Unique in all of literature, the Confessions combines frank and profound psychological insight into Augustine's formative years along with sophisticated and beguiling reflections on some of the most important issues in philosophy and theology. The Confessions discloses Augustine's views about the nature of infancy and the acquisition of language, his own sinful adolescence, his early struggle with the problem of evil, his conversion to Christianity, his puzzlement about the capacities of human memory and the nature of time, and his views about creation and biblical interpretation. The essays contained in this volume, by some of the most distinguished recent and contemporary thinkers in the field, insightfully explore these Augustinian themes not only with an eye to historical accuracy but also to gauge the philosophical acumen of Augustine's reflections.

Unique in all of literature, the Confessions combines frank and profound psychological insight into Augustine's formative years along with sophisticated and beguiling reflections on some of the most important issues in philosophy and theology. The Confessions discloses Augustine's views about the nature of infancy and the acquisition of language, his own sinful adolescence, his early struggle with the problem of evil, his conversion to Christianity, his puzzlement about the capacities of human memory and the nature of time, and his views about creation and biblical interpretation. The essays contained in this volume, by some of the most distinguished recent and contemporary thinkers in the field, insightfully explore these Augustinian themes not only with an eye to historical accuracy but also to gauge the philosophical acumen of Augustine's reflections.

The power of words has rarely been given a more compelling demonstration than in the Gettysburg Address. Lincoln was asked to memorialize the gruesome battle. Instead he gave the whole nation "a new birth of freedom" in the space of a mere 272 words. His entire life and previous training and his deep political experience went into this, his revolutionary masterpiece.
By examining both the address and Lincoln in their historical moment and cultural frame, Wills breathes new life into words we thought we knew, and reveals much about a president so mythologized but often misunderstood. Wills shows how Lincoln came to change the world and to effect an intellectual revolution, how his words had to and did complete the work of the guns, and how Lincoln wove a spell that has not yet been broken.

From Pulitzer Prize-winner Garry Wills, the story of Augustine's Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

A bestselling historian examines the life of a Founding Father.
Renowned historian and social commentator Garry Wills takes a fresh look at the life of James Madison, from his rise to prominence in the colonies through his role in the creation of the Articles of Confederation and the first Constitutional Congress.
Madison oversaw the first foreign war under the constitution, and was forced to adjust some expectations he had formed while drafting that document. Not temperamentally suited to be a wartime President, Madison nonetheless confronted issues such as public morale, internal security, relations with Congress, and the independence of the military. Wills traces Madison's later life during which, like many recent Presidents, he enjoyed greater popularity than while in office.

Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. Gary Wills has won significant acclaim for his bestselling works of religion and history. Here, for the first time, he combines both disciplines in a sweeping examination of Christianity in America throughout the last 400 years. Wills argues that the struggle now, as throughout our nation's history, is between the head and the heart, reason and emotion, enlightenment and Evangelism. A landmark volume for anyone interested in either politics or religion, Head and Heart concludes that, while religion is a fertile and enduring force in American politics, the tension between the two is necessary, inevitable, and unending.

From one of America's foremost historians, The Kennedy Imprisonment is the definitive historical and psychological analysis of the Kennedy clan. The winner of a Pulitzer Prize, Garry Wills reveals a family that enjoyed public adulation but provided fluctuating leadership, that experienced both unparalleled fame and odd failures, and whose basic values ensnared its men in their own myths of success and masculinity. In the end, Wills reveals that the the Kennedys' crippling conception of power touched every part of their public and private lives, including their relationships with women and world leaders. Sometimes gossipy, sometimes philosophical, The Kennedy Imprisonment is a book that is as true, insightful, and relevant as ever.

Garry Wills is an exceptionally gifted translator and one of our best writers on religion today. His bestselling translations of individual chapters of Saint Augustine s Confessions have received widespread and glowing reviews. Now for the first time, Wills s translation of the entire work is being published as a Penguin Classics Deluxe Edition. Removed by time and place but not by spiritual relevance, Augustine s Confessions continues to influence contemporary religion, language, and thought. Reading with fresh, keen eyes, Wills brings his superb gifts of analysis and insight to this ambitious translation of the entire book.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators."

George Chapman's translations of Homer are among the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the "Odyssey" (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction, textual notes, a glossary, and a commentary. Garry Wills's preface to the "Odyssey" explores how Chapman's less strained meter lets him achieve more delicate poetic effects as compared to the "Iliad." Wills also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the "Odyssey."

Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold.
--John Keats

George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language."

