Eight new essays on topics from Shakespeare and Dryden to Donne, Bronzino, Sidney, Hutchinson, and Milton. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. In the 2005 volume, two essays focus on Shakespeare: one on "choric juxtaposition" in his twinned characters and one on the rhetoric of The Tempest; another essay on drama considers Dryden's critical response to Epicoene. There are two essays on John Donne, one on the choir space in his conduct of worship in St. Paul'sand the other on the revisions to his Elegies. Other essays consider the influence of Castiglione on the paintings of Bronzino, the metaphor of the horse and horsemanship in Sidney's poetics, and the role of conversation inHutchinson and Milton. Contributors: George Walton Williams, Sara Van Den Berg, Jennifer Brady, John N. Wall, Ernest W. Sullivan II, Heather L. Holian, Anne Lake Prescott, and Boyd Berry M. Thomas Hester isProfessor of English, and Christopher Cobb is Assistant Professor of English, both at North Carolina State University.

A Bicentennial Account Of St. Michael's, Its History And People, Its Design, Furniture, Churchyard, Rectory, Music, Organ, Bells, And Clock.

A Bicentennial Account Of St. Michael's, Its History And People, Its Design, Furniture, Churchyard, Rectory, Music, Organ, Bells, And Clock.

Including A Sketch Of Daniel Hand And Relics Of A Forgotten Race In Nacoochee, Ga., And Its Surroundings And A Sketch Of The Life Of George W. Williams, In The Cyclopedia Of The Representative Men Of The Carolinas.

Including A Sketch Of Daniel Hand And Relics Of A Forgotten Race In Nacoochee, Ga., And Its Surroundings And A Sketch Of The Life Of George W. Williams, In The Cyclopedia Of The Representative Men Of The Carolinas.

A changeling is a fickle person, a waverer, a person posing as another person, or an idiot. The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater. Two plots, each the work of one playwright, interweave and collide. Words, lines, episodes, and scenes mix double meanings. Rowley's tragic plot combines hypocricy and love. Middleton's comic plot mixes madness and educated fools. Deceits tie things together, suspicions tear them apart.