Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A vibrant portrait of an age when Arabic enlightenment anticipated and inspired the European Renaissance, illuminated by its guiding figures and rivals, Ibn Sina and Biruni. In The Genius of their Age, S. Frederick Starr follows up his acclaimed Lost Enlightenment: Central Asia's Golden Age with a portrait of the Arab enlightenment and its key figures—Abu-Ali al-Husayn ibn-'Abdallah Ibn-Sina and Abu al-Rayhan Muhammad ibn Ahmad al-Biruni. A thousand years ago, these two intellectual giants—known as Ibn Sina and Biruni for short—achieved stunning breakthroughs in fields as diverse as medicine, astronomy, mathematics, philosophy, geography, and physics. Biruni measured the earth more precisely than anyone else down to the sixteenth century, pondered a heliocentric universe, and hypothesized the existence of North and South America as inhabited continents. Ibn Sina's writing on philosophy and metaphysics enriched the writings of countless European thinkers, including St. Thomas Aquinas, while Sina's grand synthesis of medical knowledge became the standard for the next six hundred years in Europe, the Middle East, and India. They both also commented extensively on the works of ancient Greeks and earlier Muslim thinkers, whose works they aspired to synthesize—and to transcend. Contemporaries, Ibn Sina and Biruni were born within the borders of what is now Uzbekistan and spent their lives in Central Asia. They also became rivals, launching a correspondence and commentary that galvanized them despite sometimes bitter disagreement. Centuries before the West caught up with them, Ibn Sina and Biruni reflected their age's feats and its intellectual high point, persisting with their inquiries and their independence amid turmoil and rapid change. Though scholars have long dissected the works of Ibn Sina and Biruni, S. Frederick Starr focuses also on their lives and the times in which they lived. By contextualizing their work and by making the age palpable to the reader, S. Frederick Starr gives the achievements of Ibn Sina and Biruni a holistic and unforgettably human dimension.

The collapse of the Soviet Union had the simultaneous effect of demolishing the international political order of the past half-century, with consequences for all sides. Western policy makers, no less than the leaders of the region, had to reorient themselves to a new world -- knowing that their actions might impact developments in unexpected ways.

This concluding volume of the International Politics of Eurasia series takes on the challenge of specifying the forces at work in the International environment of Russia and the New Independent States and gauging the impact of external actors on developments in this region. Among the topics covered are foreign and security policies; relationships with East Asian, Near Eastern, and Western States; and the impact of international economic and financial institutions, development assistance and advisory programs of various kinds, and aid organizations.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an Informa company.

Uzbekistan, long considered the center of Central Asia, has the region's largest population and borders every other regional state including Afghanistan. For the first 25 years of its independence, it adopted a cautious, defensive policy that emphasized sovereignty and treated regional efforts at cooperation with skepticism. But after taking over as President in autumn 2016, Shavkat Mirziyoyev launched a breathtaking series of reform initiatives. His slogan - "it is high time the government serves the people, not vice versa" - led to large-scale reforms in virtually every sector. Time will tell whether the reform effort will succeed, but its first positive fruits are already visible, particularly in a new dynamism within Uzbek society, as well as a fresh approach to foreign relations, where a new spirit of regionalism is taking root. This book is the first systematic effort to analyze Uzbekistan's reforms.