This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.

America's leading religious scholar and public intellectual introduces lay readers to the Qur'an with a measured, powerful reading of the ancient text Garry Wills has spent a lifetime thinking and writing about Christianity. In What the Qur'an Meant, Wills invites readers to join him as he embarks on a timely and necessary reconsideration of the Qur'an, leading us through perplexing passages with insight and erudition. What does the Qur'an actually say about veiling women? Does it justify religious war? There was a time when ordinary Americans did not have to know much about Islam. That is no longer the case. We blundered into the longest war in our history without knowing basic facts about the Islamic civilization with which we were dealing. We are constantly fed false information about Islam--claims that it is essentially a religion of violence, that its sacred book is a handbook for terrorists. There is no way to assess these claims unless we have at least some knowledge of the Qur'an. In this book Wills, as a non-Muslim with an open mind, reads the Qur'an with sympathy but with rigor, trying to discover why other non-Muslims--such as Pope Francis--find it an inspiring book, worthy to guide people down through the centuries. There are many traditions that add to and distort and blunt the actual words of the text. What Wills does resembles the work of art restorers who clean away accumulated layers of dust to find the original meaning. He compares the Qur'an with other sacred books, the Old Testament and the New Testament, to show many parallels between them. There are also parallel difficulties of interpretation, which call for patient exploration--and which offer some thrills of discovery. What the Qur'an Meant is the opening of a conversation on one of the world's most practiced religions.

In his Pulitzer prize-winning 1993 book Lincoln at Gettysburg, Garry Wills showed how the Gettysburg Address revolutionized the conception of modern America. In Witches and Jesuits, Wills again focuses on a single document to open up a window on an entire society. He begins with a simple question: If Macbeth is such a great tragedy, why do performances of it so often fail? After all, the stage history of Macbeth is so riddled with disasters that it has created a legendary curse on the drama. Superstitious actors try to evade the curse by referring to Macbeth only as "the Scottish play," but production after production continues to soar in its opening scenes, only to sputter towards anticlimax in the later acts. By critical consensus there seems to have been only one entirely successful modern performance of the play, Laurence Olivier's in 1955, and even Olivier twisted his ankle on opening night. But Olivier's ankle notwithstanding, Wills maintains that the fault lies not in Shakespeare's play, but in our selves. Drawing on his intimate knowledge of the vivid intrigue and drama of Jacobean England, Wills restores Macbeth's suspenseful tension by returning it to the context of its own time, recreating the burning theological and political crises of Shakespeare's era. He reveals how deeply Macbeth's original 1606 audiences would have been affected by the notorious Gunpowder Plot of 1605, when a small cell of Jesuits came within a hairbreadth of successfully blowing up not only the King, but the Prince his heir, and all members of the court and Parliament. Wills likens their shock to that endured by Americans following Pearl Harbor or the Kennedy assassination. Furthermore, Wills documents, the Jesuits were widely believed to be acting in the service of the Devil, and so pervasive was the fear of witches that just two years before Macbeth's first performance, King James I added to the witchcraft laws a decree of death for those who procured "the skin, bone, or any other part of any dead person - to be employed or used in any manner of witchcraft, sorcery, charm, or enchantment." We see that the treason and necromancy in Macbeth were more than the imaginings of a gifted playwright-they were dramatizations of very real and potent threats to the realm. In this new light, Macbeth is transformed. Wills presents a drama that is more than a well-scripted story of a murderer getting his just penalty, it is the struggle for the soul of a nation. The death of a King becomes a truly apocalyptic event, and Malcolm, the slain King's son, attains the status of a man defying cosmic evil. The guilt of Lady Macbeth takes on the Faustian aspect of one who has singed her hands in hell. The witches on the heath, shrugged off as mere symbols of Macbeth's inner guilt and ambition by twentieth century interpreters, emerge as independent agents of the occult with their own (or their Master's) terrifying agendas. Restoring the theological politics and supernatural elements that modern directors have shied away from, Wills points the way towards a Macbeth that will finally escape the theatrical curse on "the Scottish play." Rich in insight and a joy to read, Witches and Jesuits is a tour de force of scholarship and imagination by one of our foremost writers, essential reading for anyone who loves the language.

In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the "Confessions"--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the "Confessions," this is an unparalleled introduction to one of the most important books in the Christian and Western traditions.

Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the "Confessions" as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the "Confessions" has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics.

