The book, based on memories of a native son and the research of a scholar, is an amalgam of descriptions and discussions, peppered with conversations, personal observations and an acute observer's reflections, focused on the fabric of life in the city of Lodz and its vicinity. The author describes the "court" of the Hasidic Rabbis of Alexander, with which his family was affiliated, the rival camps of Hasidim and Zionists, industrialists and laborers, struggles with the Polish authorities, and more. Detailed chapters are dedicated to a description of studies at a modern Jewish-Zionist high school (Gymnasium) - its exhilarating goals, directors and teachers, to the Lodz poet Yitzhak Katzenelson before and during the Holocaust, and to life in a small Polish shtetl. The concluding chapter "Return to Poland" examines the cities and towns described earlier in the book, as well as Breslau-Wroclaw, where the author had completed his rabbinic and university studies in 1933, as they appeared to him during his visit in 1982, nearly fifty years after his departure from Europe for Israel. The author's aim was to produce a portrait, sympathetic, intimate, but also knowledgeable and critical, of a generation that did not have the time to take stock of itself before its obliteration. He has thus rendered palpable the experiences and quandaries of many of his contemporaries.

In this volume, Professor Shmueli, a distinguished Israeli scholar, has synthesized history, philosophy, biblical scholarship, sociology, literature and psychology into an original and profound view of Jewish history. Jewish history is viewed as an unfolding of seven successive systems of cultures, where each culture emerges in its time both as a rebel and a successor of previous cultures. Each presents itself as a distinct and often startlingly different framework in which the meaning of Jewish life is always interpreted anew. In this sense, Jewish history may be said to have undergone seven great 'Renaissances'. Seven Jewish Cultures emphasizes the chasm which divides the five 'cultures of faith' from the secular cultures of the Emancipation and nationalist-Israeli periods. Shmueli argues that the cultures of modernity have created a new frame of reference for the Jewish people. No longer is Jewish history viewed as a divine drama, and no longer is the Bible seen as the hermeneutical key to all Jewish problems.

The book, based on memories of a native son and the research of a scholar, is an amalgam of descriptions and discussions, peppered with conversations, personal observations and an acute observer's reflections, focused on the fabric of life in the city of Lodz and its vicinity. The author describes the "court" of the Hasidic Rabbis of Alexander, with which his family was affiliated, the rival camps of Hasidim and Zionists, industrialists and laborers, struggles with the Polish authorities, and more. Detailed chapters are dedicated to a description of studies at a modern Jewish-Zionist high school (Gymnasium) - its exhilarating goals, directors and teachers, to the Lodz poet Yitzhak Katzenelson before and during the Holocaust, and to life in a small Polish shtetl. The concluding chapter "Return to Poland" examines the cities and towns described earlier in the book, as well as Breslau-Wroclaw, where the author had completed his rabbinic and university studies in 1933, as they appeared to him during his visit in 1982, nearly fifty years after his departure from Europe for Israel. The author's aim was to produce a portrait, sympathetic, intimate, but also knowledgeable and critical, of a generation that did not have the time to take stock of itself before its obliteration. He has thus rendered palpable the experiences and quandaries of many of his contemporaries.

Professor Shmueli has synthesized history, philosophy, biblical scholarship, sociology, literature and psychology into an original and profound new view of Jewish history. Jewish history is viewed as an unfolding of seven successive systems of cultures, where each culture emerges in its time both as a rebel and a successor of previous cultures. Each presents itself as a distinct and often startlingly different framework in which the meaning of Jewish life is always interpreted anew. In this sense, Jewish history may be said to have undergone seven great "Renaissances." This study emphasizes the chasm that divides the five "cultures of faith" from the secular cultures of the Emancipation and nationalist-Israeli periods. Shmueli argues that the cultures of modernity have created a new frame of reference for the Jewish people. No longer is Jewish history viewed as a divine drama, and no longer is the Bible seen as the hermeneutical key to all Jewish problems. Both in Israel and outside it, claims Shmueli, there is a need for a new balance that will retain the creative elements of the past and, at the same time, permit reinterpretation and change.