den Beitragen des Sammelbandes untersucht und verglichen. Gefragt wird also nicht, ob diese Politiker charismatische Fuhrer waren, sondern welche charismatischen Qualitaten ihnen von ihren Anhangern zugeschrieben wurden. Betrachtet werden neben der Vorbildfunktion, die das Kaisertum Napoleons auch fur Deutschland hatte, Heinrich von Gagern, Otto von Bismarck, Wilhelm II., Paul von Hindenburg, Adolf Hitler, Konrad Adenauer, Walter Ulbricht, Willy Brandt und Helmut Kohl. Kontinuitaten und Diskontinuitaten in den gesellschaftlichen Bildern uber diese nationalen Fuhrer werden dabei herausgearbeitet. Beitrage von: Rainer Gries, Dieter Hein, Christian Jansen, Wolther von Kieseritzky, Dirk van Laak, Frank Moller, Wolfram Pyta, Andreas Schulz, Ulrich Sieg, Edgar Wolfrum"