With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

One of the most important sites in the Christian world lies hidden under the piazza of the cathedral (Duomo) in Milan. Rarely visited, it is part of the foundations of a 4th-century cathedral where, at dawn on Easter of 387, a group of people seeking baptism, including Augustine, gathered after an all-night vigil. After Ambrose performed the sacrament, the catechumens were greeted by their fellows in the faith, including Augustine's mother Monnica and the two men who had taught Augustine his theology and philosophy, Mallius Theodore and Simplician. Though the occasion had deep significance for the participants, this little cluster of devotion was unaware that they were creating the future of the Western church. Ambrose, already a powerful leader, would go on to forge new liturgies, new forms of church music, and new chains of churches; Augustine would return to his native Africa to become bishop of Hippo and one of the most influential writers of Christianity of his time and ours.
In Font of Life, Garry Wills uses this baptistry to chronicle a pivotal chapter in the history of the Church. In doing so, he highlights the often uncomfortable relationship between Ambrose, the cultured and influential official in imperial Milan, and Augustine, the ambitious man from the provinces with searching questions about his faith. In addition, the baptistry allows Wills to neatly explore two issues of paramount importance to the early Church: the sacrament of baptism and the incorporation of Neoplatonic philosophy into the Western faith. Wills provides a richly detailed account of this watershed moment in Western intellectual history while promising to make widely known an unjustly neglected early Christianity landmark.

A groundbreaking examination of how the atomic bomb profoundly altered the nature of American democracy. Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. In Bomb Power, bestselling author Garry Wills presents a blistering critique of excessive executive power and official secrecy, drawing a direct line from the Manhattan Project to the usurpations of George W. Bush. He reveals how the atomic bomb transformed our nation down to its deepest constitutional roots-by dramatically increasing the power of the modern presidency and redefining the government as a national security state-leaving us in a state of continuous war alert for nearly seven decades. Bold and incisive, Bomb Power casts the history of the postwar period in a new light and sounds an alarm about the continued threat to our Constitution.

Bawdy and biting epigrams, freshly translated, ready for enjoyment. One of literature's greatest satirists, Martial earned his livelihood by excoriating the follies and vices of his time, and set a pattern that satirists have admired and imitated across the ages. Born in Spain, Marcus Valerius Martialis (c. 40-102 CE), known in English as Martial, went to Rome as a young man to win fame and fortune. At the height of his career he published a book of scathing social commentary every year--1,500 poems in all, of which Wills translates about a third. This exquisite translation from acclaimed author Garry Wills does not sacrifice the cleverly constructed effects of Martial's short and shapely thrusts. Martial's Epigrams make addictive reading and a perfect--if naughty--gift.

In Henry Adams and the Making of America, Pulitzer Prize winner Garry Wills makes a compelling argument for a reassessment of Henry Adams as our nation's greatest historian and his History as the "nonfiction prose masterpiece of the nineteenth century in America." Adams drew on his own southern fixation, his extensive foreign travel, his political service in the Lincoln administration, and much more to invent the study of history as we know it. His nine-volume chronicle of America from 1800 to 1816 established new standards for employing archival sources, firsthand reportage, eyewitness accounts, and other techniques that have become the essence of modern history.
Ambitious in scope, nuanced in detail, Henry Adams and the Making of America throws brilliant light on the historian and the making of history.

In "Negro President" the Pulitzer Prize-winning historian Garry Wills explores a pivotal moment in American history through the lens of Thomas Jefferson and the now largely forgotten Timothy Pickering, and "prods readers to appreciate essential aspects of our distressed but well-intentioned representative democracy" (Chicago Tribune).
In 1800 Jefferson won the presidential election with Electoral College votes derived from the three-fifths representation of slaves -- slaves who could not vote but were still partially counted as citizens. Moving beyond the recent revisionist debate over Jefferson's own slaves and his relationship with Sally Hemings, Wills instead probes the heart of Jefferson's presidency and political life, revealing how the might of the slave states remained a concern behind his most important policies and decisions.
In an eye-opening, ingeniously argued expose, Wills restores Timothy Pickering and the Federalists' dramatic struggle to our understanding of Jefferson, the creation of the new nation, and the evolution of our representative democracy.
"Garry Wills is a thinker of first rate. He combines the vigor of the social critic with the depth of the historian, and to these he adds the even rarer gifts of the philosopher." -- New Republic
"A thorough political analysis of another founding father's involvement in slavery." -- San Francisco Chronicle
Garry Wills, a distinguished historian and critic, is the author of numerous books, including the Pulitzer Prize-winning Lincoln at Gettysburg, Saint Augustine, the best-selling Why I Am a Catholic, and Henry Adams and the Making of America.

