Nature's Mountain Mansion is the first anthology on Yosemite that focuses exclusively on the nineteenth century, the critical period in which Yosemite was "discovered" by an expanding nation and transformed into one of the country's most visited national parks. While there are volumes that provide readings about Yosemite in the nineteenth century, few provide critical-sometimes even disparaging-eyewitness reflections on the Yosemite experience, and none include excerpts from the government documents that defined the future of the park, such as the Yosemite Valley Grant Act of 1864. This anthology collects selections from fiction, nonfiction, and government documents that demonstrate the glory, the brutality, and the controversies surrounding this extraordinary and much-loved landscape. Some selections have not appeared in print since their original publication, while others have not been republished or excerpted for decades.

The Sierra Nevada, with its 14,000-foot granite mountains, crystalline lakes, conifer forests, and hidden valleys, has long been the domain of dreams, attracting the heroic and the delusional, the best of humanity and the worst. Stories abound, and characters emerge so outlandish and outrageous that they have to be real. Could the human imagination have invented someone like Eliza Gilbert? Born in Limerick, Ireland, in 1818, she transformed herself into Lola Montez, born in Seville, Spain, in 1823, and brought to the Gold Country the provocative “Spider Dance”—impersonating a young woman repelling a legion of angry spiders under her petticoats. Or Otto Esche, who in 1860 imported fifteen two-humped Bactrian camels from Asia to transport goods to the mines. Or the artist Albert Bierstadt, whose paintings Mark Twain characterized as having “more the atmosphere of Kingdom-Come than of California.” Or multimillionaire George Whittell Jr., who was frequently spotted driving around Lake Tahoe in a luxurious convertible with his pet lion in the front seat. These, and scores more, spill out of the pages of this well-illustrated and lively tribute to the Sierra by a native son.