In this provocative work, which could not be timelier, Garry Wills, one of our country's most noted writers and historians, offers a powerful statement of his Catholic faith. Beginning with a reflection on his early experience of that faith as a child and later as a Jesuit seminarian, Wills reveals the importance of Catholicism in his own life. He goes on to challenge, in clear and forceful terms, the claim that criticism or reform of the papacy is an assault on the faith itself. For Wills, a Catholic can be both loyal and critical, a loving child who stays with his father even if the parent is wrong. Wills turns outward from his personal experiences to present a sweeping narrative covering two thousand years of church history, revealing that the papacy, far from being an unchanging institution, has been transformed dramatically over the millennia -- and can be reimagined in the future. At a time when the church faces one of its most difficult crises, Garry Wills offers an important and compelling entrée into the discussion of the church's past -- and its future. Intellectually brisk and spiritually moving, Why I Am a Catholic poses urgent questions for Catholic and non-Catholic readers alike.

From one of America's most distinguished historians comes this classic analysis of Richard Nixon. By considering some of the president's opinions, Wills comes to the controversial conclusion that Nixon was actually a liberal. Both entertaining and essential, Nixon Agonistes captures a troubled leader and a struggling nation mired in a foolish Asian war, forfeiting the loyalty of its youth, puzzled by its own power, and looking to its cautious president for confidence. In the end, Nixon Agonistes reaches far beyond its assessment of the thirty-seventh president to become an incisive and provocative analysis of the American political machine.

The Pulitzer Prize-winning author of "Lincoln at Gettysburg "and "Papal Sin" captures the many dimensions of one of the twentieth century's most influential writers.
Part of a literary circle that included H.G. Wells, George Bernard Shaw, Hillaire Belloc, and Max Beerbohm, G.K. Chesterton (1874-1936) wrote essays of social criticism for contemporary journals, literary criticism (including notable books on Browning, Dickens, and Shaw), and works of theology and religious argument, but may have been best known for his Father Brown mysteries. Chesterton's interest in Catholic Christianity, first expressed in "Orthodoxy," led to his conversion from Anglicanism to Roman Catholicism in 1922. His classic "Saint Francis of Assisi" and the equally acclaimed "Saint Thomas Aquinas" confirmed his reputation as a writer with the rare ability to simultaneously entertain, inform, and enlighten readers. This revised edition of Garry Wills's finely crafted biography includes updates to the text and a new Introduction by the author.

Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. -Riveting . . . a double-barreled salvo that hits two bull's-eyes.- --The New York Times Book ReviewThis dazzling study of the three operas that Giuseppe Verdi adapted from Shakespeare's plays takes readers on a wonderfully engaging journey through opera, music, literature, history, and the nature of genius. Verdi's Shakespeare explores the writing and staging of Macbetto (Macbeth), Otello (Othello), and Falstaff, operas by Verdi, an Italian composer who could not read a word of English but who adored Shakespeare. Delving into the fast-paced worlds of these men and the hands-on life of the stage that at once challenged them and gave flight to their brilliance, Wills, in his inimitable way, illuminates the birth of artistic creation.

A penetrating study of the images, symbols, pageants, and creative performances ambitious Elizabethans used to secure political power Shakespeare's plays abound with kings and leaders who crave a public stage and seize every opportunity to make their lives a performance: Antony, Cleopatra, Richard III, Othello, and many others. Such self-dramatizing characters appear in the work of other playwrights of the era as well, Marlowe's Edward II and Tamburlaine among them. But Elizabethan playwrights were not alone in realizing that a sense of theater was essential to the exercise of power. Real rulers knew it, too, and none better than Queen Elizabeth. In this fascinating study of political stagecraft in the Elizabethan era, Garry Wills explores a period of vast cultural and political change during which the power of make-believe to make power real was not just a theory but an essential truth. Wills examines English culture as Catholic Christianity's rituals were being overturned and a Protestant queen took the throne. New iconographies of power were necessary for the new Renaissance liturgy to displace the medieval church-state. The author illuminates the extensive imaginative constructions that went into Elizabeth's reign and the explosion of great Tudor and Stuart drama that provided the imaginative power to support her long and successful rule.

An examination of the nature of leadership that uses a wide range of portraits from history representing revolutionary, political, religious, business, artistic, sport and military leaders including Franklin D. Roosevelt, Napoleon and Martin Luther King Jr.